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Scotsman David McVicar has blazed a spectacular trail in his fabulous staging of this Baroque opera seria for the 2005 Glyndebourne Festival. His starting material is Georg Frideric Handel?s formidable, four-hour-long ?GiulioCesare in Egitto? (?Julius Caesar in Egypt?; also known simply as ?GiulioCesare?), with libretto by Nicola Francesco Haym, after Giacomo Grancesco Bussani?s work of the same name. The sheer length of the piece, with its typically Baroque musical da capo repeats of many verses can easily render this work into a completely boring and tedious affair. However, as you will see for yourself, ?boring? and ?tedious? will hardly apply to this particular staging as conceived by David McVicar and friends. Mr McVicar had the rare privilege of hand-picking his entire cast, and the wisdom of his choices shows clearly in ...
Advantages: Fleming is sublime, well sung throughout Disadvantages: Live recording is slightly noticeable in places
Despite being one of the most prolific composers of opera and very successful in his own time, Handel operas have remained largely neglected in the operatic repertoire until fairly recently with the Handel revival that began in the '60s. Because of this, if you're looking for recordings of Handel operas there are often not too many to choose from and to my knowledge there are only 3 recordings available of Alcina: one with Joan Sutherland in the title role, one with Renee Fleming, and one with Arleen Auger. I am eagerly awaiting the release this month of another recording with Joyce DiDonato in the title role - possibly an unorthodox choice as a mezzo soprano, but one of my favourite singers.
Alcina tells the story of a sorceress (Alcina herself) who seduces every man who dares to set foot on her island. However, Alcina is fickle ...
bubblegum_princess 30.03.2009
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Ciao members have rated this review on average: very helpful Review of Handel: Alcina
Advantages: Very interesting insight into how your dogs mind works Disadvantages: Not many actual methods of training described in the book
When I first started watching Cesar Millan?s Dog Whisperer program on the National Geographic channel I became a bit obsessed with the program. I recorded every episode on my Sky+ Box and have now seen them all. So I am a big fan.
As soon as this book arrived in the post I started to read it that very night. I couldn?t put it down!! Such a great read. It probably helped that I am a big fan of Cesar anyway. But it does give you a great insight into how your dog sees the world and you.
This is a `Dog Psychology? book, looking at how your dog actually sees the world. Whereas a `Dog Training? book? would look more at teaching your dog commands. Both have there place.
Cesar Millan in a Mexican dog behaviour expert who runs a dog psychology centre in Los Angeles. Cesar makes a lot of sense but so many people seem to think that they ...
Christa Ludwig (Mezzo soprano); Fritz Wunderlich (Tenor); Hans Bruno Ernst (Bass); Hans Günter Nöcker (Bass-baritone); Karl Christian Kohn (Bass)
Orchestra / Ensemble(s)
Stuttgart Radio Chorus; Munich Philharmonic Orchestra
Date of Release
08/1994
Label / Distributor
Orfeo d'or / Harmonia Mundi
Pieces in Set
3
Running Time
4 hours 35 minutes
Genre(s)
Stage works
Stereo
Mono
SPAR Code
ADD
EAN
4011790351322
Work 1
Work Title
Giulio Cesare, 'Julius Caesar', HWV17
Excerpt(s)
1. Overture; ACT 1 - Viva, il nosto Alcide 2. Presto omai l'Egizia terra 3. Empio, dirò, tu sei 4. Priva son d'ogni conforto 5. Svegliatevi nel core 6. Non disperar, chi sa? 7. L'empio sleale, indegno 8. Alma del gran Pompeo 9. Non è si vago e bello 10. Tutto può donna vezzosa 11. Nel tu seno 12. Cara speme, questo core 13. Tu la mia stella sei 14. Va tacito e nascosto 15. Tu sei il cor di questo core 16. Son nata a lagrimar 17. ACT 2 - V'adoro, pupille 18. Se in fiorito ameno prato 19. Deh piangete, oh mesti lumi 20. Se a me non sei crudele 21. Sì spietata, il tuo rigore 22. Cessa omai di sospirare! 23. L'angue offeso mai riposa 24. Venere bella, per un istante 25. Al lampo dell'armi 26. Che sento? oh Dio! 27. Se pietà di me non senti 28. Belle dea di questo core 29. L'aure che spira 30. ACT 3 - Dal fulgor di questa spada 31. Sinfonia; Domerò la tua fierezza 32. E pur così in un giorno ... Piangerò, la sorte mia 33. Dall' ondoso periglio; Aure, deh, per pietà 34. Quel torrente, che cade dal monte 35. La giustizia 36. Voi, che mie fide ancelle 37. Da tempeste il legno infranto 38. Non ha più che temere 39. Sinfonia and March; Caro! Più amabile beltà 40. Ritorni omai. 41. Madre!
Composer
George Frideric Handel (1685 - 1759)
Genre
Stage works
Date Written
1724
Conductor
Ferdinand Leitner
Orchestra / Ensemble
Stuttgart Radio Chorus
Orchestra / Ensemble
Munich Philharmonic Orchestra
Main Performer
Christa Ludwig (Mezzo soprano), Fritz Wunderlich (Tenor), Hans Bruno Ernst (Bass), Hans Günter Nöcker (Bass-baritone), Karl Christian Kohn (Bass), Lucia Popp (Soprano), Max Proebstl (Bass), Walter Berry (Bass-baritone)
Opera Part(s)
Christa Ludwig (Cornelia), Fritz Wunderlich (Sextus), Hans Bruno Ernst (Curio), Hans Günter Nöcker (Achilla), Hans Günter Nöcker (Achillas), Karl Christian Kohn (Ptolemy), Lucia Popp (Cleopatra), Max Proebstl (Nirenus), Walter Berry (Giulio Cesare)
Location of Work Recording
Herkulessaal, Munich
Ciao
Listed on Ciao since
25/06/2005
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