Haydn; Hummel: Trumpet Concertos

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...Lief Ove Andsnes predeeded his highly acclaimed recording of three Haydn piano concertos with this delightful recording of five piano sonatas, also available on EMI. They are the sonatas 24, 30, 32, 33 and 44. They are not very long in duration, but they have spikey wit, charm and are cheerful. Andsnes brings them off brilliantly. His judgement of tempo and pedalling makes these a joy to hear. He is supported by a warm but very clear recording. The piano tone is realistic and should be joy to all who love the piano. A highlight recording of 1999.... Read review

Ciao members have rated this review on average somewhat helpful

Advantages: One of Beethoven's finest symphonies.
Disadvantages: None from me, but some will say "classical music is boring".

...THE END OF AN ERA 1812 can be seen as the markerpoint where Beethoven's middle-period came to an end and his late-period was ushered in. Beethoven's middle-period saw the composer at his most creative high with one masterpiece following the other in rapid succession. The beginning of this period can roughly be timed as starting in 1803 with the appearance of the Third Symphony "Eroica" and the "Kreutzer" sonata. These two works signalled Beethoven distinctly leaving the 18th century Classicism of Haydn and Mozart behind him and taking on a completely new and individual voice. This individuality became more and more apparent in the works that followed: the "Waldstein" and "Appassionata" piano sonatas, the "Razumovski" quartets, the Violin Concerto, the three last cello sonatas, the "Archduke" piano trio, Fidelio, the Fifth and Sixth... Read review

Ciao members have rated this review on average very helpful

Advantages: Beautiful relaxing music. Rich instrumentation. Played with passion.
Disadvantages: Not all instruments are from the period.

...is completely different with an unexpected but delectable quartet of trumpet, recorder, oboe, and violin soloists set against the main body of strings and continuo. The third concerto is more conventional and straightforward using just three violins, three violas and three cellos with harpsichord and bass continuo. Each of the three instruments are given equal dominance and the music flows almost conversationally between rising to a boisterous bursts of energy. In the fourth concerto, recorders are heard in the distance over the stringed accompaniment. The recorders, played by brothers Christopher and Richard Taylor (famous for playing flutes with the Beatles on Fool on the Hill and Magical Mystery Tour) with clarity and precision, exude an irresistible charm and sweetness. This is often considered to be the lightest and prettiest... Read review

Ciao members have rated this review on average very helpful