Review rated by 21 Ciao members on average: very helpful
I could never say that I have ever been a huge Sade fan. I will happily listen to her music if it happens to be on, but I would never deliberately go looking for one of her CD's. That was until she came back from a self imposed break of eight years, and released 'Lover's Rock', which was lapped up by her fans who had waited eagerly for her return, and there are few singers who would be able to manage that, especially without bowing down to the present day electronic pop that we hear so often. Sade co-wrote every track on the album, so they all have that personal touch. I don't know if it just came along at the right time for me, or whether I had matured enough to start and appreciate her talent, but whatever it was, this was certainly one of my best albums for 2000, which was also the year I became a mum, and this was the only CD which would get my daugher off to sleep when she was a baby.
Do not expect many upbeat tracks to dance along to, as Sade has decided to stick to what she does best...the soulful ballad with the lyrics to make you cry, and she even managed to get the same band to record with her as she did in the 1990's, which at least gives the same feel to the music. It makes you wonder why she never really had the commercial success that the likes of Alicia Keyes is enjoying now. This album shows an older and more mature Sade, who is certainly carrying some of life's baggage
that she has picked up in her absence.
**BY YOUR SIDE** This is one of the best opening tracks of an album that I have ever heard. Through the lyrics and her voice, Sade conveys the emotion other singers can only dream of being able to achieve. 'YOU THINK I'D LEAVE YOU DOWN WHEN YOU'RE DOWN ON YOUR KNEES?' is a line which gets me everytime, as it is a line which is so apt for my relationship. I am sure all of you reading this have a similar song. This song is all about supporting the person you love, and showing them truly how much they are worth and how much they can achieve. This track is Sade showing us all what she can do, and it certainly sets the tone for the rest of the album.
**FLOW** This song has a bit more a reggae feel (sounds like a Wyclef Jean production in parts) and a more upbeat tone, but it is still without doubt a ballad. This song is about being so in love with someone, but not having the confidence to go with it in case you get hurt, because what you believed was real turns out to be lies. Acoustically, I think that this song would be breathtaking, as at times I felt that I was not able to fully appreciate Sade's voice as the music was forcing itself into the forefront.
**KING OF SORROW** 'I'M CRYING EVERYONE'S TEARS' is the opener to this song. Haven't we all felt like that at times? When we think that we feel enough grief and sorrow for everyone, but you have no choice but to carry on and wonder if you will ever feel any different. This is a beautiful track, and it hits the spot everytime. Sade's voice conveys anguish and sorrow with her every word. If you need a good cry then sit down and listen to this song closely, you will soon be wailing!
**SOMEBODY ALREADY BROKEN MY HEART** The opening beats of this sound very American R&B, and I was half expecting Toni Braxton's voice to start singing. If these songs are written from experience, then she has had some horrendous relationships, as this song is about how she has been torn apart so many times, that the next person she meets probably won't be able to hurt her badly, as someone has already done that.
**ALL ABOUT OUR LOVE** This is a hard song to describe, and if I was made to choose my least favourite on the album then it would be this track. Again it has a touch of reggae to it, but it just falls short of the standard set by the other tracks which have preceeded it. It is a very simple song which does not try too hard, and this means that it falls short in terms of satisfying the listener.
**SLAVE SONG** This is a politically motivated song about a Somalian woman. Sade's voice is accompanied by steel drums, and a very ethnic melody. It is a chant rather than a song, which initially put me off, but the decider for this track are the lyrics, where we hear the woman praying to her god asking for help after she has been kidnapped and taken to a place where she is forced to work as a slave.
**THE SWEETEST GIFT** Not a ballad this time, but a lullaby, and it certainly does the job, as this is the song that I used to sing to my daughter, which such beautiful lines as 'QUIETLY WHILE YOU WERE ASLEEP, THE MOON AND I WERE TALKING, I ASKED THAT SHE'D ALWAYS KEEP YOU PROTECTED'. Isn't this how every new parent feels? I am sure that the song started off as a poem, which then had a melody added to it. Sade dedicated this song to the Rainbow's Trust Children's Charity.
**EVERY WORD** This all about a woman being deceived by her lover, and discovering the duplicity when she finds a explicit picture in his wallet, and how she feel that her trust has been misplaced. Uniquely for Sade it is the music that is the winner this time round. If I am not mistaken her voice is accompanied by some expert bongo playing which just adds to the feel, and this song should have been released as a single.
**IMMIGRANT** You may have deduced from the title, that this song is very much in the same vein as 'Slave Song'. It is very political, but this time Sade looks at the problem of racism. The story she tells is an all too familiar one, and the creative lyrics are supported by an electronic melody, heading towards a dance/ethnic beat. Nothing I can say can create the impression that this song leaves.
**LOVERS ROCK** The title track is late on in the running order. It is a song which is just so lyrically wonderful that it could be anyone's song as they could be adapted to suit anyone's life and situation. 'YOU ARE THE LOVER'S ROCK, THE ROCK THAT I CLING TO'. Hold that thought!
**IT'S ONLY LOVE THAT GETS YOU THROUGH** The final track ends the album with a delicate touch, and sends you on your way with the message that in life you will get hurt, but when it comes down to it, love is what actually gets you through the day. A nice thought! The whole album leaves you feeling quite melancholy, but in a way quite positive about what you can be if you just let yourself open up from time to time even if it means being vulnerable.
This is a CD I would listen to if I wanted to chill out, or maybe if my husband and I had a rare night alone. Sade's voice is as smooth as velvet, and just glides through the tracks never faltering. It makes you experience the emotion of every song, and then do it again when it is all over. Was it worth the wait? I can say with 100% conviction that it was, and even if you were not a Sade fan before, then you just have to listen to this, and I am sure that it will convert some of you.
erian/British chanteuse one of those artists whose very name became the adjective to describe their sound. After an eight-year layoff, Sade and her core band (and long-time p...
erian/British chanteuse one of those artists whose very name became the adjective to describe their sound. After an eight-year layoff, Sade and her core band (and long-time p...
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![Best Of Sade, The [Remastered] - Sade](http://imagesb.ciao.com/iuk/images/products/small/333/Best_Of_Sade_The_Remastered_Sade__5982333.jpg)
17.01.2003 18:46
Great op! Well done! Matthew
13.01.2003 07:39
I've got to confess that I do find it hard to think of Sade as much more than background music!
13.01.2003 07:25
Excellent op - Sade gets a hard time from the critics, but she does what she does superbly, and there is a place for her type of music.