Advantages: Classic Concertos for Everybody Disadvantages: Strings only!!!no woodwind...boo!
No.2 in g minor
Allegro non molto - Allegro / Adagio - Presto - Adagio / Presto
Here the strings adopt a heady, moody summer style. The oppressive heat and looming storm is aptly labelled "Summer Storm." you can almost count down the the looming storm. The style reflects the dripping heat and you can imagine you are in a heat shimmer some where in a desert, or in a meditterranean abode having an afternoon nap!
3:Autumn: Concerto No.3 in F Major,
Allegro (Peasant Dance and Song) / Adagio molto (Sleeping Drunkards) / Allegro (The Hunt)
There is hint of the fading sun, and time if busyness wiuth the harvest and preparations for winter. This isn't as well known as the other pieces on the CD, but well worth a listen, as you can really tell the difference between the seasons. Each has a signature which is instantly recognisable.
4 ...
Advantages: Strong characters, tightly written Disadvantages: The occasional glaring line, probably best to read Book One first...
Science-fiction has come a long way since H G Wells first looked up at the night sky and thought how cool it would be to have giant Martian tripod war machines trampling all over the Home Counties. Now that the most daring innovations of even quite recent science-fiction can be found readily in your home - from videophones to genetically modified food - the genre continues to evolve and develop.
'Space opera' is just one of the newer sub-genres of science-fiction - and covers just about anything that involves a galactic empire while pretending frantically that it's not just knocking off Dune or Star Wars. Sean Williams manages to steer clear of the Herbert/Lucas influence better than most, as his Earth Ascendant focuses more on what it means to be human in a universe where you can live for tens of thousands of years and split ...
Advantages: Mutter's eloquence and sensitivity in older recording are enhanced here. Disadvantages: None at all!
As a fantastically talented eighteen-year-old, Anne-Sophie Mutter already awed me with her sensitive and thoughtful eloquence in her 1981 recording of the Brahms violinconcerto (with Herbert von Karajan directing the Berlin Philharmonic). However, there?s an even deeper understanding in Mutter?s reading of the Brahms piece on this newer disc.
This performance was taped live at the Lincoln Center?s Alice Tully Hall, New York City, in 1997. Kurt Masur conducts the New York Philharmonic in particularly inspired fashion. A difference of fifteen years separates the two recordings. In the time between, she married, had children, and then was widowed at a very young age.
When Mutter returned to her instrument, she would bring a greater strength, emotional depth and insight to her playing, lending a maturity and assuredness to her ...