... That's why it's took me so long to listen to Like Water For Chocolate which is regarded as one of his best releases. With a combination of the "hip-hop Julius Erving" ?uestlove and the rest of the Soulquarians producing this album and Common's tight, powerful lyricism, this CD still has enough ... Read review
A Feast For The Senses...Tita is the youngest of three daughters in a Mexican family at ... more
the turn of the century. An unbroken family tradition dictates that the youngest daughter is forbidden from marrying and must instead spend her life looking after her mother until death. Tita meets Pedro and falls in love, and he in turn asks for her hand in marriage. However, Tita's mother refuses, and instead offers him Rosaura, Tita's elder sister. Pedro accepts Rosaura just to be close to Tita. Tita finds this too much to bear and channels her passion for Pedro into her cooking, which leads to mystical and magical consequences.
Time Travelin' (A Tribute To Fela) - (featuring Vinia Mojica/Roy Hargrove/Femi Kuti) ... more
Heat Cold Blooded - (featuring Rahzel"The Godfather Of Noyze"/Roy Hargrove/Black Thought) Dooinit Light The Funky For You - (featuring Bilal/Jill Scott) Questions The - (featuring Mos Def) Time Travelin' Reprise 6th Sense The - (featuring Bilal) Film Called (Pimp) A - (featuring Bilal/MC Lyte) Nag Champa (Afrodisiac For The World) Thelonius - (featuring Slum Village) Payback Is A Grandmother Ghetto Heaven Remix T.S.O.I - (Feat. Macy Gray) Song For Asata A - (featuring Cee-Lo) Pop's Rap III...All My Children - (featuring Lonnie "Pops" Lynn)
Postage & Packaging:£0.00 Availability:3-5 working days
Advantages: Wonderful, thought provoking lyrics Disadvantages: I passed up on this album for years!!!
...so long to listen to Like Water For Chocolate which is regarded as one of his best releases. With a combination of the "hip-hop Julius Erving" ?uestlove and the rest of the Soulquarians producing this album and Common's tight, powerful lyricism, this CD still has enough heat and soul to send a heatwave through Hell while making Lucifer do a two-step. A perfect example of this would be the Premo-produced first single "The Sixth Sense" ... ...N*gga'...you better goin' to God like Mase did" over a melodious production by Jay Dee, even though the Slum Village appearance makes this song sound almost mediocre. Still "Thelonius" is only the night that quiets the fiery passion of "Dooinit" where Common claims to "X' cats like a Muslim" and rails against the softness of commercial rap music.
This isn't all that Common talks about on this album, ... more
My friends were telling me about Common for years now, but for some reason I never bothered to actually listen until the other week when I was in the sales and picked up this little gem...
Before the phenomenon of Kanye West brought Chigago-town such love and recognition that hadn't been seen on a national stage ever since Jumpman stopped wearing the red and white jerseys and put up the Nikes (we're ignoring the failed experiment over in D.C.), this city elicited little attention. We had the horrible sports teams, the old-as-dust reputation of being a mobster's town, and even worse, to the eyes of the masses, we had nothing musically coming from here. Twista? Please, a quasi-local talent who tried to sell on his fast-delivery gimmick. Do or Die? Crucial Conflict? Who? Exactly, my point. Even a great talent such as Lonnie Lynn a.k.a. Common couldn't put the sense into the mainstream to follow him (much less, people in this city). Instead, they paid way more attention to the new Jigga, the new Nelly, the new Diddy albums as if they were God's gifts to mankind.
However, I will admit I played the role of a narcoleptic and also slept on Common. That's why it's took me so long to listen to Like Water For Chocolate which is regarded as one of his best releases. With a combination of the "hip-hop Julius Erving" ?uestlove and the rest of the Soulquarians producing this album and Common's tight, powerful lyricism, this CD still has enough heat and soul to send a heatwave through Hell while making Lucifer do a two-step. A perfect example of this would be the Premo-produced first single "The Sixth Sense" where a plethora of quotable lines is emitted over a head-nodding scaled-piano/drum-loop soundscape that is sprinkled nicely with DJ cuts. Another could be the smooth groove-heavy "Thelonius" where Common spits hot lyrics such as "I 'Trick Daddy' emcees and I don't know 'Nann N*gga'...you better goin' to God like Mase did" over a melodious production by Jay Dee, even though the Slum Village appearance makes this song sound almost mediocre. Still "Thelonius" is only the night that quiets the fiery passion of "Dooinit" where Common claims to "X' cats like a Muslim" and rails against the softness of commercial rap music.
This isn't all that Common talks about on this album, however. Otherwise, cats would sleep on him even worse if he only talked about tissue-paper commercial emcees and dissed imaginary persons. Then again, most people I know slept on him because of the dude's image. Just because he wasn't reciting nursery rhymes or playing the sensitive thug routine, most thought he was too high-minded to appeal to us regular-day folk. Well, Common blasts holes in those ideas with "The Questions" and "A Film Called (Pimp)". With the help of Mos Def, he asks more relevant questions than a wannabe-relevant thug rapper could ever conceive while running through the stereotypes presented of him ("If I'm an intellectual, does that mean I can't be sexual?/If I want to uhh tah uhh does that mean I lack respect for you?). And on the latter, he makes fun of what people believe him with the assistance of MC Lyte who sounds more believable as a fake-pimpette than her real-world male counterparts ("I get six hundred off yo' skinny a*s weekly/You'll get all them righteous h*es in that dashiki"...Speak of empowering females).
The female. The one without life is not complete. James Brown once said "it's a man's world, but it would be nothing without a woman hardly there" or words to that effect. It is not surprising that Common's best songs on this album have to do or are dedicated to women. Whether getting revenge on dudes who "even got Jordan for his ice" and jacked his grandmother on the storytelling mini-epic "Payback is a Grandmother" or dedicating the intro on this album to a deceased soul singer, it's obvious that Common has only love for the female form. On the beautiful-sounding (word to Jay Dee once again) second single from this album "The Light", it's amazing how much respect he has for his girl. Not just lustin' like most of us confuse for love, but realizing that "it don't take a whole day to recognize sunshine". He already gets props from me for saying that he'll "never call you my b*tch or even my boo." If more of us thought like that, the world would be a better place. If not, at least, our females would be more respected.
It's only right that Common "ends" this album with the ultimate show of respect to a female who persevered through predicaments that would've killed lesser women (and men also). His tribute to a woman that's named Assata while noticing the hypocrisy of our dear ol' country ("I often wonder what would happen if that woulda been me?/All of this sh*t so we could be free"). I have no clue what about this song touches me the most, though. Is it Cee-Lo's inspirational singing of the chorus blessing Assata's pride and power? Is it Jay Dee's understated yet elegant production? Or is it just Common's descriptions of a lady who only could envision freedom because she never lived it? I just know with the last lyrics of the song - "And even to this day they try to get to her/But she's free with political asylum in Cuba"- it becomes astounding thinking about what the US will do to people in order to protect its ideals of "freedom"...and the irony of someone finding "life, liberty, and the pursuit of happiness" in a Communist country.
Like Water For Chocolate. Arguably, one of Common's best albums. Even though some people slept on the sense that he spitted on this CD, it is still a remarkable achievement. I'm just amazed that I overlooked an album of this calibre. Guess you could say I took an overlong nap and finally woke up. Nevertheless, Common has created a near-classic with this album and one can only hope that his new release can even come close to the greatness of this one. If not, we'll always have this one moment to show that Chicago hip-hop doesn't end, begin, or revolve around the aforementioned Kanye West.
Though provoking and honest - highly recommended!!!!
common asmuck
Non-Fiction- Biography- ISBN:0316030171,0316029874
Product Information for "Like Water For Chocolate [PA] - Common" »
Product details
Title
Like Water For Chocolate [PA]
Performer
Common
Genre
R&B
Sub Genre
Underground/Alt Rap
Release Date
27/03/2000
Original Release Year
2000
Label / Distributor
MCA / Universal Music
Pieces in Set
1
Studio / Live
Studio
Stereo
Stereo
Format
Performer
EAN
8811197025
Catalogue Number
1119702
Additional notes
Album Notes
Personnel: Common (vocals); D'Angelo (vocals, keyboards, claves); Jay Dee (vocals, scratches); Lonnie "Pops" Lynn, MC Lyte, T3, Baatin, Vinia Mojica, Femi Kuti, James Yancey, Mos Def (vocals); Jeff Lee Johnson (guitar); Antonio Hart (flute); James Poyser (oboe, Fender Rhodes piano, harpsichord, organ, keyboards); Roy Hargrove, Dwight Adams (trumpet); John Paxton (trombone); Stephon Harris (vibraphone); ?estlove (bass, drums); Pino, Richie Goods (bass); Melena (congas); DJ Premier, Mista Sinista (turntables); Black Thought, Cee-Lo, Rahzel "The Godfather Of Noyze", Bilal, Monie Love, Jill Scott (background vocals). Producers include: DJ Premier, Jay Dee, The Roots, James Poyser, Karriem Riggins. "The Light" was nominated for the 2001 Grammy Award for Best Rap Solo Performance. Considered by critics to be one of hip-hop's most skilled lyricists, Common has yet to receive the mainstream attention he deserves. But LIKE WATER FOR CHOCOLATE, his fourth album, is likely to change that. While positive lyrics and musical uniqueness have always been Common's forte, this MCA Records' debut presented feel-good hip-hop at a time when the genre's most successful artists were concerned with materialism and party-friendly production. Most of the beats on LIKE WATER FOR CHOCOLATE are provided by Jaydee of the Ummah, a producer who helped shape the latter sound of A Tribe Called Quest. And while Common's strongest track, "The 6th Sense," was actually produced by DJ Premier, his TCQ-inspired sound on this album sheds new light on the prolific rapper.
Album Reviews
Rolling Stone (1/4/01, p.106) - Included in Rolling Stone's Top 50 Albums of 2000. Entertainment Weekly (12/29/00, p.138) - Ranked #6 in EW's Top 10 Albums of 2000 - "...One helluva free-flowing album..." The Source (5/00, pp.211-2) - 4 mics out of 5 - "...Reflects a more worldly Common....creating full-fledged jazz, funk and soul songs....this LP unfolds in 2 acts. Act I stretching the boundaries of traditional hip-hop....Act II finds [him] on an emotional roller coaster..." Rap Pages (6/00, p.46) - "...The most intelligent and organic album since OutKast's AQUEMINI....a masterful blend of soul/funk music and [his] lyrics of hope and mental and spiritual well-being." Rolling Stone (4/13/00, pp.127-8) - 3.5 stars out of 5 - "...The dance jams...bump like acne....Common has a need to kick something that means something....A hip-hop MC willing to actually examine himself through his art? There's nothing Common about about that." Spin (5/00, p.155) - 8 out of 10 - "...His most aggressive and powerful record yet....[His] genius is that he's never more pop and playful than when he's worried, and vice versa....KRS-One's podium is open; maybe Common oughta step up." Q (5/00, pp.106-7) - 3 stars out of 5 - "...Decidedly arthouse....This is wholemeal hip hop: chewy and a wee bit bland but nutritious all the same." Alternative Press (5/00, p.82) - 3 out of 5 - "...A good introduction to Common....complex and versatile....[he] serves up bite-size tastes of each of his various skills..." Mojo (6/00, p.105) - "...May be the most user-friendly contribution so far to the wave of 'conscious' rap....an intriguing balance [of]...paying tribute to inspirational figures like Fela Kuti and Black Panther heroine Assata, while letting the sheer pleasure of word-play bubble through..." The Wire (3/00, p.64) - "...[His] fourth and best album..." NME (4/8/00, p.36) - 8 out of 10 - "...Equal parts philosopher and documentarian....Common deftly illustrates the big picture. Like all great storytellers." CMJ (3/27/00, p.30) - "...his most eclectic joint to date....fusing his gritty rap edge with bohemian, jazzy soul..."
Titles on disc 1
1.
Time Travellin' (A Tribute To Fela) - Common & Vinia Mojica/Roy Hargrove/Femi Kuti
2.
Heat - Common & Bilal/Jill Scott
3.
Cold Blooded - Common & Rahzel/Roy Hargrove
4.
Dooinit
5.
Light
6.
Funky For You - Common & Bilal/Jill Scott
7.
Questions - Common & Mos Def
8.
Time Travellin' (reprise)
9.
6th Sense
10.
Film Called (Pimp) - Common & MC Lyte
11.
Nag Champa (Afrodsiac For The World)
12.
Thelonius - Common & Slum Village
13.
Payback Is A Grandmother
14.
Geto Heaven (TSOI remix) - Common & Macy Gray
15.
Song For Assata - Common & Cee-Lo
16.
Pops Rap III (All My Children) - Common & Lonnie 'Pops' Lynn
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05/07/2005
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