... After Ladies and Gentlemen came the Live at the Albert Hall album in '98, followed by Let it Come Down in 2001, which continues in the path set out by Ladies and Gentlemen, but goes further down the line of a more complete orchestral sound. To illustrate the point, I can tell you that there ... Read review
A very definite sequel to 1997's fabulousLadies and Gentlemen We Are Floating in ... more
Spacerather than a brave new dawn,Let It All Come Downfinds Pierce dropping the indie ballast--his band, who went on to formthe mediocre Lupine Howl--and embellishing on t...
Postage & Packaging: £1.21 Availability: Usually dispatched within 1-2 business days...
A very definite sequel to 1997's fabulousLadies and Gentlemen We Are Floating in ... more
Spacerather than a brave new dawn,Let It All Come Downfinds Pierce dropping the indie ballast--his band, who went on to form the mediocre Lupine Howl--and embellishing on ...
Postage & Packaging: £1.21 Availability: Usually dispatched within 1-2 business days...
Postage & Packaging:£0.00 Availability:Temporarily out of stock - This item will be dispatched as soon as it arrives - We cannot guarantee Christmas delivery...
Advantages: It's the new one from Spiritualized. Disadvantages: You might not like Spiritualized, yet.
...album in '98, followed by Let it Come Down in 2001, which continues in the path set out by Ladies and Gentlemen, but goes further down the line of a more complete orchestral sound. To illustrate the point, I can tell you that there was full brass, two string, and a complete woodwind section. Oh and the London Gospel Community Choir. Plus a long list of various Fenders, Gibsons, and Voxes. That should give you a better idea!
So to ... ...into you, and if you let it, will carry you away in the various melodies.
Track 5, 'The twelve steps' starts with the high-energy guitar-led magnificence of previous singles 'Electricity' and 'Medication'. A dirty, grungey vocal, evocative of that Ugly Kid Joe single from the early '90s leads into a funky interlude of sampled police car sirens and squelchy beats. But wait for the vocal, and the speed reappears with a vengeance. This ... more
Spiritualized is one band I am truly fanatical about, but I promise to try very hard not to enthuse to the point that you have to reach for a bucket. The music is on the one hand beautifully orchestrated, yet maintains a firm and constant grip on guitar driven rock-pop (that phrase just doesn't do them justice!), with a touch of jazz stylings, and a liberal scattering of blues.
A little background for you. Regardless of the moniker, Spiritualized is basically one man, Jason Pierce (or 'Spaceman'), and whoever he decides to have in his band at any time. After the last album proper, Ladies and Gentlemen We are Floating in Space (1997) he famously parted company with the three other core members of the band, but carried on and recruited replacements. Pierce was previously half of the '80s psychedelic rock-pop outfit Spacemen 3 with Pete Kember, and it was from the less than amicable split (see a pattern here?), Spiritualized was born.
The first two Spiritualized albums were Lazer Guided Melodies (1992) and Pure Phase ('95), which were more heavily electro in feel, with synths and widespread use of FX pedals. Spiritualized's breakthrough album, Ladies and Gentlemen, took a more organic, blues basis, with gospel choirs and pronounced musical arrangement. After Ladies and Gentlemen came the Live at the Albert Hall album in '98, followed by Let it Come Down in 2001, which continues in the path set out by Ladies and Gentlemen, but goes further down the line of a more complete orchestral sound. To illustrate the point, I can tell you that there was full brass, two string, and a complete woodwind section. Oh and the London Gospel Community Choir. Plus a long list of various Fenders, Gibsons, and Voxes. That should give you a better idea!
So to the tracks. With 'On fire', the album opens with a definite blues inspiration. The first few notes are a piano repeating the central riff, before strong keyboards and guitars come in marking the melody and beat. Pierce's unmistakable, gravelly vocal (think maybe Mercury Rev's Jonothan Donahue) comes in at the same time, shortly joined by gospel backings, and brass punctuation. This is a fabulously full-bodied track, mid tempo with a rousing chorus and a toe-tapping beat. The end of the track shows all elements brought into full effect, with the repeated 'Into your soul' lyric, and the guitar riff that is reminiscent of the track 'Cop shoot cop' from Ladies and Gentlemen. This doesn't seem to have been released as a single yet, but it has definite potential.
The second track, 'Do it all over again', is less overwhelming, although interestingly was the third single, most probably as it's a tamer, more radio-friendly track. With a catchy chorus, this is more of a traditional rock-pop song, still high quality, but drier, less exciting - this is the closest Spiritualized get to the housewife's choice type of single. Not one of the high points of the album, although you will probably find yourself singing the chorus as you do the washing-up.
Moving on to track 3, 'Don't just do something', the song is the first that realises the beautiful orchestration that Spiritualized can do so well. A gentle track, using strings and oboes as much as keyboards, this reminds me of Ladies and Gentlemen's 'Broken heart'. That is, until it moves into an almost country and western styled song, with gorgeous gospel backing and a real sway-along tempo. Lighters at the ready, kids. Without the string backing and multiple layers, this could be a really dull track, but the complexity makes it something really very special.
'Out of sight' was the second single, and is track 4. As in previous tracks, it starts softly with vocals, guitar and piano introducing the song. Strings are brought in, and soon enough, powerful chords and an emphatic lead guitar wash over you. This tracks alternates between the soothing and the energising, with a great brass section interplaying with the strings and guitars to create another many-layered, high quality track. The way that Spiritualized tracks progress really works its way into you, and if you let it, will carry you away in the various melodies.
Track 5, 'The twelve steps' starts with the high-energy guitar-led magnificence of previous singles 'Electricity' and 'Medication'. A dirty, grungey vocal, evocative of that Ugly Kid Joe single from the early '90s leads into a funky interlude of sampled police car sirens and squelchy beats. But wait for the vocal, and the speed reappears with a vengeance. This is a song about addiction, as the title suggests, and the lyrics 'The only time I'm drink and drug free/ Is when I don't have to pay for what I need' demonstrate Pierce's mentality to a T.
Onwards to track 6, 'The straight and the narrow'. Follows on perfectly from 'The twelve steps' in sentiment, but takes the tone more of 'Don't just do something'. Another heart-felt and slow-moving track, built for swaying to in a kinda Americana stylee. 'The problem with the straight and the narrow is it's so thin/ I keep sliding off to the side'. The pace and melody of this track could easily nestle it in with a whole world of MOR tracks, but the lyrics and atmosphere are a constant reminder that it would not make as easy bed-fellows as the first listen might suggest.
My personal favourite so far is seventh, 'I didn't mean to hurt you', which starts oh so gently with the vocal, a tinkling piano single-note melody repeated, until the full instrumentation, including gospel backing, guitars, lush strings, and oboe build the track up to a desperately melancholic but shimmering and exhilarating peak. The track then breaks down to the long drawn-out string notes, until it returns with a majestic instrumental climax in which the lead guitar gets a nice but understated outing. Think the exquisite string-led force of Bjork's 'Joga' and you wouldn't be far off. This consists of just one six-line verse, which is sung several times over the varied and genuinely breath-taking soundscapes.
Maintaining the high comes 'Stop your crying', the first single that was released from this album. A big bass drum marks the beat, while guitars, brass, and those strings and gospel singers again take this track above and beyond the staple guitar-led rock-pop model. This song has grown on me massively: it was the first I'd heard from this album when it was released last year and I wasn't won over. But in the context of a complete Spiritualized album it seems perfect.
Track 9, 'Anything more' slips back into the slower mood of earlier tracks. Whilst the song itself sounds as though it could have been taken from one of the earlier albums, it's here where you really notice the progression in style towards more refined arrangements. Whether or not you prefer the rawer sound of the earlier albums is really personal choice. Let it Come Down is certainly a more grown-up, elegant album.
'Won't get to heaven' starts very slowly, and you'd be forgiven for checking your volume controls. Barely audible tinkling triangles and double bass plucking continue for just under a minute before the piano commences the single note melody. Shortly afterwards, the reverbed guitar recognisable from the earlier albums appears, partnered with again, a delicate string accompaniment. The choruses blossom from the pared-down verses into a big, floribunda rose with gospel accompaniment and fabulous arrangements. Here the harmonica also makes a noticeable appearance, in a hypnotic extended interlude that reminds me to a certain extent of 'Cop shoot cop' as mentioned earlier. This is one to definitely lose yourself in, for all ten and a half minutes of it.
The album ends with 'Lord can you hear me', which started life as a Spaceman 3 track. This version, is, in keeping with Let it Come Down, a blissful rework, the gospels fit the track beautifully, the orchestration works well, and the only hints to its origins lie in Pierce's distinctive voice and the use of dumbed-down electric guitars. A gently rolling melody leaps out of the one-dimensional mould approximately half-way through, into a mass of sliding electric guitars and full choral backing, comprising a blistering finale to the track and the album.
I don't really need to tell you that I love this album. The question is, will you? If you liked Ladies and Gentlemen, I think you will. If you hated it, favouring either of the two earlier albums, you probably won't. If you're unfamiliar with Spiritualized but like Radiohead, Velvet Underground, Beta Band, or Mercury Rev, you should probably check them out. My own personal definition of the sound would probably be suicide rock, because some tracks are just so wrist-slashingly melancholic. However, seeing Spiritualized play live has to be one of the most invigorating experiences ever, and if you get the chance, I would strongly recommend it.
The album comes on CD and on 2-disc vinyl. The CD itself has 2 formats, but the difference is purely aesthetic, one comes as a standard CD box, the 'Special Edition' has the cover image sunken into a plastic casing. All eleven tracks are present on both. Coming to just over 63 minutes, Let it Come Down is released on BMG so you shouldn't have any difficulty finding it. Best price? Cd-wow.com of course, at £8.99 for the CD. As for my rating, it loses one star for purely personal reasons, only because I think earlier albums have been better. But turn it up loud and let the sound wash over you and you may think differently...
For more info: www.spiritualized.com www.no-fi.com:16080/spiritualized/index.html www.allmusic.com www.cdwow.com
Advantages: Godlike Disadvantages: Will make the rest of your CD collection seem redundant- and where can they go from here?
In 1997 Spiritualized released their recording "Ladies And Gentlemen We Are Floating In Space" to massive critical acclaim. In a year which included The Verve's "Urban Hymns" and Radiohead's "OK Computer" it even managed to pick up album of the year awards in some quarters- no mean feat. My own opinion was that there were some truly great tracks- the title track and "Broken Heart" to name just two- but there were also parts I just didn't get. However ... ...years later and Jason Pierce has seen his ex-girlfriend marry Richard Ashcroft, sacked all previous members of the group, recruited 100+ new musicians and returned with "Let It Come Down". 63 minutes of sound packaged in a plastic box with the face of a pigtailed young girl embossed on the front.
But is it any good? No. It's awesome. This is not so much a rock album as a symphony with 11 movements. The term songwriter does not do this man justice- ...
KingMonkey 03.10.2001 (04.10.2001)
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Product Information for "Let It Come Down - Spiritualized" »
Product details
Title
Let It Come Down
Performer
Spiritualized
Genre
Rock & Pop
Release Date
11/08/2003
Recomended Retail Price
8.99 GBP
Original Release Year
2001
Label / Distributor
Spaceman/Arista / Sony Music/Arvato Services
Pieces in Set
1
Studio / Live
Studio
Format
Performer
EAN
743218822421
Additional notes
Album Notes
Spiritualized: Jason Pierce (vocals); John Coxon (guitar, keyboards); Doggen (guitar); Ray Dickaty (saxophone); Tim "Thighpaulsandra" Lewis (keyboards); Martin Shellard (bass); Kevin Bales (drums); Tom Edwards (percussion). Recorded at Air Studios and Abbey Road Studio Two, London, England. Spiritualized has never been a stable group. The mythology surrounding the progressive psychedelic band reads like a tabloid article--tales of drug abuse, mental distress, and inner-band turmoil are common themes. Sparking further controversy, frontman Jason Pierce fired his entire backing band prior to recording LET IT COME DOWN. Fortunately, the arguably hasty maneuver had little effect on the overall result. While there's more of an emphasis on straightforward pop songcraft than on space-rock excursions, the classic Spiritualized sound is still present. Although the fourth full-length Spiritualized outing has been billed as the "rehab" album, tunes like "The Twelve Steps" and "The Straight and the Narrow" suggest a man still engaged in a struggle with his narcotic demons. Sonically, LET IT COME DOWN delves further into Pierce's beloved gospel realm. Whereas earlier efforts toyed with R&B/gospel flavoring (mixed with lovely hypnotic rock), Pierce has apparently decided that this direction is now a primary focus. Many tracks feature backing vocals by choral singers, and song titles such as "Won't Get to Heaven (the State I'm In)" and "Lord Can You Hear Me" reinforce this religious motif. All in all, another fine release and welcome addition to an ever-growing Spiritualized catalog.
Album Reviews
Entertainment Weekly (12/28/01, p.138) - Ranked #10 "Album of the Year" in EW's "Best of 2001" - "...Artistic bloat never sounded so good..." Q (10/01, pp.132-3) - 4 stars out of 5 - "...These timeless concertos for group and orchestra should create a new optimism for the possibilites of 21st century music..." Mojo (1/02, p.69) - Ranked #19 in Mojo's "Best [40] Albums of 2001". Mojo (10/01, p.124) - "...Very Impressive..." Uncut (3/03, p.121) - 5 stars out of 5 - "...It sounds tremendous..." CMJ (10/1/01, p.13) - "...Rock'n'roll's answer to grand opera..." NME (12/29/01, p.59) - Ranked #2 in NME's 50 "Albums Of the Year 2001". NME (9/15/01, p.39) - 9 out of 10 - "...Another towering achievment - both musically and emotionally....This is music as it's meant to be: raw, colossal and awe-inspiring..."
Titles on disc 1
1.
On Fire
2.
Out Of Sight
3.
Don't Just Do Something
4.
Twelve Steps
5.
Straight And The Narrow
6.
Do It All Over Again
7.
I Didn't Mean To Hurt You
8.
Stop Your Cryin'
9.
Anything More
10.
Won't Get To Heaven (The State I'm In)
11.
Lord Can You Hear Me
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Listed on Ciao since
03/10/2001
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