Ida Haendel - (The) Historic Return to Chelm

Ida Haendel - (The) Historic Return to Chelm

1CD(s) - Label:VAI Audio - Distributor:Metronome - Run Time:1 hour 12 minutes - DDD - Released:05/02/2007 - 89948126423 more

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Ida Haendel - The Historic Return to Chelm - Stanislaw Galonski Ida Haendel - The Historic Return to Chelm - Stanislaw Galonski
Release Date: 2007-01-08, Audio CD, Vai
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Ida Haendel - (The) Historic Return to Chelm

Main specs

Title: Ida Haendel - (The) Historic Return to Chelm

Composer: Johann Sebastian Bach (1685 - 1750); Giuseppe Tartini (1692 - 1770); Henryk Wieniawski (1835 - 1880); Pyotr Il'yich Tchaikovsky (1840 - 1893); Max (Karl August) Bruch (1838 - 1920)

Main Performer: Ida Haendel (Violin)

Orchestra / Ensemble(s): Capella Cracoviensis Orchestra

Date of Release: 05/02/2007

Label / Distributor: VAI Audio / Metronome

Pieces in Set: 1

Running Time: 1 hour 12 minutes

Genre(s): Instrumental, Chamber, Orchestral, Stage works

Location of Recording: Chelm Culture Centre (May 2006)

Producer: Stowarzyszenie Miasteczko

Stereo: Stereo

SPAR Code: DDD

EAN: 89948126423

Work 1

Work Title: (3) Sonatas and 3 Partitas, BWV1001-06

Excerpt(s): 1. Andante

Composer: Johann Sebastian Bach (1685 - 1750)

Genre: Instrumental

Date Written: 1720

Main Performer: Ida Haendel (Violin)

Opera Part(s): Ida Haendel

Work 2

Work Title: (3) Sonatas and 3 Partitas, BWV1001-06

Excerpt(s): 1. Chaconne

Composer: Johann Sebastian Bach (1685 - 1750)

Genre: Instrumental

Date Written: 1720

Main Performer: Ida Haendel (Violin)

Opera Part(s): Ida Haendel

Work 3

Work Title: Sonata for Violin and Continuo, 'Devil's Trill' in G minor

Excerpt(s): 1. Cadenza
2. Andante-Largo-Adagio

Composer: Giuseppe Tartini (1692 - 1770)

Genre: Chamber

Conductor: Stanislaw Galonski

Orchestra / Ensemble: Capella Cracoviensis Orchestra

Main Performer: Ida Haendel (Violin)

Opera Part(s): Ida Haendel

Work 4

Work Title: Légende, Op. 17

Excerpt(s): 1. Légende, Op. 17

Composer: Henryk Wieniawski (1835 - 1880)

Genre: Orchestral

Date Written: Published c1860

Conductor: Stanislaw Galonski

Orchestra / Ensemble: Capella Cracoviensis Orchestra

Main Performer: Ida Haendel (Violin)

Opera Part(s): Ida Haendel

Work 5

Work Title: Polonaise No. 1 in D, Op. 4

Excerpt(s): 1. Polonaise No. 1 in D, Op. 4

Composer: Henryk Wieniawski (1835 - 1880)

Genre: Orchestral

Date Written: Published 1853

Conductor: Stanislaw Galonski

Orchestra / Ensemble: Capella Cracoviensis Orchestra

Main Performer: Ida Haendel (Violin)

Opera Part(s): Ida Haendel

Work 6

Work Title: Swan Lake, Op. 20

Excerpt(s): 1. Variation 2 (Andante con moto)

Composer: Pyotr Il'yich Tchaikovsky (1840 - 1893)

Genre: Stage works

Date Written: 1877

Conductor: Stanislaw Galonski

Orchestra / Ensemble: Capella Cracoviensis Orchestra

Main Performer: Ida Haendel (Violin)

Opera Part(s): Ida Haendel

Work 7

Work Title: Kol Nidrei, Op. 47

Excerpt(s): 1. Kol Nidrei, Op. 47

Composer: Max (Karl August) Bruch (1838 - 1920)

Genre: Orchestral

Date Written: 1881

Conductor: Stanislaw Galonski

Orchestra / Ensemble: Capella Cracoviensis Orchestra

Main Performer: Ida Haendel (Violin)

Opera Part(s): Ida Haendel

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Listed on Ciao since : 13/02/2007


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Advantages: Not well known but is an important bridge in the historic cycle
Disadvantages: Not well known and quite dated

...The operettas of Gilbert and Sullivan remain as popular now as they ever were when written over a century ago. In all, this most famous of musical collaborations produced fourteen operas. The most popular (“Iolanthe”, “Yeomen Of The Guard”, “The Mikado”, “The Gondoliers”, “Pirates of Penzance” and “HMS Pinafore”) are quite timeless and their themes remain pointed. It is not surprising that within such a catalogue, there will be some titles that have not stood the test of time so well. Here, in “Princess Ida”, is one – an opera that had a relatively short initial run, an opera relegated to the “rarely performed” list, an opera after which the partnership almost disappeared. THE PLOT The story revolves around two rival kingdoms – ruled by King Hildebrand and King Gama respectively. Twenty one years before Hildebrand’s son Hilarion... Read review

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Advantages: Rich, creamy vocal; enveloping warmth; text, character alive; facile Baroque ornamentation; impeccable diction; fine Symphony.
Disadvantages: Only over an hour of music here; wanted more!

...If you’ll kindly pardon the gushing tone of this review, the blame for which you can lay wholly on the phenomenal British mezzo-soprano, Sarah Connolly (whom I hereby unofficially dub the operatic Anjelica Huston). Her riveting portrayal of the title character in Glyndebourne’s 2005 staging by David McVicar of Georg Frideric Händel’s ‘Giulio Cesare’ first made this writer into a very interested listener [reviewed here: http://dvd.ciao.co.uk/GiulioCesareHandelThreeDiscsReview5644748]. With this disc, she’s become a full-fledged Connolly fan. This 2004 CD comprises airs (arias) and orchestral sinfonias from four works by Händel, and any Händel/Baroque music or opera/vocal music lover will not regret its acquisition. This disc also heralds Ms Connolly’s superb turn as the aforementioned Giulio Cesare the very next year... Read review

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Review of Best Of Gilbert & Sullivan Vol.2, The (The Yeoman Of The Guard/The Mikado/The Gondoliers) - D'Oyly Carte Opera Company Cast by  Newfloridian

Advantages: The most popular, the most perfect, the most performed
Disadvantages: None

...off.’ To complicate the issue the Mikado has threatened to reduce the town to the status of a village if no executions are carried out. Thinking Ko-Ko is out of the way Nanki-Poo returns to try to claim Yum-Yum but finds that Ko-Ko’s wedding has been arranged for that day. The town’s residents still do not know who he is. He threatens to commit suicide. Ko-Ko sees his chance and persuades Nanki-Poo not to kill himself but allow himself to be beheaded in one month’s time . Nanki-Poo agrees but only if Ko-Ko gives up Yum-Yum and lets him marry her. Ko-Ko would still be free to marry Yum-Yum once she is a widow. Ko-Ko agrees to this but then discovers that the widow of an executed criminal is also condemned to death – by being buried alive. At this point Ko-Ko suggests with connivance from Pooh-Bah (Lord High Everything Else!) they could... Read review

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