Haydn: Symphony No 82; Shostakovich: Symphony No 15

Haydn: Symphony No 82; Shostakovich: Symphony No 15

1CD(s) - Label:Berlin Philharmoniker - Distributor:Select - Run Time:1 hour 14 minutes - DDD - Released:30/10/2006 - 9783898162715 more

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Symphony No. 82/Symphony No. 5 (Sanderling, Berlin Po) - Haydn/Shostakovich Symphony No. 82/Symphony No. 5 (Sanderling, Berlin Po) - Haydn/Shostakovich
Release Date: 2006-10-30, Audio CD, Berlin Philharmonic
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Haydn: Symphony No 82; Shostakovich: Symphony No 15

Product details

Title: Haydn: Symphony No 82; Shostakovich: Symphony No 15

Composer: (Franz) Joseph Haydn (1732 - 1809); Dmitry (Dmitriyevich) Shostakovich (1906 - 1975)

Orchestra / Ensemble(s): Berlin Philharmonic Orchestra

Date of Release: 30/10/2006

Label / Distributor: Berlin Philharmoniker / Select

Pieces in Set: 1

Running Time: 1 hour 14 minutes

Genre(s): Orchestral

Stereo: Stereo

SPAR Code: DDD

EAN: 9783898162715

Work 1

Work Title: Symphony No. 82, 'The Bear' in C

Excerpt(s): 1. Symphony No. 82, 'The Bear' in C

Composer: (Franz) Joseph Haydn (1732 - 1809)

Genre: Orchestral

Date Written: 1786

Conductor: Kurt Sanderling

Orchestra / Ensemble: Berlin Philharmonic Orchestra

Work 2

Work Title: Symphony No. 15 in A, Op. 141

Excerpt(s): 3. Allegretto
2. Adagio_Largo_Adagio_Allegretto
4. Adagio_Allegretto_Adagio_Allegretto

Composer: Dmitry (Dmitriyevich) Shostakovich (1906 - 1975)

Genre: Orchestral

Date Written: 1971

Conductor: Kurt Sanderling

Orchestra / Ensemble: Berlin Philharmonic Orchestra

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Listed on Ciao since : 13/02/2007


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Advantages: Embodies some of Mahlers most notable music qualities.
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Advantages: Varied movements, esp. 1st and 4th. One of Mahler's most popular works.
Disadvantages: 2nd movement a little weak.

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Advantages: Great passion, beautiful melodies, unrestrained romanticism
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...and distinctly external force that crushes our hope with brute force. In the Fifth, Fatum is not quite so overstated, but is perhaps even more terrifying. Here Fatum appears in the form of an idée fixe, a term coined by Berlioz in his Symphonie fantastique for a fixed idea that stubbornly reappears in every movement (a kind of precursor of Wagner's leitmotif). Rather than being a forceful entity appearing amid dreams of happiness, Fatum in the Fifth is more all-enveloping, intruding more subtlely into every germ of our mind. This makes the Fifth perhaps a more refined and less destructive work than the Fourth for casual listeners, but is no less powerful. MINOR CRITICISMS Tchaikovsky set to work on the symphony in May 1888, finishing the score in August of the same year. The work was premiered in St.Petersburg on November 17, 1888 under... Read review

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