Advantages: Great mixture of songs, very talented band Disadvantages: None for me
Counting Crows are an American band that never really made it big in this country which is a real shame as they are so talented! They were formed back in 1990 and are still together after all these years! They tour the UK every couple of years and although they are my favourite band of all time I have not yet seen them in concert as I am not a fan of crowded places!
The album 'August and Everything After' was released back in 1993 and it was the soundtrack to my youth, blimey that makes me feel old now! I listen to this album on a regular basis even today and never get bored of it as it is still my favourite!
The tracks are as follows:
1. Round Here
A brilliant guitar riff opens this track which is repetitive throughout but not annoying. The song is very simple yet effective. Some great lyrics such as "we talk just ...
Advantages: Originality, great musicianship Disadvantages: Not that memorable, stronger Basie albums elsewhere
When thinking through covers of famous songs the concept of this album would not be the first to spring to mind. A big band, swinging jazz rendition of some of the Beatles finest hits.
In reviewing this album I can't speak for fans of the Beatles. Whilst recognising the musicianship of the Beatles they have never been part of my musical 'taste' . So I'm interested to know - does this come across as a suitable tribute, from one great artist to another? Can the music of the Beatles ever hope to remain great when reworked in this way?
As for me, well I love it, in concept at least. CountBasie never fails to provide the most fulfilling big band sound. With this album I can at least try to appreciate the music of a band that otherwise I would steer clear of.
Personal favourites from this collection are 'Yesterday' - a high-tempo all ...
Advantages: Side Impact version has good reviews for safety Disadvantages: No major ones
We took ages to decide which type of car seat we wanted - one to install and leave or one that you'd be able to carry baby around in. Further research and we decided an install and leave would be more appropriate as we could get more use out of it (newborn to about 4 yrs) and then easily use a sling/baby carrier. Of the 0+ class of seats we looked at we were most impressed by the Britax First Class for its good safety reviews and the length of use we should be able to get straight from birth. And we've not been disappointed. Easy to install and remove, looks comfortable for little Siún, not too heavy but you wouldn't want to be carrying it around, nice finish and generally feels sturdy. It is a little bit on the big side, and the set up means that in the newborn position a seat belt sits in the way slightly but other than that we ...
Product Information for "Class Of '54 - Count Basie" »
Product details
Title
Class Of '54
Performer
Count Basie
Genre
Jazz Instrument
Sub Genre
Big Band
Release Date
12/07/2004
Recomended Retail Price
12.99 GBP
Original Release Year
1954
Label / Distributor
Black Lion / RSK/Trilogy Logistics
Producer
Alan Bates
Pieces in Set
1
Studio / Live
Studio
Format
Performer
EAN
4002587266127
Catalogue Number
8776612
Additional notes
Album Notes
Personnel: Count Basie (piano, organ); Ernie Wilkins (alto & tenor saxophones); Marshall Royal (alto saxophone, clarinet); Frank Wess (tenor saxophone, flute); Frank Foster (tenor saxophone); Charlie Fowlkes (baritone saxophone); Wendell Culley, Reunald Jones, Thad Jones, Joe Newman (trumpet); Henry Coker, Bill Hughes, Benny Powell (trombone); Freddie Green (guitar); Ed Jones (bass); Gus Johnson (drums). Recorded in Boston on September 7, 1954 and at the American Legion Park in Ephrata, Pennsylvania on September 2, 1954. Includes liner notes by Barry McRae. World War Two, apart from being somewhat disruptive to the rest of humanity, also brought about the disruption of many big bands. It's no wonder Basie decided to venture out with a scaled down group in 1950. But 1954 was to mark yet another change for the legendary bandleader. It was to be his last effort with a small group for the next eight years, and the beginning of a renewed success for his big band. CLASS OF '54 represents the two bands that Basie spearheaded in 1954. The first is a nonet, and the second is his usual full orchestra. On the nonet portion of the disc, trumpeter Joe Newman is featured on "Confessin" and flute innovator Frank Wess is featured on "In Case You Didn't Know" and "Peter Pan." The big band portion of this album retains much of the feel and mood of Basie's first band from the mid 1930's. However, the emphasis now switches to ensemble precision and clear cut, highly composed arrangements. Nonetheless, the deep pocketed swing that Basie alone epitomizes here remains vital to the band's sound.
![Complete Original American Decca Recordings, The [Remastered] - Count Basie](http://imagesb.ciao.com/iuk/images/products/small/557/Complete_Original_American_Decca_Recordings_The_Remastered_Count_Basie__41557.jpg)
