Dvorák: Complete Concertos

Dvorák: Complete Concertos

6CD(s) - Label:Warner Classics - Distributor:TEN - Run Time:6 hours 23 minutes - Released:03/05/2004 - 825646152827 more

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Dvorák: Complete Concertos

Main specs

Title: Dvorák: Complete Concertos

Composer: Antonín Dvorák (1841 - 1904)

Main Performer: Mstislav Rostropovich (Cello); Maxim Vengerov (Violin); Pierre-Laurent Aimard (Piano); Thomas Zehetmair (Violin); Arto Noras (Cello)

Orchestra / Ensemble(s): Boston Symphony Orchestra; New York Philharmonic Orchestra; (Royal) Concertgebouw Orchestra, Amsterdam

Date of Release: 03/05/2004

Label / Distributor: Warner Classics / TEN

Pieces in Set: 6

Running Time: 6 hours 23 minutes

Genre(s): Orchestral, Stage works, Vocal and choral

Stereo: Stereo

EAN: 825646152827

Catalogue Number: 2564

Work 1

Work Title: Concerto for Cello and Orchestra in B minor, B191 (Op. 104)

Excerpt(s): 1. Allegro
2. Adagio ma non troppo
3. Allegro moderato

Composer: Antonín Dvorák (1841 - 1904)

Genre: Orchestral

Date Written: 1894-95

Conductor: Seiji Ozawa

Orchestra / Ensemble: Boston Symphony Orchestra

Main Performer: Mstislav Rostropovich (Cello)

Opera Part(s): Mstislav Rostropovich

Work 2

Work Title: Concerto for Violin and Orchestra in A minor, B108 (Op. 53)

Excerpt(s): 1. Concerto for Violin and Orchestra in A minor, B108 (Op. 53)

Composer: Antonín Dvorák (1841 - 1904)

Genre: Orchestral

Date Written: 1880 Revised 1882

Conductor: Kurt Masur

Orchestra / Ensemble: New York Philharmonic Orchestra

Main Performer: Maxim Vengerov (Violin)

Opera Part(s): Maxim Vengerov

Work 3

Work Title: Concerto for Piano and Orchestra in G minor, B63 (Op. 33)

Excerpt(s): 1. Allegro agitato
2. Andante sostenuto
3. Allegro con fuoco

Composer: Antonín Dvorák (1841 - 1904)

Genre: Orchestral

Date Written: 1876

Conductor: Nikolaus Harnoncourt

Orchestra / Ensemble: (Royal) Concertgebouw Orchestra, Amsterdam

Main Performer: Pierre-Laurent Aimard (Piano)

Opera Part(s): Pierre-Laurent Aimard

Work 4

Work Title: Romance in F minor, B39 (Op. 11)

Excerpt(s): 1. Romance in F minor, B39 (Op. 11)

Composer: Antonín Dvorák (1841 - 1904)

Genre: Orchestral

Date Written: 1873-79

Conductor: Eliahu Inbal

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Thomas Zehetmair (Violin)

Opera Part(s): Thomas Zehetmair

Work 5

Work Title: Silent woods, B182 (Op. 68/5)

Excerpt(s): 1. Silent woods, B182 (Op. 68/5)

Composer: Antonín Dvorák (1841 - 1904)

Genre: Orchestral

Date Written: 1893

Conductor: Markus Lehtinen

Orchestra / Ensemble: Kuopio Symphony Orchestra

Main Performer: Arto Noras (Cello)

Opera Part(s): Arto Noras

Work 6

Work Title: (3) Slavonic Rhapsodies, B86 (Op. 45)

Excerpt(s): 1. No. 1 in D

Composer: Antonín Dvorák (1841 - 1904)

Genre: Orchestral

Date Written: 1878

Conductor: Václav Neumann

Orchestra / Ensemble: Czech Philharmonic Orchestra

Work 7

Work Title: Serenade in E, B52 (Op. 22)

Excerpt(s): 1. Moderato
2. Tempo di valse
3. Scherzo (vivace)
4. Larghetto
5. Finale: Allegro vivace

Composer: Antonín Dvorák (1841 - 1904)

Genre: Orchestral

Date Written: 1875

Conductor: Hugh Wolff

Orchestra / Ensemble: Saint Paul Chamber Orchestra

Work 12

Genre: Vocal & Choral

Work 8

Work Title: Serenade in D minor, B77 (Op. 44)

Excerpt(s): 1. Moderato, quasi marcia
2. Minuetto
3. Andante con moto
4. Finale: Allegro molto

Composer: Antonín Dvorák (1841 - 1904)

Genre: Orchestral

Date Written: 1878

Conductor: Hugh Wolff

Orchestra / Ensemble: Saint Paul Chamber Orchestra

Work 9

Work Title: Rusalka, B203 (Op. 114)

Excerpt(s): 1. O, moon high up in the deep, deep sky (O silver moon)

Composer: Antonín Dvorák (1841 - 1904)

Genre: Stage works

Date Written: 1901

Conductor: Ondrej Lenárd

Orchestra / Ensemble: Prague Symphony Orchestra

Main Performer: Eva Urbanová (Soprano)

Opera Part(s): Eva Urbanová

Work 10

Work Title: Rusalka, B203 (Op. 114)

Excerpt(s): 1. ACT 3 - Insensible water power (God of the lake)

Composer: Antonín Dvorák (1841 - 1904)

Genre: Stage works

Date Written: 1901

Conductor: Ondrej Lenárd

Orchestra / Ensemble: Prague Symphony Orchestra

Main Performer: Eva Urbanová (Soprano)

Opera Part(s): Eva Urbanová

Work 11

Work Title: (16) Slavonic Dances, B83 & B147 (Opp. 46 & 72)

Excerpt(s): 1. B83 (Op. 46) - No. 1 in C
10. No. 2 in E minor
3. No. 3 in A flat
4. No. 4 in F
5. No. 5 in A
6. No. 6 in D
7. No. 7 in C minor
8. No. 8 in G minor
9. B147 (Op. 72) - No. 1 in B
11. No. 3 in F
12. No. 4 in D flat
13. No. 5 in B flat minor
14. No. 6 in B flat
15. No. 7 in C
16. No. 8 in A flat

Composer: Antonín Dvorák (1841 - 1904)

Genre: Orchestral

Date Written: 1878, 1886

Conductor: Nikolaus Harnoncourt

Orchestra / Ensemble: Chamber Orchestra of Europe

Work 12

Work Title: Requiem Mass, B165 (Op. 89)

Excerpt(s): 1. Requiem aeternam
2. Graduale
3. Dies irae
4. Tuba mirum
5. Quid sum miser
6. Recordare
7. Confutatis maledictis
8. Lacrimosa
9. Offertorium
10. Hostias
11. Sanctus
12. Pie Jesu
13. Agnus Dei

Composer: Antonín Dvorák (1841 - 1904)

Date Written: 1890

Conductor: Armin Jordan

Orchestra / Ensemble: Radio France Chorus

Orchestra / Ensemble: Nouvel Orchestre Philharmonique, Paris Orchestra

Main Performer: Leonard Andrzej Mróz (Bass), Peter Dvorsky (Tenor), Stefania Toczyska (Mezzo soprano), Teresa Zylis-Gara (Soprano)

Opera Part(s): Leonard Andrzej Mróz, Peter Dvorsky, Stefania Toczyska, Teresa Zylis-Gara

Ciao

Listed on Ciao since : 27/03/2005

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Advantages: It is simply one of the finest pieces of music ever written
Disadvantages: How dare you ask of any disadvantges!?!

...easily to be found for those interested in this version. CBS/Sony (60394 CD); Hilary and Jackie OST: Sony Classical (SK-60394) On a budget front, there is the recording of Maria Kliegel and Michael Halász conducting the Royal Philharmonic Orchestra for Naxos. Don't even think about getting this. The recording of the concerto (as well as the Dvorak that comes along) is terrible. Personally I consider the RPO to be the best orchestra around, but in this instance they are unusually out of the music, the recorded sound is thin, the soloist is over-indulgent, and there is nothing really to find charm in the entire CD. There are way too many good recordings around for anybody to be stuck with this version, despite its affordability. Naxos (8.550503) SUMMA SUMMARIUM The Cello Concerto proved to be the last major work Elgar ever completed... Read review

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Advantages: Good tuba muisc
Disadvantages: None

...The tuba has generally been ignored as a solo instrument, and although it enjoyed some success in Berlioz's Symphonie Fantastique and the operas of Wagner, it didnt really emerge as a solo instrument until the 20th century. However, recently the tuba's potential as a soloist has been realised through the children's tale, Tubby the Tuba, where the whole point of the story is to highlight the fact that most peoploe would not think the tuba of being capable in taking a soloistic role, but the fact that it can take this role, and take it extremely successfully is shown here in this CD with these four Tuba Concerti, that were all written in the years after Tubby the Tuba. The first Tuba Concerto on the CD is Tuba Concerto (1978) by Edward Gregson. 1 - Allegro deciso 2 - Lento e mesto 3 - Allegro giocoso This concerto begins... Read review

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Advantages: Mutter's eloquence and sensitivity in older recording are enhanced here.
Disadvantages: None at all!

...As a fantastically talented eighteen-year-old, Anne-Sophie Mutter already awed me with her sensitive and thoughtful eloquence in her 1981 recording of the Brahms violin concerto (with Herbert von Karajan directing the Berlin Philharmonic). However, there’s an even deeper understanding in Mutter’s reading of the Brahms piece on this newer disc. This performance was taped live at the Lincoln Center’s Alice Tully Hall, New York City, in 1997. Kurt Masur conducts the New York Philharmonic in particularly inspired fashion. A difference of fifteen years separates the two recordings. In the time between, she married, had children, and then was widowed at a very young age. When Mutter returned to her instrument, she would bring a greater strength, emotional depth and insight to her playing, lending a maturity and assuredness to her... Read review

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