... I would have liked to see more of the inimitable Liverpudlian wit, but showcased on a separate CD.
So, would I recommend this album? Well, I don't think people who are unfamiliar with the band and want to get to know their work should start with this... But for me, it is an important ... Read review
Advantages: Hey, it's the Beatles! Disadvantages: Not as polished as later output. Mostly not their own songs.
...a glimpse of the brilliant live talent we were deprived of by the excesses of Beatlemania.
I won't list all the tracks as this double album contains almost 70. Suffice to say that 14 of the tracks are Lennon/McCartney songs (of which one, 'I'll be on my way' was previously unreleased), 12 are not songs at all but the Beatles speaking, and the rest is made up of cover versions.
The album cover is a sepia photograph of ... ...This is also the cover of the accompanying booklet. If you turn this over however, you see a very similar picture, only this time the lads are horsing around. This serves to remind us just how young they were at the time. The back cover is taken up by the track listing. The 48 pages booklet enclosed is a mine of information and anecdotes and features some great pictures. A particular favourite of mine is a picture of Lennon sporting some Buddy Holly ... more
First, let me make this clear: I LOVE the Beatles, and although by no means a specialist, I am a big fan. This album is quite different from the rest of the Beatles' albums, as it is not up to their usual studio recorded, very well produced standards. All the tracks were recorded during sessions the band did at the BBC in 1963/65. And while this format often leads to a lack of sound quality (although I guess no-one could have produced this better than George Martin himself), this is more than compensated by the sheer joy of being able to hear the Fab Ones live. We are offered a glimpse of the brilliant live talent we were deprived of by the excesses of Beatlemania.
I won't list all the tracks as this double album contains almost 70. Suffice to say that 14 of the tracks are Lennon/McCartney songs (of which one, 'I'll be on my way' was previously unreleased), 12 are not songs at all but the Beatles speaking, and the rest is made up of cover versions.
The album cover is a sepia photograph of the Beatles walking past a BBC building, looking very business-like. This is also the cover of the accompanying booklet. If you turn this over however, you see a very similar picture, only this time the lads are horsing around. This serves to remind us just how young they were at the time. The back cover is taken up by the track listing. The 48 pages booklet enclosed is a mine of information and anecdotes and features some great pictures. A particular favourite of mine is a picture of Lennon sporting some Buddy Holly type glasses, in front of a very old fashioned microphone. All tracks are listed, along with additional information such as the name of the programme it was recorded for, the author(s) of the song, the date it was recorded and the date is was transmitted at, the studio and the producer, and often some extra information.
The music itself will either introduce you or take you back to a forgotten era. Those were the days when a radio show could reach audiences of up to 10 million people. The boys tackle classics (Chuck Berry being very well represented here) and obscure tracks alike and on the whole do themselves very proud in the process. You get a sense of a very well practised band, having performed on a variety of stages before (The Hamburg experience was intensely formative for the lads). In some ways, they must have sounded like a lot of bands of the day, but in others, you can tell there was something special there. All four Beatles sing lead at some point and their voices are great and very individual (although sometimes it is difficult to tell which one is singing. It's all part of the fun to try and guess). Lennon sounds very much the rocker, and you get a feeling he is trying to emulate his heroes, although often he sounds as good if not better. Look out for his rendition of Chuck Berry tracks, which seem to suit his vocal style down to the ground. Meanwhile, Little Richard covers give McCartney the opportunity to whoop, howl and holler to his heart's content. And throughout, the harmonies are as accomplished as on any of their studio albums.
I have mixed feelings about the spoken parts of the album. These are very short snippets of the Beatles answering questions in their own unique way. I can imagine the young fans of the day hanging onto their every word. I too love hearing their distinctive humour and feel somewhat cheated that there isn't more there for me to get my teeth into. On the other hand, it gets a little tedious to hear the same silly jokes over and over again when all you want to do is listen to the songs. I would have liked to see more of the inimitable Liverpudlian wit, but showcased on a separate CD.
So, would I recommend this album? Well, I don't think people who are unfamiliar with the band and want to get to know their work should start with this... But for me, it is an important and treasured part of my Beatles collection and I feel any fan would enjoy owning this.
Wouldn't it be wonderful if the BBC was to broadcast some of the actual programmes in their entirety, providing these still exist?
Product Information for "Live At The BBC - Beatles (The)" »
Product details
Title
Live At The BBC
Performer
Beatles (The)
Genre
Rock & Pop
Release Date
04/06/2001
Recomended Retail Price
25.99 GBP
Original Release Year
1994
Label / Distributor
Apple / EMI Operations/CEVA Logistics
Pieces in Set
2
Studio / Live
Live
Stereo
Mono
Format
Performer
EAN
724383179626
Catalogue Number
CDPCSP 726
Additional notes
Album Notes
LIVE AT THE BBC is a 2-CD set containing 69 live tracks, all of which are previously unreleased. Also included is a 48-page booklet with track-by-track annotations and essays by Derek Taylor and Kevin Howlett. The Beatles: John Lennon, Paul McCartney, George Harrison, Ringo Starr. Producers include: Bryant Marriott, Bernie Andrews, Terry Henebery, Ian Grant, Ron Belchier. Compilation producer: George Martin. Recorded live between 1962 and 1965. Includes liner notes by Derek Taylor & Kevin Howlett. Digitally remastered by George Martin. LIVE AT THE BBC was nominated for a 1996 Grammy Award for Best Historical Album. Although the guitars are often electric, LIVE AT THE BBC is, essentially, the Beatles Unplugged--yanked out of the recording studio, gathered around a few microphones and encouraged to show off their raw craft, naked voices and rock'n'roll roots. MTV didn't exist in the early '60s, but the BBC did, and between March 1962 and June 1965 (a period that spans their first four albums and takes them from the simplicity of "Love Me Do" to the complexities of "Ticket To Ride") the Beatles performed 52 times on England's national radio network. Although they had honed their craft in British and German rock clubs, the Beatles were mostly known as a studio band, and the radio shows served as a sort of behind-the-curtains glimpse of the studio wizards. Most of these performances are covers of early rock, pop and country songs, and the scope of them is wider and deeper than the covers the Beatles put on their albums. There are obvious influences--Chuck Berry, Elvis and Little Richard rockers, and traditional pop ballads--along with lesser-known pop footholds that hint at how/where the Beatles bridged the gap between rock's teen-age years and its adulthood. They covered soul singer Arthur Alexander only once on their original records ("Anna"), but twice here, and the combination of R&B drive and complex pop changes that fuels both "Soldier Of Love" and "A Shot Of Rhythm And Blues" gives away one of the primary sources of Beatles style. John Lennon's vocal on "I Just Don't Understand," an Ann-Margret pop song, foreshadows the downbeat folk-rock with which the Beatles made their mark in the mid-'60s. A baker's dozen of Lennon/McCartney originals are spread through the set, including one, a jangly folk-rocker titled "I'll Be On My Way," that they never recorded. The John-Paul-George harmonies are in full bloom, as is the Beatlesque sense of humor. There's one terribly obvious overdub, but the rest of LIVE AT THE BBC sounds like rock'n'roll's greatest living-room sessions.
Album Reviews
NME (12/24/94, p.23) - Ranked #5 in NME's list of the 10 best compilation albums of 1994. Rolling Stone (1/26/95, pp.59-60) - 4 Stars - Excellent - "...the set best serves as a reminder of the Beatles' multiple gifts....It captures the last possible moment when playing rock & roll could be unadulterated fun..." Musician (3/95, p.88) - "...proof that the range and clarity of The Beatles' sound was the result of years spent covering the great R&B and rockabilly hits of the '50s..." NME (12/3/94, p.41) - 9 - Excellent Plus - "...this is the motherlode, the ore from which [the Beatles'] future art was smelted. No pop band would ever have such a rich source of fresh material to work from..." Q (1/95, pp.266-267) - 3 Stars - Good - "...on the cusp between their influences and their innovations....The Beatles were not important because they played such a storming version of 'Johnny B. Goode,' but...because they found a way of transcending 'Johnny B. Goode' altogether..." Entertainment Weekly (12/9/94, pp.74-75) - "...a reminder that the Beatles made an indelible mark as songwriters, record makers, and personalities....a quaint memento of a time that sounds more innocent than its mythology now dictates..." - Rating: B
Titles on disc 1
1.
Beatle Greetings
2.
From Us To You
3.
Riding On A Bus
4.
I Got A Woman
5.
Too Much Monkey Business
6.
Keep Your Hands Off My Baby
7.
I'll Be On My Way
8.
Young Blood
9.
Shot Of Rhythm And Blues
10.
Sure To Fall (In Love With You)
11.
Some Other Guy
12.
Thank You Girl
13.
Sha La La La
14.
Baby It's You
15.
That's Alright Mama
16.
Carol
17.
Soldier Of Love
18.
Little Rhyme
19.
Clarabella
20.
I'm Gonna Sit Right Down And Cry Over You
21.
Crying Waiting Hoping
22.
Dear Wack
23.
You've Really Got A Hold On Me
24.
To Know Her Is To Love Her
25.
Taste Of Honey
26.
Long Tall Sally
27.
I Saw Her Standing There
28.
Honeymoon Song
29.
Johnny B Goode
30.
Memphis Tennessee
31.
Lucille
32.
Can't Buy Me Love
33.
From Fluff To You
34.
Till There Was You
Titles on disc 2
1.
Crinsk Dee Night
2.
Hard Day's Night
3.
Have A Banana
4.
I Wanna Be Your Man
5.
Just A Rumour
6.
Roll Over Beethoven
7.
All My Loving
8.
Things We Said Today
9.
She's A Woman
10.
Sweet Little Sixteen
11.
1822
12.
Lonesome Tears In My Eyes
13.
Nothin' Shakin'
14.
Hippy Hippy Shake
15.
Glad All Over
16.
I Just Don't Understand
17.
So How Come (No One Loves Me)
18.
I Feel Fine
19.
I'm A Loser
20.
Everybody's Tryin' To Be My Baby
21.
Rock 'n' Roll Music
22.
Ticket To Ride
23.
Dizzy Miss Lizzy
24.
Kansas City/Hey Hey Hey Hey
25.
Set Fire To That Lot
26.
Matchbox
27.
I Forgot To Remember To Forget
28.
Love These Goon Shows
29.
I Got To Find My Baby
30.
Ooh My Soul
31.
Ooh My Arms
32.
Don't Ever Change
33.
Slow Down
34.
Honey Don't
35.
Love Me Do
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30/01/2006
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