I'm Big D, from Tampa. I review Hip-Hop passionately. I hope you enjoy my work.
I'm Big D, from Tampa. I review Hip-Hop passionately. I hope you enjoy my work.
Member since:23.07.2004
Reviews:73
Members who trust:5
Well Well Well... it seems that DMX is retiring at last. After 4 successful albums, his final album Grand Champ, was recently dropped. I've decided I will take a rewind course back to 1999, in the midst of DMX's maximum popularity. His debut album was gritty, grimy, street influenced, and underground sounding, by the name of Its Dark and Hell is Hot. Less than a year later, DMX makes his return with his sophomore effort and equally successful album Flesh of my Flesh, Blood of my Blood. Now remember, just because an album was successful does not mean its any good, at least to the hip-hop heads. Question is... is this album good?
Track List & Rating
1. My N*ggas (4 Stars) 2. Bring Your Whole Crew (4 Stars) 3. Pac Man (NOT RATED) 4. Ain't No Way (3 Stars) 5. We Don't Give A F*ck f/ The Lox (4 Stars) 6. Keep Your Sh*t The Hardest (2 1/2 Stars) 7. Coming From f/ Mary J. Blige (4 Stars) 8. It's All Good (1 Star) 9. The Omen f/ Marilyn Manson (4 1/2 Stars) 10. Slippin' (4 1/2 Stars [would be 5 if it had cursing]) 11. No Love For Me f/ Swizz Beatz, Drag On (3 Stars) 12. Dogs For Life (4 Stars) 13. Blackout f/ Lox & Jay-Z (3 1/2 Stars) 14. Flesh Of My Flesh, Blood Of My Blood (3 Stars) 15. Heat (3 Stars) 16. Ready To Meet Him (4 Stars) "My N*ggas" is a simple opener, reminiscent of his work on It's Dark and Hell is Hot. On this track, DMX raps about loyalty and making it in hip-hop, and how he brings his friend's along. It was good that he put a song on the introduction and not just some whack skit. Nice intro.
The album kicks into high gear with the dope track "Bring Your Whole Crew". The
gritty and grimy feel of DMX's debut album stays on here. If youve heard one DMX song, youve heard them all. However, on this particular song, his lyrics aren't bad whatsoever, in fact, better than a lot of some of his other work. The dark, pounding beat provides a perfect atmosphere, but of course, DMX's lyrics are stand-out, specially with these lines: "I got blood on my hands and there's no remorse, and got blood on my d*ck cause I f*cked a corpse, I'm a nasty n*gga - when you pass me n*gga look me in my eyes, Tell me to my f*ckin face that you ready to die", and of course: "now I'ma have to get you kid, and split your wig, wit the machete, I bring beef to n*ggaz, and string em out, like spaghetti".
Jadakiss and Styles from The Lox joins DMX on the street anthem "We Don't Give A F*ck". On this track, DMX drops two verses, and Styles drops one, and Jadakiss gives us the tight chorus. The basic premise of this song is that DMX and Styles narrate ghetto tales of loyalty, as DMX storytells about one who betrayed him whom he had to get rid of rapidly. The energetic flow of DMX is memorable, but Styles comes off average (as expected), as he proves to be yet again, another overrated lyricist. To be honest, Jadakiss' chorus is the best part of the song... but the subject matter itself makes it above average.
The Queen of Hip-Hop Soul Mary J. Blige joins DMX on the introspective "Coming From". DMX, as usual, is nowhere near being a breakthrough lyricist, but on this song DMX's pure creativity, inner emotion, and energy is what makes the track good. The subject matter revolves around a nightmarish world which DMX paints where nothing is good, and everything revolves around death and destruction. The nice piano loop and background keyboard effects give the song a deep, soothing underground feel to them, and Mary J. Blige's chorus is another good addition to the song. Definetely a dope track.
DMX teams up with Marilyn Manson in the sequel to "Damien" called "The Omen".
As i said in the opening sentence, this is a sequel to the infamous track from It's Dark and Hell is Hot where DMX faces off against his alter-ego Damien who is always giving DMX bad ideas. DMX struggles with his conscious on this track just like he did on the original, questioning death and which path in life to take. The production features the same gritty, grimy and haunting feel of the original, this time with Marilyn Manson providing the dark, gothic hook and a nice sample of the Jason chuckle from the Friday the 13th movies. One of my favorite songs from Flesh of my Flesh, Blood of my Blood.
"Slippin" could've very well been a classic, if it weren't for the fact that the version on the album is edited and void of any profanity. The only place ive been able to find the so-called "dirty" version is either online, or on the single. The song features a beautiful background vocal, amazing production, unbelievable introspection and dope lyrics from DMX. This song is unarguably one of DMX's best songs, as his introspection and self-examination is extremely thought-provoking, as well as his reflective storytelling. The chorus is one of those memorable ones that you dont forget, as well as the lyrics as i vividly remember putting this into my tape player repeated times. It honestly is a beautiful song, and its too bad they f*cked it up by taking away the cursing.
DMX gives us some pretty dope introspection on "Dogs For Life", as he describes his street life and mentality exactly, once again touching on loyalty, trust, and friendship. The production is saddening and easy to listen to with soft synthesizers and chimes, giving the song a deep, atmospheric touch, perfect for DMX's thought-provoking lyrics.
"Blackout" is the usual crew joint found on every DMX album. On this one, DMX is joined by The Lox, and Jay-Z. Jadakiss drops the opening verse with a pretty dope flow, and some good, yet overrated lyrics. Sheek and Styles follow up with strong showings, but nothing groundbreakingly lyrical. Jay-Z comes on the song next. He could've very well completely stolen the show, and perhaps lyrically he might have, but once again he treads into commercial territory, rapping about his materialistic possesions. Remember Jigga fans, this was released during Jay-Z's commercial stage, when he had just gotten extremely successful. DMX closes the song out with a strong showing, but once again, nothing too special, as his subject matter is repetitive and boring.
Like on every DMX album, he decides to examine his religion on the closing track entitled "Ready to Meet Him". He prays on the record, making it rhyme, giving us a great touch on religion which is something that makes DMX such a different, yet respectable artist. The fact that he always thanks the lord for his success and his life is an amazing thing and i wouldn't mind it if more rappers did it (even if they get accused of being DMX-copiers). After his prayer, we get to the very song on the track. The song is another DMX introspective banger. DMX raps for the safety of himself, his family, and the streets, speaking to the Lord himself. DMX's lyrics arent breakthrough, but the emotion and feel of the lyrics are there, and that makes up for it in my personal opinion. "I'm ready to meet him -- our father, who art in heaven, I'm not ashamed to ask for guidance at twenty-seven, No longer afraid to knock on your door, Not scared anymore to lose my life in the war, After what I just saw, I'm ridin with the Lord, Cause I really can't afford to lose my head by the sword, And now that I've seen, what I need to see, Please take me, where I - need to be". This with extraordinary production makes a perfect close to the album.
Flesh of my Flesh, Blood of my Blood is actually not a bad album whatsoever. However, when compared to Its Dark and Hell is Hot, its obviously not going to compare. DMX's lyrics were a lot doper on his debut, as well as the dark production and grimy subject matter existent throughout the entire album. On this album, there are some admittedly deep and dark atmospheric moments, but DMX seemingly gets lazy to push himself to go that extra mile. However, for DMX fans, i do indeed reccomend this album. Its emotion, creativity, energy, and variety are enough to satisfy even the most stubborn fans... hopefully.
3 Stars
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Could not agree more with you on this review I think this album is poor in comparison to It's dark and hell is hot. I must say though I do love Slippin' I think its a classic. Yaz xx
One of the breakout stars of 1998 hip-hop, DMX wasted little time in following up his US ... more
No. 1 album It's Dark and Hell Is Hot with Flesh of My Flesh, Blood of My Blood. If the quick turnaround seems surprising, maybe it's because DMX's second LP doesn...
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