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Chasin' the Gypsy -
Carter has acquired a reputation for taking a free, somewhat delinquent approach to the
... more
muscular, throaty Texas Tenor style of Illinois Jacquet and Arnett Cobb. If any further proof of his radicalism were required, this album provides it, not, paradoxi...
Chasin' the Gypsy -
Carter has acquired a reputation for taking a free, somewhat delinquent approach to the
... more
muscular, throaty Texas Tenor style of Illinois Jacquet and Arnett Cobb. If any further proof of his radicalism were required, this album provides it, not, paradoxi...
Album Notes: Personnel: James Carter (soprano, tenor, F-mezzo & bass saxophones); Charlie Giordano (accordion); Regina Carter (violin); Jay Berliner (steel-string guitar); Romero Lubambo (nylon-string guitar); Steve Kirby (bass); Joey Baron (drums); Cyro Baptista (percussion). Recorded at Avatar Studios, New York, New York. CHASIN' THE GYPSY finds saxophonist James Carter, one of today's most soulful and innovative young jazz cats, confidently swinging an acoustic crew through music written and inspired by Parisian guitar legend Django Reinhardt. With a pair of guitarists deftly complimenting master Reinhardt, impressionistic accordion washes, and violin sensation Regina Carter's slippery, Stephane Grappelli-inspired gypsy slides, Carter gets to the music's deep roots and flourishes. Reinhardt's melodic savvy, jubilant swing and wit are not lost on James Carter, who booms into the opener "Nuages" blowing the tune's head on a body-rattling bass sax--the initial surprise of hearing this uncommon instrument played with such effortless warmth is enough to coax a smile. Moving easily between tenor, soprano and f mezzo horn, Carter conjures many emotional moods; from the haunted, vibrato-soaked heartbreak of "La Derniere Bergere" to the carnivalesque accordion and sly musical smirk of "Manoir De Mes Reves." James Carter has certainly been CHASIN' THE GYPSY--sounds like he might have caught her, too.
Album Reviews: Rolling Stone (1/4/01, p.106) - Included in Rolling Stone's Top 50 Albums of 2000. Rolling Stone (8/3/00, p.56) - 4 stars out of 5 - "...An instant fave....swinging romantically, jauntily, [and] moodily....[His] affection for as bygone culture is palpable throughout and never deadened by piety..." Down Beat (10/00, p.64) - 4 stars out of 5 - "...The mood here captures the spirit of Europe between the wars....[not] merely a tribute to the Hot Club...but darker and more abstract....beautiful." Entertainment Weekly (6/9/00, p.79) - "...A winning, offbeat tribute to '30s jazz guitarist Django Reinhardt, [his] pungent horns sidle up nicely to idiomatic acoustic guitar and violin..." - Rating: B+ The Wire (8/00, p.46) - "...Channels [his] bravado....immaculately arranged and sequenced..." CMJ (6/19/00, p.23) - "...On this eclectic set, Carter's bold interpretations reflect a largely romantic mood...and his fluid interplay with classical guitar, accordion and violin remains alluring and effective throughout..."
Advantages: Great jazz tunes from the Golden Age Disadvantages: None
...-performed and fluid love song. Sadly the female singer with the honey-dripping tones is not credited on this CD.
There's Harry James and his Orchestra with a waltz time piece called Carnival of Vencie, with some trumpet playing that is straight out of the trumpet section of a classical orchestra.
There's Moonlight in Vermont sung by Ella Fitzgerald. If you haven't heard her sing, hear this song and you'll know why Ella Fitzgerald is so well-loved to this day by people from all over the year.
Prisoner of Love by Teddy Wilson is good, solid jazz fare. A simple rhythm, slightly muted trumpet and lilting piano. Eventually, the music is joined by a female singer with a voice that is slightly reminiscent of Mae West.
Closing Hour Blues by Meade Lux Lewis is a blues jazz cross-over. Somehow the crackles from the original master recording just add...
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Ciao members have rated this review on average helpful
Advantages: Amazing Jazz improvisation, great sound and beautiful harmony Disadvantages: None.
...Jazz in Africa is an excellent example of complex swing rhythms and fruitful harmony combined with witty and playful melodies. Instruments of a classic Jazz setup with a drumkit, double bass, piano, Saxophone and Trumpet.
This Album is a personal favourite with some really special tracks on it. Track 2 Yardbird Suite is a great introduction to jazz, its full of life with a controlled expressive saxophone solo. Track 12 Gafsa Gypsies, a piano solo is a brilliant piece showing the piano in its more dreamy side.
I think the questions when buying music in particular are: How tight is the music? How good is the sound quality? and is it really an positive experience into another culture? I think with Jazz in Africa Volume One I can really vouch for this album. Fair enough some of it may sound like a bit wild, wandering off the point...
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Ciao members have rated this review on average helpful
Advantages: Fast, lively, talented, rare sounds Disadvantages: None that I can think of except it might be difficult to understand lyrics
...Firstly a little bit about the band as I notice there is a distinct lack of reviews about them. Taraf de Haidouks are the Buena Vista Social Club of Europe, they're unbelievably talented musicians from a small village in Romania. The band line-up changes and they are forever willing to experiment with other musicians. Having been to a few live concerts of them myself, I can say that they are very open, friendly, talented and create a vigour and excitement about the crowd that can rarely be compared.
Now on to the album - Band of Gypsies was recorded in Bucharest in the year 2000, it was the 4th album put out by Taraf De Haidouks, looking to integrate other Balkan styles they invited Kocani Orkestar (from Macedonia), Filip Simeonov a clarinet player from Bulgaria and percussionist Tarik Tuysuzoglu from Turkey to play alongside them...
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Ciao members have rated this review on average helpful
helpful 28.04.2008
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