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Advantages: Energetic, Original, Fast, Uplifting, Technically excellent music Disadvantages: Some of their own work not as good as the covers.
I first heard this amazing group on TV (Glastonbury '05)
when they played an amazing cover of Motorhead's
"Ace Of Spades" Let me first just start by saying that
before I heard this band I was quite narrow-minded about 'bluegrass' music but these guys take it to another level - and some.
Hayseed Dixie (pronounced AC/DC) are mainly renowed for their
cover songs of rock bands,and this album (Weapons Of Grass Destruction)is no exception,
This album ... ...The rest are mind-blowing covers that are techniaclly excellent
the speed in which these guys play their banjos, guitars, violins & bluergrass mandolins
is literally jaw-dropping. Highlights on this albums have to be
A excellent re-work of Cliff Richard's, yes you heard right!
"Devil-Woman" which I never rated as a song until I heard their version
which has probably been doubled in tempo but is toe-tappingly
addictive to listen to. Other highlights ...
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Advantages: mature, inventive, beautiful and emotional Disadvantages: really can't think of any!
Richard Butler is best known as the charismatic rasping voiced singer in the Psychedelic Furs. After 25 years fronting the band this is his first solo album, and those expecting simply inferior Furs tracks are in for a wonderful surprise. All the songs are co-written with Jon Carin (often a member of Pink Floyd over the past 20 years or so) and all, without exception, are beautifully constructed, grown up, mature songs. Smooth keyboards and rythmn ... ...leaves the listener satisfied. Richard Butler's trademark voice - that 60 a day rasp - is a revelation as he demonstrates a much more tender and intimate side to his singing. His untrained croon is enormously affecting and capable of really drawing the listener into the songs. "Maybe Someday" is one of the highlights, with it's hope filled lyrics and the magnificent "Nothing's Wrong" stands as the centrepiece to this marvellous album. But every track ...
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