Kathleen Battle-Grace

Kathleen Battle-Grace

1CD(s) - Label:Sony Classical - Distributor:BMG UK - Run Time:1 hour 51 minutes - DDD - Released:05/1997 - 5099706203520 more

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Kathleen Battle-Grace

Product details

Title: Kathleen Battle-Grace

Composer: George Frideric Handel (1685 - 1759); Hugo (Filipp Jakob) Wolf (1860 - 1903); Wolfgang Amadeus Mozart (1756 - 1791); Johann Sebastian Bach (1685 - 1750); Pietro Mascagni (1863 - 1945); Gioachino (Antonio) Rossini (1792 - 1868); Gabriel (Urbain) Fauré (1845 - 1924); Traditional; Charles (François) Gounod (1818 - 1893)

Main Performer: Kathleen Battle (Soprano); Anthony Newman (Organ); Krista Bennion Feeney (Violin); Nancy Allen (Harp); Charles Curtis (Cello)

Orchestra / Ensemble(s): (Anonymous) Orchestra; American Boychoir Choir; Male Chorus

Date of Release: 05/1997

Label / Distributor: Sony Classical / BMG UK

Pieces in Set: 1

Running Time: 1 hour 51 minutes

Genre(s): Vocal and choral

Producer: David Frost, Dr Steven Paul

SPAR Code: DDD

EAN: 5099706203520

Work 1

Work Title: Messiah, HWV56

Excerpt(s): 1. Rejoice greatly, O daughter of Zion

Composer: George Frideric Handel (1685 - 1759)

Genre: Vocal & Choral

Date Written: 1742

Date Recorded: 1995

Conductor: Robert Sadin

Orchestra / Ensemble: (Anonymous) Orchestra

Main Performer: Kathleen Battle (Soprano)

Opera Part(s): Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 2

Work Title: Mörike Lieder

Excerpt(s): 1. Schlafendes Jesuskind

Composer: Hugo (Filipp Jakob) Wolf (1860 - 1903)

Genre: Vocal & Choral

Date Written: 1888

Date Recorded: 1995

Conductor: Robert Sadin

Orchestra / Ensemble: (Anonymous) Orchestra

Main Performer: Kathleen Battle (Soprano)

Opera Part(s): Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 3

Work Title: Vesperae solennes de confessore, 'Solemn Vespers' in C, K339

Excerpt(s): 1. Laudate Dominum

Composer: Wolfgang Amadeus Mozart (1756 - 1791)

Genre: Vocal & Choral

Date Written: 1780

Date Recorded: 1995

Conductor: Robert Sadin

Orchestra / Ensemble: American Boychoir Choir

Orchestra / Ensemble: Male Chorus

Orchestra / Ensemble: (Anonymous) Orchestra

Main Performer: Kathleen Battle (Soprano)

Opera Part(s): Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 4

Work Title: Joshua, HWV64

Excerpt(s): 1. O had I Jubal's lyre

Composer: George Frideric Handel (1685 - 1759)

Genre: Vocal & Choral

Date Written: 1748

Date Recorded: 1995

Conductor: Robert Sadin

Orchestra / Ensemble: (Anonymous) Orchestra

Main Performer: Kathleen Battle (Soprano)

Opera Part(s): Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 5

Work Title: Cantata No. 21, 'Ich hatte viel Bekümmernis', BWV21

Excerpt(s): 1. Aria: Seufzer, Tränen, Kummer, Not (S)

Composer: Johann Sebastian Bach (1685 - 1750)

Genre: Vocal & Choral

Date Written: c1714

Date Recorded: 1995

Conductor: Robert Sadin

Orchestra / Ensemble: (Anonymous) Orchestra

Main Performer: Kathleen Battle (Soprano)

Opera Part(s): Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 6

Work Title: Cantata No. 208, 'Was mir behagt, ist nur die muntre Jagd' (Hunt Cantata), BWV208

Excerpt(s): 1. Aria: Schafe können sicher weiden (Sheep may safely graze)

Composer: Johann Sebastian Bach (1685 - 1750)

Genre: Vocal & Choral

Date Written: 1713

Date Recorded: 1995

Conductor: Robert Sadin

Orchestra / Ensemble: (Anonymous) Orchestra

Main Performer: Kathleen Battle (Soprano)

Opera Part(s): Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 7

Work Title: Ave Maria

Excerpt(s): 1. Ave Maria

Composer: Pietro Mascagni (1863 - 1945)

Genre: Vocal & Choral

Date Recorded: 1995

Main Performer: Anthony Newman (Organ), Kathleen Battle (Soprano), Krista Bennion Feeney (Violin), Nancy Allen (Harp)

Opera Part(s): Anthony Newman, Kathleen Battle, Krista Bennion Feeney, Nancy Allen

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 8

Work Title: Messa di gloria

Excerpt(s): 1. Laudamus te

Composer: Gioachino (Antonio) Rossini (1792 - 1868)

Genre: Vocal & Choral

Date Written: 1820

Date Recorded: 1995

Conductor: Robert Sadin

Orchestra / Ensemble: (Anonymous) Orchestra

Main Performer: Kathleen Battle (Soprano)

Opera Part(s): Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 9

Work Title: Anna Magdalena Notenbuch

Excerpt(s): 1. Aria, BWV508: Bist du bei mir (? by Stölzel)

Composer: Johann Sebastian Bach (1685 - 1750)

Genre: Vocal & Choral

Date Written: 1725

Date Recorded: 1995

Main Performer: Anthony Newman (Organ), Charles Curtis (Cello), Kathleen Battle (Soprano)

Opera Part(s): Anthony Newman, Charles Curtis, Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 10

Work Title: Cantata No. 68, 'Also hat Gott die Welt geliebt', BWV68

Excerpt(s): 1. Aria: Mein gläubiges Herze (S) (Eng: My heart ever faithfu

Composer: Johann Sebastian Bach (1685 - 1750)

Genre: Vocal & Choral

Date Written: 1725

Date Recorded: 1995

Main Performer: Anthony Newman (Organ), Charles Curtis (Cello), Kathleen Battle (Soprano)

Opera Part(s): Anthony Newman, Charles Curtis, Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 11

Work Title: Requiem, Op. 48

Excerpt(s): 1. Pie Jesu

Composer: Gabriel (Urbain) Fauré (1845 - 1924)

Genre: Vocal & Choral

Date Written: 1888 Revised 1893,1900

Date Recorded: 1995

Conductor: Robert Sadin

Orchestra / Ensemble: (Anonymous) Orchestra

Main Performer: Anthony Newman (Organ), Kathleen Battle (Soprano)

Opera Part(s): Anthony Newman, Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 12

Work Title: Were you there when they crucified my Lord?

Excerpt(s): 1. Were you there when they crucified my Lord?

Composer: Traditional

Genre: Vocal & Choral

Date Recorded: 1995

Main Performer: Kathleen Battle (Soprano)

Opera Part(s): Kathleen Battle

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 13

Work Title: Christmas Oratorio, BWV248

Excerpt(s): 1. Flösst, mein Heiland

Composer: Johann Sebastian Bach (1685 - 1750)

Genre: Vocal & Choral

Date Written: 1734

Date Recorded: 1995

Main Performer: Anthony Newman (Organ), Charles Curtis (Cello), Kathleen Battle (Soprano), Stephen Taylor (Oboe)

Opera Part(s): Anthony Newman, Charles Curtis, Kathleen Battle, Stephen Taylor

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Work 14

Work Title: Ave Maria

Excerpt(s): 1. Ave Maria

Composer: Charles (François) Gounod (1818 - 1893)

Genre: Vocal & Choral

Date Written: 1853 cpted 1859

Date Recorded: 1995

Main Performer: Kathleen Battle (Soprano), Nancy Allen (Harp)

Opera Part(s): Kathleen Battle, Nancy Allen

Location of Work Recording: St George's Episcopal Church,Stuyvesant Sq, New York

Ciao

Listed on Ciao since : 19/07/2005

Reviews which might be of interest for Kathleen Battle-Grace    
One family's ordeal during the dreadful Salem witch trials.
Review of The Heretic's Daughter - Kathleen Kent by  GemmaC25

Advantages: A well researched read, and something I could not put down.
Disadvantages: Half way through the book when you momentarily jump in time.

...apparent. One day though her Father comes to take her back to her family in Andover, against the deep wishes of Sarah, who would long to stay with her Aunt's family. The book continues with Sarah and her family, with some quite ordinary day-to-day events, however the book is great to read and I did find it very interesting to read how life could have been back then (in my opinion, very boring and very cold!). The author, Kathleen Kent, has done a great job of describing how cold the winters were, struggling to keep warm using straw, to the point where it made me feel quite cold and wanting to cuddle up underneath a warm blanket! Kent also described just how warm and uncomfortable the summer is when working in the fields wonderfully, along with how exhausting it must have been harvesting those fields by hand. You read about Sarah growing... Read review

Ciao members have rated this review on average helpful

helpful
02.10.2009
Passes with a very high mark
Review of Failer - Kathleen Edwards by  graeme10

Advantages: Explores the murkier side of the alt-country experience
Disadvantages: May be too depressing for some in places

...If I had to ever think of a Canadian alt-country version of Liz Phair, I'd probably come up with Kathleen Edwards. Whilst she's nowhere near the kind of 'sweary-mary' that Liz Phair is, nor do her track titles evoke blushes if your parents happen to read them, she does come close to the borders of respectability. "Failer", her debut album released in 2003, is raw, edgy and earthy yet surprisingly good, telling tales of screwed-up people from back-roads Canada - well, at least the ones skipped over by those responsible for the glossy tourist brochures.... Kathleen Edwards might not set the world alight with her vocals judging by the first few tracks - you could even say they're rather depressing at times, but with a title like "Failer", depressing is pretty much apt and in keeping with the subject matter. Yet they've got a curious... Read review

Ciao members have rated this review on average helpful

helpful
17.12.2007
What a Tease
Review of The Flirt - Kathleen Tessaro by  mummy2harry

Advantages: Good characters, fun story, well written
Disadvantages: Crude in places (for me anyway!)

...characters also, as I found no immediately following chapters followed the same characters. It is well-written, witty and funny to read and thoroughly enjoyable. I also found that this being written in the third-person made it easier to read, given the scope of characters, first person would have been just too confusing! Again though I must point out excessive, and unnecessary use of, in my opinion, the most awful word in the English language, the C-Word. I don't think it is nice, it didn't add anything to the book and seemed out of place coming from the mouths of these well-off characters. It is actually this which has caused the book to lose 1 star from me, as if she had not written in this way, it would most certainly warrant 5 stars from me! So overall, I think this is a very good introduction into the works of Kathleen Tessaro if you... Read review

Ciao members have rated this review on average helpful

helpful
21.05.2008

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