Mahler: Complete Symphonies

Mahler: Complete Symphonies

10CD(s) - Label:DG - Distributor:Universal Manufacturing and Logistics - Run Time:11 hours 51 minutes - 28946373828 more

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Mahler: Complete Symphonies and Orchestral Songs - Mahler: Complete Symphonies and Orchestral Songs -
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Mahler: Complete Symphonies

Main specs

Title: Mahler: Complete Symphonies

Composer: Gustav Mahler (1860 - 1911)

Main Performer: Edith Mathis (Soprano); Norma Procter (Contralto (Female alto)); Marjorie Thomas (Contralto (Female alto)); Elsie Morison (Soprano); Dietrich Fischer-Dieskau (Baritone)

Orchestra / Ensemble(s): Bavarian Radio Symphony Orchestra; Bavarian Radio Chorus; Tölz Boys' Choir

Label / Distributor: DG / Universal Manufacturing and Logistics

Pieces in Set: 10

Running Time: 11 hours 51 minutes

Genre(s): Orchestral

Stereo: Stereo

EAN: 28946373828

Catalogue Number: 463

Work 1

Work Title: Symphony No. 1 in D

Excerpt(s): 1. Langsam. Schleppend
2. Kräftig bewegt, doch nicht zu schnell (Ländler: Scherzo)
3. Feierlich und gemessen, ohne zu schleppen
4. Stürmisch bewegt

Composer: Gustav Mahler (1860 - 1911)

Genre: Orchestral

Date Written: 1888 Revised 1893, 1896-98

Date Recorded: 1967

Conductor: Rafael Kubelík

Orchestra / Ensemble: Bavarian Radio Symphony Orchestra

Work 2

Work Title: Symphony No. 2, 'Resurrection' in C minor

Excerpt(s): 1. Allegro moderato (Totenfeier)
2. Andante moderato
3. In ruhig fliessender Bewegung
4. Urlicht
5. In tempo des Scherzos

Composer: Gustav Mahler (1860 - 1911)

Genre: Orchestral

Date Written: 1884-1886 Revised 1893-6

Date Recorded: 1969

Conductor: Rafael Kubelík

Orchestra / Ensemble: Bavarian Radio Symphony Orchestra

Orchestra / Ensemble: Bavarian Radio Chorus

Main Performer: Edith Mathis (Soprano), Norma Procter (Contralto (Female alto))

Opera Part(s): Edith Mathis, Norma Procter

Work 3

Work Title: Symphony No. 3 in D minor

Excerpt(s): 1. Kräftig
2. Tempo di menuetto
3. Scherzando
4. Sehr langsam: 'O Mensch! Gib acht'
5. Lustig im Tempo: 'Es sungen drei Engel'
6. Langsam

Composer: Gustav Mahler (1860 - 1911)

Genre: Orchestral

Date Written: 1893-96 Revised 1906

Date Recorded: 1967

Conductor: Rafael Kubelík

Orchestra / Ensemble: Bavarian Radio Symphony Orchestra

Orchestra / Ensemble: Bavarian Radio Chorus

Orchestra / Ensemble: Tölz Boys' Choir

Main Performer: Marjorie Thomas (Contralto (Female alto))

Opera Part(s): Marjorie Thomas

Work 4

Work Title: Symphony No. 4 in G

Excerpt(s): 1. Heiter, bedäctig
2. In gemächlicher Bewegung
3. Ruhevoll
4. Sehr behaglich

Composer: Gustav Mahler (1860 - 1911)

Genre: Orchestral

Date Written: 1892, 1899-1900 Revised 1901-10

Date Recorded: 1968

Conductor: Rafael Kubelík

Orchestra / Ensemble: Bavarian Radio Symphony Orchestra

Main Performer: Elsie Morison (Soprano)

Opera Part(s): Elsie Morison

Work 5

Work Title: Symphony No. 5 in C sharp minor

Excerpt(s): 1. Trauermarsch
2. Stürmisch bewegt
3. Scherzo
4. Adagietto
5. Rondo_Finale

Composer: Gustav Mahler (1860 - 1911)

Genre: Orchestral

Date Written: 1901-02

Date Recorded: 1971

Conductor: Rafael Kubelík

Orchestra / Ensemble: Bavarian Radio Symphony Orchestra

Work 6

Work Title: Symphony No. 6 in A minor

Excerpt(s): 1. Allegro energico, ma non troppo
2. Scherzo
3. Andante moderato
4. Allegro moderato

Composer: Gustav Mahler (1860 - 1911)

Genre: Orchestral

Date Written: 1904

Date Recorded: 1968

Conductor: Rafael Kubelík

Orchestra / Ensemble: Bavarian Radio Symphony Orchestra

Work 7

Work Title: Symphony No. 7 in E minor

Excerpt(s): 1. Adagio_Allegro risoluto ma non troppo
2. Nachtmusik: Allegro moderato
3. Scherzo
4. Nachtmusik: Andante amoroso
5. Rondo_Finale

Composer: Gustav Mahler (1860 - 1911)

Genre: Orchestral

Date Written: 1906

Date Recorded: 1970

Conductor: Rafael Kubelík

Orchestra / Ensemble: Bavarian Radio Symphony Orchestra

Work 8

Work Title: Symphony No. 8, 'Symphony of a Thousand' in E flat

Excerpt(s): 1. Part 1 - Veni, creator spiritus; Imple superna gratia; Infirma nostri corporis; Accende lumen sensibus; Veni, creator sp
2. Part 2 - Poco adagio; Waldung, sie schwankt heran; Ewiger Wonnebrand; Wie Felsenabgrund mir zu Füssen; Gerettet ist das

Composer: Gustav Mahler (1860 - 1911)

Genre: Orchestral

Date Written: 1906

Date Recorded: 1970

Conductor: Rafael Kubelík

Orchestra / Ensemble: Bavarian Radio Symphony Orchestra

Orchestra / Ensemble: Bavarian Radio Chorus

Orchestra / Ensemble: West German Radio Chorus

Orchestra / Ensemble: North German Radio Chorus

Orchestra / Ensemble: Regensburg Cathedral Choir (Boys' Voices)

Orchestra / Ensemble: Munich Motet Choir

Main Performer: Dietrich Fischer-Dieskau (Baritone), Donald Grobe (Tenor), Edith Mathis (Soprano), Erna Spoorenberg (Soprano), Franz Crass (Bass), Júlia Hamari (Mezzo soprano), Martina Arroyo (Soprano), Norma Procter (Contralto (Female alto))

Opera Part(s): Dietrich Fischer-Dieskau, Donald Grobe, Edith Mathis, Erna Spoorenberg, Franz Crass, Júlia Hamari, Martina Arroyo, Norma Procter

Work 9

Work Title: Symphony No. 9 in D

Excerpt(s): 1. Andante commodo
2. Im Tempo eines gemächlichen Ländlers
3. Rondo-Burleske
4. Adagio

Composer: Gustav Mahler (1860 - 1911)

Genre: Orchestral

Date Written: 1909

Date Recorded: 1967

Conductor: Rafael Kubelík

Orchestra / Ensemble: Bavarian Radio Symphony Orchestra

Work 10

Work Title: Symphony No. 10 in F sharp minor

Excerpt(s): 1. Adagio

Composer: Gustav Mahler (1860 - 1911)

Genre: Orchestral

Date Written: 1910

Date Recorded: 1968

Conductor: Rafael Kubelík

Orchestra / Ensemble: Bavarian Radio Symphony Orchestra

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Reviews which might be of interest for Mahler: Complete Symphonies    
GUSTAV MAHLER'S LAST- SYMPHONY NO. 10
Review of Mahler: Symphony No 10 by  Puma1000

Advantages: Embodies some of Mahlers most notable music qualities.
Disadvantages: Unfinished.

...--- OVERVIEW --- There is supersition that Beethoven died before completing his 10th symphony and so too would Mahler. This turned out to be true, at the age of 50 Mahler died from a serious illness. The different movements of his symphony were left unfinished and put aside for many years until in the 1960's a British musicoligist Deryck Cooke recreated them. To what influence Mr Cooke had over the final version I do not know, but nonetheless the music sounds like Mahler and is otherwise enchanting . --- MAHLER --- Nationality: Austrian Musical Period: Late-Romantic Born: 1860 Died: 1911 ' To write a symphony is, for me to construct a world' - Mahler Mahler Symphony No. 10 Tracks 01. Adagio 26:15 02. First scherzo 12:03 03. Purgatorio oder Inferno 04:30 04. Second scherzo 12:15 05. Finale... Read review

Ciao members have rated this review on average helpful

helpful
13.12.2004
MAHLER CREATED THIS ON HOLIDAY - SYMPHONY NO.4
Review of Mahler: Symphony No 4 by  Puma1000

Advantages: Varied movements, esp. 1st and 4th. One of Mahler's most popular works.
Disadvantages: 2nd movement a little weak.

...to complete it. --- MUSIC --- Mahler himself thought of this work as transparent, relatively brief, and non-aggressive. Comprising of 4 movements, it is fairly short compared to his other symphony's and certainly more upbeat, using only a small section of the orchestra compared to his other works. The first movement would almost look like a pyramid if drawn. The start and end are very gradually built up/down (the same melody used at the start and finish) with the climax of the piece about 10mins in with bells and horns making an appearance. The second movement relies far too much on strings for my liking and lacks the distinctiveness of the 1st movement. The 3rd draws a more subtle manner which makes you believe it is the same as the 2nd at first, but then provides differences to illustrate its superiority; it also leads magnificently... Read review

Ciao members have rated this review on average helpful

helpful
24.03.2005
From Vienna to Venice
Review of Mahler: Symphony No 5 by  mirrors

Advantages: Great music is always an advantage...
Disadvantages: Great music don't have it

...the world fame, despite his complete devotion to the debatable one "cultural politics" of the then U.R.S.S., it is Shostakovic which, for his same admission, owes a lot to Mahler. The Fourth Symphony of the Russian would not be thinkable before without the Fourth or the Bohemian's Fifth, with that sense "panic" and at the same time "magic" of the nature that permeates and it unites so the three Symphonies. In the title I told from Vienna to Venice (implicitly remembering "You death in Venice " in the cinema version, in which the Adagietto of the Fifth Symphony of Mahler is used), but I could also have been telling for the century of the romanticism that of the more disenchanted and, together, deperate vision of the life that has been the whole century that we have been having for little time greeted . But enough, to the others the space... Read review

Ciao members have rated this review on average helpful

helpful
04.09.2001
(30.10.2001)

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