Many of you who have read some of my reviews will know that I am a huge Paul Weller fan, and even more so when he plays live, as this is when he is truly at his magnificent best. I hate the term “The Modfather” which seems to have been tagged onto him, as this gives the idea that he is only on the scene to nuture others, which is certainly not the case, as I think after a few decades on the music scene he is still finding new ways to evolve as an artist. This album was eagerly anticipated by me, as it is a compilation of some of his most popular tracks but played live on an acoustic tour, which as I have mentioned is where he really shines for me, although this time he decided not to have the band he normally has and perform his music stripped back to the bone with just him and a guitar. The album is jam packed with quality, 18 tracks in all from a selection of his releases over the years, and bravely not all of them are the ones that would immediately spring to people’s minds.
Opening track is ‘Brand New Start’, which was included in his ‘Modern Classics’ album at the end of the 1990’s. For me, this is an excellent opener, and sets the tone for what will follow. Lyrically, this is a really strong song where the emotion and feeling comes through with every word of this laid back ballad. ‘The Loved’ was a B Side which gained popularity amongst Weller fans, and that was the reason he included it in the set list for this tour. It is slightly more uptempo than the opener, but nothing more than a mild toe tapper. His vocals
are outstanding on this track, and it just adds weight to the fact that he does not need a band standing behind him to captivate an audience.
One of my all time favourite Weller tracks from my favourite album ‘Stanley Road’ is ‘Out Of The Sinking’, and it is a real uplifting track normally, so as expected this version lacks the bite that the original has, but that in no way detracts from the listening experience. Many of you will know this track as it was used as the theme tune for Sky Sports a few years ago.
‘Clues’ is a track from the early 1990’s release ‘Paul Weller’, when he was still having limited success as a solo artist, but for some reason this track always gives me goosebumps. The chilled out mood continues, but there are times when the range of guitar playing and vocal ability are really stretched, as if to show people just what he can do.
A huge applause greets the opening bars of The Jam track ‘English Rose’. This song is nearing it’s 30th birthday, and it sounds so fresh, and if he is singing it for the first time with the passion and feeling it evoked in the late 1970’s. This was my close second choice for my wedding march, but it was beaten by a track which comes later on in the set list.
Another track from his self titled album is ‘Above The Clouds’, which is another track which never seems to date, and it is the first song on the album where you can really hear the audience singing along. The chorus is the strongest point of the song, and it is more upbeat than the tracks which have gone before it, but it fits so well, and again his talent as a songwriter is apparent for anyone who cares to listen.
The song which beat ‘English Rose’, and the song I walked down the aisle to get married to is the undisputable best Weller song ever…….’You Do Something To Me’. It evokes so much emotion, that I have tears in my eyes listening to it, even though it is something I do regularly. I blame the baby hormones!! Lyrically, I cannot think of a song which even comes close to this for me, and having written this for his ex wife, it is so difficult to see why they are no longer together when their feelings were this strong. I could not even give you my favourite line from this song, because I could not pick one.
Wiping away the tears, I am taken back to 1992, and again ‘Paul Weller’ (which is a criminally forgotten album), and this time the track is ‘Amongst Butterflies’. This is the song which differs most from the original, and this live version has a rock/blues feel to it which works very well, and I am sure that is because this is the one and only track where he uses an electric guitar.
The album he released in 2000 was one that took me a while to connect with, but from the outset ‘Science’ jumped out as a standout track. The chorus is extremely catchy and it has a jazzy feel to it, whereas ‘Back In The Fire’ from probably my least played album ‘Heliocentric’ is back to the mellow understated mood we saw at the start of the album. This is probably my least favourite track on the set list.
Just to keep everyone happy, he presents us with a Style Council song, ‘Down In The Seine’. It does not have the overpowering 80’s feel that so many of The Style Council songs have if you listen to them now, and this sounds much more like his solo material. He sticks with the nostalgia, and pleases every listener with the brilliant Jam track ‘That’s Entertainment’. It was, is and always will be a rousing track which will last the test of time, as it is continually appealing to the music lovers throughout many generations.
‘Loveless’ was from the ‘Heliocentric’ album, and is a really slow track which has a haunting quality about it. To the casual Weller listener, I am not sure this will appeal, because it is up against some stiff competition, but it adds to the balance of decades and styles that are included in this album, and he carries on with the same album, and this time the track is the strangely titled ‘There’s No Drinking After You’re Dead’, and as the words suggest, it is a pretty somber affair.
Another B side from his early solo career is ‘Everything Has A Price To Pay’. This version feels more folk influenced than the other tracks, and it is only the vocal echo which dilutes this a little. When I saw Weller in 1998, he played an acoustic version of ‘Wild Wood’, so I knew it would be included here, and would be a track fighting to be best in show, and it does not disappoint. It is a classic unmistakable Weller song, which never tires of being played.
The last two tracks are a blast from the past. The first, another Style Council number ‘Headstart For Happiness’, which is barely recognizable from the original, although it still has the happy smiley feel which I associated with a lot of their material. So what track do you end with if you are Paul Weller? There can only be one, and that one is The Jam classic ‘Town Called Malice’.
Many people will list the songs he did not include, and of course there are many, but when you are Paul Weller, you have to make some cuts, however I think he has given the listener a balanced and more importantly, a really enjoyable collection of songs, which he clearly enjoys playing and holds close to his heart. I highly recommend adding this CD to your collection immediately.
PS – Does anyone know where I can get tickets for his gig in Newcastle in November? I am 30 the day before and they were sold out too quick for me to get mine!!!
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Days of Speed, recorded live and acoustic at various shows during his 2001 global tour, ... more
will do little to further Paul Weller's standing among critics, who have a blind spot when it comes to Paul Weller. How is it, they want to know, that the man respo...
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Days of Speed, recorded live and acoustic at various shows during his 2001 global tour, ... more
will do little to further Paul Weller's standing among critics, who have a blind spot when it comes to Paul Weller. How is it, they want to know, that the man respo...
Postage & Packaging: Free! Availability: Usually dispatched within 24 hours...
Advantages: a beautiful acoustic sound scape Disadvantages: can't think of any
vipper_of_vip 23.08.2005 (23.08.2005)
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Ciao members have rated this review on average: somewhat helpful
Review of Days Of Speed - Paul Weller
Advantages: a beautiful acoustic sound scape Disadvantages: can't think of any
vipper_of_vip 23.08.2005 (23.08.2005)
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Read review
Ciao members have rated this review on average: somewhat helpful
Review of Days Of Speed - Paul Weller