A reliving of the second world war thought the eyes the Polish. Written in 1976 and dedicated to his wife, Henry Goreckis third symphoney was first performed in April 1977. Yet it has only had acclaim in recent years. It is a three part story of war. The first movement is dominated at the centre ... Read review
During his early career, Górecki embraced serialism and concentrated on instrumental ... more
sonorities in the vein of Messiaen. But in his now famous Third Symphony, his atonality disappears into a strategy of gently mounting thematic pitches, taking the strings through all possible registers. All three movements are marked lento, rare for any symphony. The bestselling Nonesuch recording with Dawn Upshaw is the best-known version of this work, but give this Naxos release a try--it's just as good. The sound is excellent and the performances are above reproach. --Paul Cook
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A reliving of the second world war thought the eyes the Polish. Written in 1976 and dedicated to his wife, Henry Goreckis third symphoney was first performed in April 1977. Yet it has only had acclaim in recent years. It is a three part story of war. The first movement is dominated at the centre by a setting of the 15th cnetruy polish prayer known as the Holy Cross Lament. It is an amzing display of reversed cannons in the strings, beginning and ... ...short time by the fabulous voice of Dawn upshaw and, for that magic moment, the piano strikes almost mystically.
The second movement describes the prayer that was incscibed on wall 3 of cell 3 in the basement of the "Palace" - the Gestapos headquarter in Zakopane. Beneath is the signature of Helena Wanda Blazusiakowna and the words 18 years old.
The third is a folk song wchich delicatelyu ties up the syphoney ... more
A reliving of the second world war thought the eyes the Polish. Written in 1976 and dedicated to his wife, Henry Goreckis third symphoney was first performed in April 1977. Yet it has only had acclaim in recent years. It is a three part story of war. The first movement is dominated at the centre by a setting of the 15th cnetruy polish prayer known as the Holy Cross Lament. It is an amzing display of reversed cannons in the strings, beginning and ending with the double basses. It is only interupted a short time by the fabulous voice of Dawn upshaw and, for that magic moment, the piano strikes almost mystically.
The second movement describes the prayer that was incscibed on wall 3 of cell 3 in the basement of the "Palace" - the Gestapos headquarter in Zakopane. Beneath is the signature of Helena Wanda Blazusiakowna and the words 18 years old.
The third is a folk song wchich delicatelyu ties up the syphoney in perfect balance.
This music will haunt you and much as it will inspire you