...
Low rumbling bass opens the great piece "In The Flat Field", "I get bored, I get bored, in the flat field", howls the vocals, with more guitars again more edgier than The Edge himself. A great outro to this, echoing guitars over great fretwork
Another outstanding track "God In ... Read review
When godfathers of goth Bauhaus initially issued this insidious opening shot, it virtually ... more
changed the face of the UK independent music scene overnight. Choice elements of punk, glam and metal were stripped to their barest bones and infected with a vir...
Postage & Packaging: Free! Availability: Usually dispatched within 24 hours...
When godfathers of goth Bauhaus initially issued this insidious opening shot, it virtually ... more
changed the face of the UK independent music scene overnight. Choice elements of punk, glam and metal were stripped to their barest bones and infected with a vir...
Postage & Packaging: £1.21 Availability: Usually dispatched within 1-2 business days...
When godfathers of goth Bauhaus initially issued this insidious opening shot, it virtually ... more
changed the face of the UK independent music scene overnight. Choice elements of punk, glam and metal were stripped to their barest bones and infected with a virulent strain of sonic spite. Statuesque and skeletal lead vocalist Peter Murphy roars with a passionate commitment that's nothing short of blood-freezing as Daniel Ash provides spiky shards of fractious guitar dissonance. "Double Dare" with its ponderous and menacing overdriven bass riff is malicious doom incarnate. The blistering, adrenal rush of the title track further intensifies the melodrama, "The Spy In The Cab" is a brooding slice of claustrophobic art school minimalism and "Stigmata Martyr" a genuinely disturbing, blasphemous plummet into "crucifixation ecstasy". Even today, this cobweb-strewn Dead Sea Scroll of Goth retains its rare, ignominious appeal. --Ian Fortnam
Postage & Packaging:Free! Availability:Usually dispatched within 4 to 6 weeks...
When godfathers of goth Bauhaus initially issued this insidious opening shot, it virtually ... more
changed the face of the UK independent music scene overnight. Choice elements of punk, glam and metal were stripped to their barest bones and infected with a virulent strain of sonic spite. Statuesque and skeletal lead vocalist Peter Murphy roars with a passionate commitment that's nothing short of blood-freezing as Daniel Ash provides spiky shards of fractious guitar dissonance. "Double Dare" with its ponderous and menacing overdriven bass riff is malicious doom incarnate. The blistering, adrenal rush of the title track further intensifies the melodrama, "The Spy In The Cab" is a brooding slice of claustrophobic art school minimalism and "Stigmata Martyr" a genuinely disturbing, blasphemous plummet into "crucifixation ecstasy". Even today, this cobweb-strewn Dead Sea Scroll of Goth retains its rare, ignominious appeal. --Ian Fortnam
Postage & Packaging:£1.21 Availability:Usually dispatched within 1-2 business days...
When godfathers of goth Bauhaus initially issued this insidious opening shot, it virtually ... more
changed the face of the UK independent music scene overnight. Choice elements of punk, glam and metal were stripped to their barest bones and infected with a virulent strain of sonic spite. Statuesque and skeletal lead vocalist Peter Murphy roars with a passionate commitment that's nothing short of blood-freezing as Daniel Ash provides spiky shards of fractious guitar dissonance. "Double Dare" with its ponderous and menacing overdriven bass riff is malicious doom incarnate. The blistering, adrenal rush of the title track further intensifies the melodrama, "The Spy In The Cab" is a brooding slice of claustrophobic art school minimalism and "Stigmata Martyr" a genuinely disturbing, blasphemous plummet into "crucifixation ecstasy". Even today, this cobweb-strewn Dead Sea Scroll of Goth retains its rare, ignominious appeal. --Ian Fortnam
Postage & Packaging:Free! Availability:Usually dispatched within 24 hours...
When godfathers of goth Bauhaus initially issued this insidious opening shot, it virtually ... more
changed the face of the UK independent music scene overnight. Choice elements of punk, glam and metal were stripped to their barest bones and infected with a virulent strain of sonic spite. Statuesque and skeletal lead vocalist Peter Murphy roars with a passionate commitment that's nothing short of blood-freezing as Daniel Ash provides spiky shards of fractious guitar dissonance. "Double Dare" with its ponderous and menacing overdriven bass riff is malicious doom incarnate. The blistering, adrenal rush of the title track further intensifies the melodrama, "The Spy In The Cab" is a brooding slice of claustrophobic art school minimalism and "Stigmata Martyr" a genuinely disturbing, blasphemous plummet into "crucifixation ecstasy". Even today, this cobweb-strewn Dead Sea Scroll of Goth retains its rare, ignominious appeal. --Ian Fortnam
Postage & Packaging:£1.21 Availability:Usually dispatched within 1-2 business days...
Advantages: 9 art rock classics Disadvantages: er, the cover?
...- released their debut album in 1980, at the height of the indie boom.
It's clear that Murphy had been aping Bowie with his vocal style, indeed critisicm of the band would be that they were no more than Bowie clones. That's essentially unfair, as this forgotten classic shows. Ash was a good guitarist in his own right, and this is as much his record as it is Murphy's.
For 2-3 years Bauhaus (named after the 1930's German ... ...in the UK. All the trendy 14 year olds at my secondary school were listening to them!
Kicking of with "Double Dare", all screeching guitar, Murphy's dramatic vocals and thudding drumwork, leaving the listener in no doubt what to expect for the rest of this record.
Low rumbling bass opens the great piece "In The Flat Field", "I get bored, I get bored, in the flat field", howls the vocals, ... more
Bauhaus - Kevin Haskins (drums), David Jay (bass), Peter Murphy (vocals) and Daniel Ash (guitar) - released their debut album in 1980, at the height of the indie boom.
It's clear that Murphy had been aping Bowie with his vocal style, indeed critisicm of the band would be that they were no more than Bowie clones. That's essentially unfair, as this forgotten classic shows. Ash was a good guitarist in his own right, and this is as much his record as it is Murphy's.
For 2-3 years Bauhaus (named after the 1930's German art movement) were just about the hippest alternative rock band in the UK. All the trendy 14 year olds at my secondary school were listening to them!
Kicking of with "Double Dare", all screeching guitar, Murphy's dramatic vocals and thudding drumwork, leaving the listener in no doubt what to expect for the rest of this record.
Low rumbling bass opens the great piece "In The Flat Field", "I get bored, I get bored, in the flat field", howls the vocals, with more guitars again more edgier than The Edge himself. A great outro to this, echoing guitars over great fretwork
Another outstanding track "God In An Alcove" - driven along by David J and alternating between light/heavy sections, before the closing "..silllllyyyyy aaaaaa", did anybody mention Led Zeppelin? They did this kind of thing.
The thrash of "Dive" is a little bit of a disappointment, but this is only compared to what's gone before. You should be dancing around the bedroom by now!!
Things slow right down with "Spy In The Cab", another dramatic piece with stop/start sections and good lyrics. Funk comes in with "Small Talk Stinks", a bouncy little number but not quite as good as some of the others. The forerunner to "Kick In The Eye", surely. But where is Danny Ash? Fag break? Ah ha, here he comes, just in time for the terrifying last three numbers "Stigmatyr Martyr", "St Vitus Dance", and "Nerves" (at 7 minutes plus the longest track on here), this is like listening to a horror music soundtrack, all chanted lyrics and doomerama sound, performance rock at its finest. The word gothic comes to mind, but this is goth music 5 years before the word existed.
To sum up then - this is not an easy listen if you've never heard of them, but you will also never hear anything quite like it either. The major label move to Beggars Banquet led of course to a more mainstream sound and the ultimate breakup just three years later, however if you are looking for loud music stripped down to the bare knuckles, this should be right up your street.
Product Information for "In The Flat Field [Remastered] - Bauhaus" »
Product details
Title
In The Flat Field [Remastered]
Performer
Bauhaus
Genre
Rock & Pop
Sub Genre
Gothic
Release Date
06/07/1998
Original Release Year
1980
Label / Distributor
4AD / PIAS UK/Sony DADC
Producer
Bauhaus
Pieces in Set
1
Studio / Live
Studio
Stereo
Stereo
Format
Performer
EAN
5014436130021
Catalogue Number
GAD 013CD
SPAR code
AAD
Additional notes
Album Notes
Bauhaus: Kevin Haskins, David Jay, Peter Murphy, Daniel Ash. In 1980, after almost single-handedly inventing the "Goth" genre with their debut single, "Bela Lugosi's Dead," Bauhaus recorded IN THE FLAT FIELD for England's influential 4AD label. This CD retains the rather original album's rather daring cover art (a nude male figure) but adds eight tracks from early singles (though not "Belaa," unfortunately) to the 4AD issue's nine. IN THE FLAT FIELD is classic and influential, a deadly combination. Though Bauhaus may be labeled as "Goth," the pealing feedback that opens the disc ("Dark Entries") and the anguished howl in the first line of "Double Dare" ("I dare you to be real!") prove that they arrive with the same punk rock pedigree as many of their contemporaries. Peter Murphy's vocals very nearly dominate the proceedings. By turns, he declaims, wails, and sings-even speaking in tongues on "Stigmata Martyr." His lyrics draw from popular culture, from Greek mythology, and from everything in between. The rhythm section of brothers David Jay (bass) and Kevin Haskins (drums) provides a flexible but extremely forceful backbone to Daniel Ash's squalling, often distorted, guitar sound. Make no mistake. This is a rock record-and one of the best, at that.
Album Reviews
Q (12/99, p.170) - Included in Q Magazine's Best Gothic Albums Of All Time - "...it remains the definitive statement: a taut, unsettling canvas rich with vampiric imagery...and the dungeonly baritone of Maxell advert's Pete Murphy."
Titles on disc 1
1.
Dark Entries
2.
Double Dare
3.
In The Flat Field
4.
God In An Alcove
5.
Dive
6.
Spy In The Cab
7.
Small Talk Stinks
8.
St Vitus Dance
9.
Stigmata Martyr
10.
Nerves
11.
Telegram Sam
12.
Rosegarden Funeral Of Sores
13.
Terror Couple Kill Colonel
14.
Scopes
15.
Untitled
16.
God In An Alcove (2)
17.
Crowds
18.
Untitled
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09/03/2003
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