. He was the buzz name for any artist looking for a cool remix joining the ranks of fellow American DJs such as Todd Terry, Roger Sanchez and Erick Morillo.
The biggest challenge facing Armand Van Helden for this mix cd was not capturing the NY vibe but it was getting the clearance for the tracks. For DJs this can be such a pain, having to get legal permission to use an artists work on the cd, but it seems to have worked just fine as he's pulled out some of the big guns for this mix.
Armand Van Helden gets his mix off to a start by taking time out at the beginning to talk to the listener, a bit unusual. But over a funky electro track he talks in his husky New York accent about what exactly the cd is about. It's only brief but it's great see what he was thinking for this mix. Declaring "Let's get back to that good feeling vibe ...
Advantages: A few scarface film samples Disadvantages: Nearly the whole thing
Many people have been influenced by the scarface film and the rap genre has especially referenced to it man songs. This is now an official compilation of songs with money, power and respect themes. as you would imagine, all are rap.
Put together in 2003, this def jam idea includes songs by Nas, Mobb Deep and Notorious BIG, some made especially for the album some old tracks that just fit. None appear in the film but there are samples and dialouge used from the picture.
Tracks
Its Mine - Mobb Deep & Nas. Scarface cues used as the sample in this one which was originally put t ogether in 99. A good relevant track to start the album
Yeo - Cam'ron. Samples Rush Rush which is used in the film, rush rush get the yayo may be more familiar. best bit about the song is actually the sample with cam'rons raps not adding much but loads ...
Advantages: Good selection of skream tracks Disadvantages: the frequencies tend to stay in the same conceptual space too often
This mix is quite a hefty run through of all the big tracks of 2007 in the world of Dub-step (which is a relatively new but ever-increasingly popular music genre). The sound is from London and the UK (which is where most of the producers on the mix come from. The tracks are based upon what DJ Skream likes personally and what he plays at DJ sets (or was in the 2007-2008 period).
Kulture kicks off the mix with a reggae infuse synth bassline rizing track which gets the energy levels pumping straight from the outset (interesting way to start a mix!) Next is a track from Skream himself which was popular one on pirate radio and in D clubs 'wobble that gut' with minimal progressive beats and bass-lines. Next is another skream track of a remix of a garage track by dj zinc. Its got bass technical-wobbles and a sick vocal (cool). Then its Skream ...