Elisabeth Schwarzkopf sings Operetta

Elisabeth Schwarzkopf sings Operetta

1CD(s) - Label:Great Recordings of the Century - Distributor:EMI - Run Time:1 hour 45 minutes - ADD - Released:03/1999 - 724356698925 more

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Release Date: 1999-02-15, Audio CD, Great Recordings of the Century 		£ 6.89 Amazon Marketplace

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Elisabeth Schwarzkopf sings Operetta

Main specs

Title: Elisabeth Schwarzkopf sings Operetta

Composer: Richard (Franz Joseph) Heuberger (1850 - 1914); Johann (Baptist) II Strauss (1825 - 1899); Franz Lehár (1870 - 1948); Carl (Johann Adam) Zeller (1842 - 1898); Franz (von) Suppé (1819 - 1895); Carl Millöcker (1842 - 1899); Rudolf Sieczynski (1879 - 1952)

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Orchestra / Ensemble(s): Philharmonia Orchestra; Chorus

Date of Release: 03/1999

Recomended Retail Price: 9.99 GBP

Label / Distributor: Great Recordings of the Century / EMI

Pieces in Set: 1

Running Time: 1 hour 45 minutes

Genre(s): Stage works, Vocal and choral

Producer: Walter Legge

SPAR Code: ADD

EAN: 724356698925

Catalogue Number: 566989

Work 1

Work Title: (Der) Opernball, 'Opera Ball'

Excerpt(s): 1. Im chambre separée

Composer: Richard (Franz Joseph) Heuberger (1850 - 1914)

Genre: Stage works

Date Written: 1898

Date Recorded: 1957

Conductor: Otto Ackermann

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Opera Part(s): Dame Elisabeth Schwarzkopf

Location of Work Recording: Kingsway Hall, London

Work 2

Work Title: Casanova

Excerpt(s): 1. Nuns' Chorus
2. Laura's Song

Composer: Johann (Baptist) II Strauss (1825 - 1899)

Genre: Stage works

Date Written: 1928

Date Recorded: 1957

Conductor: Otto Ackermann

Orchestra / Ensemble: Chorus

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Opera Part(s): Dame Elisabeth Schwarzkopf

Location of Work Recording: Kingsway Hall, London

Work 3

Work Title: (Der) Zarewitsch, '(The) Czarevich'

Excerpt(s): 1. Einer wird kommen

Composer: Franz Lehár (1870 - 1948)

Genre: Stage works

Date Written: 1927

Date Recorded: 1957

Conductor: Otto Ackermann

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Opera Part(s): Dame Elisabeth Schwarzkopf

Location of Work Recording: Kingsway Hall, London

Work 4

Work Title: (Der) Graf von Luxemburg, '(The) Count of Luxembourg'

Excerpt(s): 1. Heut' noch werd' ich Ehefrau
2. ACT 2 - Hoch, evöe, Angèle Didier

Composer: Franz Lehár (1870 - 1948)

Genre: Stage works

Date Written: 1909

Date Recorded: 1957

Conductor: Otto Ackermann

Orchestra / Ensemble: Chorus

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Opera Part(s): Dame Elisabeth Schwarzkopf

Location of Work Recording: Kingsway Hall, London

Work 5

Work Title: Giuditta

Excerpt(s): 1. Meine Lippen, sie küssen so heiss

Composer: Franz Lehár (1870 - 1948)

Genre: Stage works

Date Written: 1934

Date Recorded: 1957

Conductor: Otto Ackermann

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Opera Part(s): Dame Elisabeth Schwarzkopf

Location of Work Recording: Kingsway Hall, London

Work 6

Work Title: (Der) Vogelhändler, '(The) Bird Catcher'

Excerpt(s): 1. Ich bin die Christel von der Post
2. Schenkt man sich Rosen in Tirol

Composer: Carl (Johann Adam) Zeller (1842 - 1898)

Genre: Stage works

Date Written: 1891

Date Recorded: 1957

Conductor: Otto Ackermann

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Opera Part(s): Dame Elisabeth Schwarzkopf

Location of Work Recording: Kingsway Hall, London

Work 7

Work Title: (Der) Obersteiger, '(The) Master Miner'

Excerpt(s): 1. Wo sie war die Müllerin
2. 'Sei nicht bös, es kann nicht sein'

Composer: Carl (Johann Adam) Zeller (1842 - 1898)

Genre: Stage works

Date Written: 1894

Date Recorded: 1957

Conductor: Otto Ackermann

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Opera Part(s): Dame Elisabeth Schwarzkopf

Location of Work Recording: Kingsway Hall, London

Work 8

Work Title: Boccaccio

Excerpt(s): 1. Hab'ich nur deine Liebe

Composer: Franz (von) Suppé (1819 - 1895)

Genre: Stage works

Date Written: 1879

Date Recorded: 1957

Conductor: Otto Ackermann

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Opera Part(s): Dame Elisabeth Schwarzkopf

Location of Work Recording: Kingsway Hall, London

Work 9

Work Title: (Die) Dubarry

Excerpt(s): 1. Ich schenk mein' Herz (I give my heart)
2. Was ich im Leben beginne
3. Ja, so ist die, die Dubarry

Composer: Carl Millöcker (1842 - 1899)

Genre: Stage works

Date Written: 1931

Date Recorded: 1957

Conductor: Otto Ackermann

Orchestra / Ensemble: Chorus

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Opera Part(s): Dame Elisabeth Schwarzkopf

Location of Work Recording: Kingsway Hall, London

Work 10

Work Title: Wien, du Stadt meiner Träume

Excerpt(s): 1. Wien, du Stadt meiner Träume

Composer: Rudolf Sieczynski (1879 - 1952)

Genre: Vocal & Choral

Date Recorded: 1957

Conductor: Otto Ackermann

Orchestra / Ensemble: Chorus

Orchestra / Ensemble: Philharmonia Orchestra

Main Performer: Dame Elisabeth Schwarzkopf (Soprano)

Opera Part(s): Dame Elisabeth Schwarzkopf

Location of Work Recording: Kingsway Hall, London

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Listed on Ciao since : 05/04/2005

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GLORIOUS MOZART
Review of Mozart: Così fan tutte by  operalover2000

Advantages: One of the finest casts ever
Disadvantages: Mono Sound, that's all

...MOZART - COSI FAN TUTTE - KARJAN EMI PLEASE COMMENT ON THIS REVIEW SO I CAN IMPROVE MY REVIEWS IN THE FUTURE!!! When critics line up the best available recordings of Mozart's superb comic opera "Così fan tutte" two recordings are almost invariably up there, Karl Böhm's second recording from 1962 (EMI - Stereo) and Herbert von Karajan's recording from 1954 (EMI - Mono). The remarkable Elisabeth Schwarzkopf is present in both recording as the charming Fiordiligi. I prefer her fresher voice in 1954 but she, like the other artists in the Böhm recording, benefit from the fresh stereo sound. One of the glories of the gramophone is Schwarzkopf, Merriman and Bruscantini in "Soave sia il vento" - simply breathtaking as regards phrasing, beauty of tone and the organic feeling to the ensemble. Giuseppe Taddei (Böhm) and Rolando Panerai (Karajan... Read review

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05.04.2008
Prettily pattering, cheerily chattering Operetta
Review of Gilbert & Sullivan's Patience - D'Oyly Carte Opera Company by  MAFARRIMOND

Advantages: The wit, the songs, the dialogue, the costumes
Disadvantages: A satire on anyone who follows the asthetic movement

...Patience was the first Gilbert and Sullivan operetta I had any experience of. I was thrilled by the songs, the music, the costumes and the story. It was an unforgettable experience and started off an interest in Gilbert and Sullivan that I will always retain. Fortunately, we are lucky to have a Gilbert and Sullivan society in our area so I do get opportunity to see live performances of many of the operettas. Patience was the sixth of Gilbert and Sullivan’s operettas. It opened at the Opera Comique on 23th April 1881 and was eventually moved to D’Oyly Carte’s new theatre at the Savoy on 10th October 1881. Gilbert followed the tradition of giving contemporary operas an alternative title, Bunthorne's Bride. The libretto is writted by W S Gilbert and the music composed by Arthur Sullivan. Patience is a basically a story of rival poets... Read review

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24.04.2004
Its time2sing,its time2sing,2sing a powerful song!
Review of Sing A Powerful Song - Saw Doctors (The) by  missixty

Advantages: Great music
Disadvantages: Street credibility is not even on the cards!

...a weekend festival on Clare Island (a tiny island off Ireland), on the boat back it was a perfect autumn evening and the green and red of mayo was conceived with a well known Galway free-spirited mintrel jarir al-majar. Around a year later it became this song. The song is very Irish and starts off with singing with the music coming in towards the end of the first verse. The music is soft and gentle and you can clearly hear all the different instruments. Davy Carton's vocals are softly sung, with a hint of an Irish accent and carry the song well. The lyrics convey Irish scenery and it is clear this is a different kind of music to anything you would hear from England, or that you would imagine Irish music sounding like if your previous experience has only been Boyzone, Westlife or The Corrs! "The Green and Red of Mayo, I can see it still... Read review

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19.03.2005

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