Advantages: quicker in theory Disadvantages: less safe
chip and pin has to have been one of the daftest ideas i have ever been subjected to.
The whole idea of this was supposed to be to stop credit card fraud happening but i think it has just mede it easier.
Instead of signing the reciept every time you make a purchase now all you do is type in your 4 digit pin number,
since the introduction of chip and pin i have had my card swiped through a card reader at a resturant we ate in and someone made a clone of my card and have had many of an occasion where a shop swipe machine didnt register the card the first time so the shop assistant swiped it again only to find on my statement at the end of the month the money was taken on both occasions.
Chip and pin also cannot stop credit card fraud over the internet.
I dont think the idea works very well at all and we would be better ...
danniell 09.05.2008
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Ciao members have rated this review on average: helpful Review of Chip and PIN
Advantages: Amazing variety of things you really won't see anywhere else Disadvantages: Best avoided in the summer months - this is seriously HOT and dry
for me. For those of you who are now thinking "which was the oldest?" I?ll leave you to dwell on that and the answer will be at the bottom of the review*.
Records of the city date back to more than 3000 years to the time when it was part of the empire of a Zoroastrian tribe called the Medes. Over the millennia since it was founded, the harsh and inhospitable climate meant that few invaders could be bothered to fight over it. Consequently it was left undisturbed by the ravages of war and its ancient architecture and traditions survived the passage of time ? even though much of the city is constructed from adobe (mud).
When Gengis Khan stomped through the Middle East in the 13th Century, many artists and intellectuals fled to the city as a safe haven and even Marco Polo dropped by in 1272 and described it as a "good and noble city". (As ...
koshkha 14.05.2009
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Ciao members have rated this review on average: very helpful Review of Yazd, Iran
Advantages: A great diversity of famous works Disadvantages: Not everything is perfect
Fortuna from Carmina Burana
HOLST: Mars from The Planets, Op.32
WAGNER: The Ride of the Valkyries from Die Walküre
VERDI: Chorus of the Hebrew Slaves from Nabucco
COPLAND: Fanfare for the Common Man
ELGAR: Pomp and Circumstance March no.1, Op.39/1 (exc.)
VERDI: Grand March from Aida
VIVALDI: Presto from Summer of The Four Seasons, Op.8
CHARPENTIER: Prelude from Te Deum
BRITTEN: Theme from The Young Person's Guide to the Orchestra, Op.35
J.S. BACH: Toccata from Toccata and Fugue in D minor, BWV 565
BEETHOVEN: 1st mvt from Symphony no.5 in C minor, Op.67
KHACHATURIAN: Adagio from Spartacus, Op.82 (exc.)
KHACHATURIAN: Sabre Dance from Gayaneh, Op.50
MOZART: 1st mvt from Symphony no.40 in G minor, K.550
HÄNDEL: Zadok the Priest
PUCCINI: Nessun Dorma from Turandot
CD 2
R. STRAUSS: Opening from Also Sprach Zarathustra, Op.30 ...
Bernard Delétré (Bass); Jean-Marc Salzmann (Baritone); Lorraine Hunt (Soprano); Mark Padmore (Tenor); Monique Zanetti (Soprano)
Orchestra / Ensemble(s)
(Les) Arts Florissants Chorus; (Les) Arts Florissants Orchestra
Date of Release
05/1995
Label / Distributor
Erato / TEN
Pieces in Set
3
Running Time
3 hours 15 minutes
Genre(s)
Stage works
Producer
Nicholas Parker
SPAR Code
DDD
EAN
745099655822
Catalogue Number
4509
Work 1
Work Title
Médée, H491
Excerpt(s)
1. Que me peut demander la gloire 2. Prologue - Ouverture 3. Loure 4. Act 1 Scene 6 - Rondeau des Corinthiens 5. Entracte 6. Act 2, Scene 7 - Passacaille 7. Act 3, Scene 5 - Noires filles du Styx 8. Act 3, Scene 6 - Venez mêler à mes poisons 9. Act 3 Scène 7 - Premier air pour les démons 10. Seconde entrée des démons
Composer
Marc-Antoine Charpentier (1643 - 1704)
Genre
Stage works
Date Written
1693
Date Recorded
1994
Conductor
William Christie
Orchestra / Ensemble
(Les) Arts Florissants Orchestra
Orchestra / Ensemble
(Les) Arts Florissants Chorus
Main Performer
Bernard Delétré (Bass), Jean-Marc Salzmann (Baritone), Lorraine Hunt (Soprano), Mark Padmore (Tenor), Monique Zanetti (Soprano), Noémi Rime (Soprano)
Opera Part(s)
Bernard Delétré (Créon), Jean-Marc Salzmann (Oronte), Lorraine Hunt (Médée), Mark Padmore (Jason), Monique Zanetti (Créuese), Noémi Rime (Nérine)
Location of Work Recording
Salle Berthier, Paris
Ciao
Listed on Ciao since
01/10/2005
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