I don't know if this album received that much attention when it came out but I've been listening to it lately a lot. I'm a saxophone player, and Getz is not even usually one of my favorites. I always thought his sound was too lightweight or something. The only albums I liked were the early Bossa Nova ones, but not any more. He plays so soulfully on this album, it's like he's literally crying, wailing, and his sound is so beautiful and big and perfect intonation--all the more amazing since he had terminal cancer at the time of the recording. You would never know it. This is a very arranged album with lots of horns and synthesized instruments and percussion and lots of different styles and grooves, but don't let that discourage you because it's very intimate and Stan is the only soloist, blowing all the way through. Occasionally the arrangements are a little annoying. But the bottom line, if you like Stan Getz, buy this record, you won't be sorry.
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This live follow-up to the surprise blockbuster Getz/Gilberto was inevitable. ... more
Interestingly, the original LP release of the October 1964 Carnegie Hall concert focused on separate sets by Getz's quartet (featuring vibist Gary Burton) and Gilberto's trio...
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