Album Notes: Personnel: Terry Allen (vocals, piano, clavinova); Jo Carol Pierce (vocals, fingersnaps); Lloyd Maines (acoustic, acoustic slide, baritone & electric guitars, dobro, pedal steel, bass, background vocals); David Byrne, Will Sexton (electric guitar, background vocals); Jesse Taylor, Bobby "Rock" Landgraff (electric guitar); Charlie Sexton (electric slide guitar); Richard Bowden (mandolin, fiddle, cello, background vocals); Stan Smith (clarinet); Hilton McLaren (bagpipes); Joe Ely (harmonica, background vocals); Bukka Allen, Ponty Bone (accordion); Jon Blondel (trombone); Tommie Anderson (tuba); Glen Fukunaga (acoustic bass, bass); Donnie Maines (drums, percussion, background vocals); Davis McLarty (drums, percussion); Bale Allen (drums); Lucinda Williams, Jo Harvey Allen, Casey "Guitar Man" Maines, Chad "Rock Man" Maines, Rob Patterson (background vocals).
Album Reviews: Entertainment Weekly (2/9/96, p.55) - "...Allen gruffs out starkly original songs about on-the-fringe characters wrestling with unvarnished truths. Country at its buck nakedest." - Rating: A
Advantages: Brilliant and Original Compositions Disadvantages: A Bit Rough around the Edges For Modern Tastes
...BRIEF (ISH) INTRO TO WOODY
Now most people have heard of Woody Allen and some people may have heard of Woody Woodpecker - but who the heck is, or was, Woody Guthrie?
Born in 1912 in Oklahoma, Woodrow Guthrie was, probably, the most respected of the American protest folk singers of the 1930s, 40s and 50s. In fact you could say he was the protest singers’ protest singer! Remember Bob Dylan, Joan Baez, Donovan, Pete Seeger and the rest? Well, Woody Guthrie was the inspiration behind all of them. More recently, Bruce Springsteen has also seen fit to worship at the shrine of Guthrie.
Bob Dylan, in particular, hailed Guthrie as a hero and went to great pains to visit ‘The Legend’ as he lay dying in hospital. If you recall the ‘talking’ and ‘rambling’ style of Bob Dylan, then you’ve actually heard a (not too clever) version of Woody Guthrie...
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Ciao members have rated this review on average very helpful
Advantages: If you like the Human League it's great Disadvantages: So unoriginal
...Where is Jacknife Lee going with this? His first largely instrumental album Muy Rico was so funny that it felt like it should have been a one-off.
But, apparently, there’s no stopping this guy and he’s back with an album that takes the hybrid style of his first outing, whipping and blending the elements to make something which, if not quite as funny, is certainly interesting listening.
The titles still verge of the ridiculous with 1970’s Dictator Chic kicking off the proceeding with what sounds like a piss-take of Tony Allen. It’s a dazzling and intriguing start but doesn’t really prepare the listener for what follows.
By crossing techno, funk, jazz and the rest Jacknife Lee ends up sounding strangely like the Human League.
This probably isn’t such a bad thing and it makes for an odd listen. On Shush Dafty you can hear the 50s influence...
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Ciao members have rated this review on average somewhat helpful
somewhat helpful 03.07.2000
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