Im a metalhead to the end but that doesn't mean I only enjoy metal, will listen to pretty much anyth...
Im a metalhead to the end but that doesn't mean I only enjoy metal, will listen to pretty much anything and will try everything at least once.
Member since:24.05.2008
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The album ‘Kill ‘em all’ originally titled ‘Metal up your ass’ was the debut album of American thrash metal band known as Metallica. The band intended to call it Metal up your ass with the album cover featuring a very unpleasant looking dagger coming out of a toilet but due to the producing company refusing to produce something out standing like this, they settled on the name we know now, which was inspired by a pissed off Cliff Burton saying how they should ‘kill ‘em all’. This being Metallica’s first album was said to be the birth of thrash metal with its cross between Metal and Punk. Too punk to be metal and too metal to be punk. Released in 1983 and sold just 7000-10000 copies in the first couple of months, less than half set to be sold but it is now a multi-million selling product and that’s just in the U.S. Americas biggest Metal band had to start some where, and this album is the start, strong lyrics, awesome Riffs and a plentiful supply of solos, what better way to begin.
Lead vocals/guitar: James Hetfield Drums: Lars Ulrich Bass: Cliff Burton Lead Guitar: Kirk Hammett
Hit the lights- 4:17 This song can be considered by a fair few people as the song that made Kill ‘em all. Lyrically this is in my eyes, not very good. Instrumentally though, I think this song has an amazing tune, an awesome solo and a brilliantly fast tempo. Hit the lights is a great opening song for the album but it’s probably for this, the album didn’t sell to well, bearing in mind this genre of music had never been heard before. A great song to listen and
though the lyrics do not capture Hetfield at his best, they certainly stick in your head.
The four horsemen- 7:13 A personal favourite of mine, originally written by Dave Mustaine of Megadeth but due to tension in the band, Mustaine left. So the band changed the song which was called The Mechanix to The four horsemen, they then changed the lyrics and Kirk Hammett added a guitar solo in the middle and its this guitar solo that I think makes this song. It just jumps at you, it doesn’t come at a normal point in the song, it just hits you and it’s this effect that makes it what it is. The beat of this song is supposed to sound like horses hooves hitting the ground giving a nice feeling to the song along with the story about the end of the world that it tells. The song itself is fast paced with powerful lyrics which is what made the album and its songs great, it was just the ‘we don’t give a shit’ attitude that moved this album along. It’s the sheer aggressiveness of this song that makes it what it is. The song itself inspired a nickname for the four piece band which is pretty obvious.
Motorbreath- 3:08 The song begins with a nice drum intro then the guitars come in and make it sound more like horse hooves than ‘the four horsemen’. Like the first two songs it has a very fast tempo (it is thrash metal) and about half way through a good attempt at a solo comes in but its about 2 and a half minutes in when the real solo hits and its excellent and also brings about the ending of the song. The lyrics though not especially strong are made up by the rhythm they fit into. Definitely a song to be listened to.
Jump in the fire- 4:41 A song that begins like no other, straight into an amazing riff that sticks in your mind and then pieced together with a bit more guitar and drum work. The lyrics are made really well and put in at just the right moments to keep this tune from having a slight gap. The guitars never seem to repeat and there’s a fairly good solo that get better as it goes on followed immediately by more lyrics to great effect. The better solo comes at the end though and speeds up hugely and pounds along at 100mph then gradually dies down to a dramatic end. One of the best songs on the album.
(Anesthesia) Pulling teeth- 4:14 This song is just one 4 minute long bass solo which is relatively unheard of but is pulled off to great effect if you can appreciate the talent behind it. Burton changes the tempo continuously through this song so that its not boring like many instrumentals actually are. Then surprisingly, it cranks up a notch where the rest of the band play a small background part and gives off a great beat to nod along. The song itself though shows what Cliff brought to the band and really makes the song stand out.
Whiplash- 4:09 I think its this track that put the name to thrash metal, any faster and it may just sound like a drill in your ear, a very tasteful musical drill all the same. Unlike the other songs on the album though the lyrics seem to speak more to the audience than to have a real story behind it. A track like this just allows those head bangers out there to really go mad ‘bang your head against the stage like you never did before, make it ring, make it bleed, make it really sore’. The track allows you to see that the band were really just a few rebellious youngsters who loved their music. In all, a classic track where the guitar solo is just plain awesome and can be listened to over and over.
Phantom Lord- 5:02 The beginning of this song starts slow, which after whiplash comes as a brief moment of respite but then all four instruments start up and mix into one tune that creates a truly original riff that you can really get into. It uses many effects that makes the transition from the slow drone to this really magnificent riff and just lets the power flow out. I think the lyrics don’t have the emphasis on them that the other songs do and are moved into the back ground but its not a huge loss because the tune makes up for this and always keeps you guessing as it progresses through the song. The solo in this is immense and then fades into a real eerie melody that allows you to drift into the music then is followed by more amazing solos from Hammet.
No Remorse- 6:27 No remorse truly captures the meaning of the term ‘powerful lyrics’, they just keep coming and flow along great with an immense tune. The song begins with an amazing solo which is what you should be getting used to by now and then implements even more throughout the song. Together with the lyrics and the guitar work make this one of the most powerful songs that I’ve ever heard and should definitely be played loud. At almost exactly 5 minutes in, the entire tempo picks up and the lyrics follow suit making the last minute of this song truly a masterpiece.
Seek and Destroy- 6:56 My words just cannot do justice to how powerful this song really is. One of the most memorable tunes from metal history and has lyrics that anyone can sing along to. Often mistaken for a militia march type song when it is actually just about drunkenness but the way the lyrics tell the story, it’s really just a matter of how you want to interpret it. The lyrics are put across in a powerful way and again the tune doesn’t disappoint. If there is one song on this album that you’re going listen to, it should be this one.
Metal Militia- 5:06 Metal Militia is, in my eyes under appreciated due to the fact it is the last on the album but the tune that backs it is just as fast as that of Whiplash so don’t write this album off until this song has finished. I see this song as a cross between Whiplash and The Four Horsemen (TFH) using the power of TFH and the intense rhythm of Whiplash to give a nice over view of how the album in general sounds. It still contains the amazing solos, powerful lyrics and is mixed superbly and fades out with a marching sound to truly outline how strong this album sounds.
Thanks for reading this review, it is the first I’ve wrote so please fell free to criticise. The album itself should be a starting point for anyone who likes early thrash and I recommend taking the time to listen to it, even if it is just to get a feel for the genre.
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Postage & Packaging: £1.21 Availability: Usually dispatched within 1-2 business days...