Monteverdi: Orfeo

Monteverdi: Orfeo

2CD(s) - Label:Archiv Produktion - Distributor:Universal Manufacturing and Logistics - Run Time:2 hours 46 minutes - DDD - Released:01/10/1987 - 28941925022 more

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Monteverdi: L'Orfeo - Monteverdi: L'Orfeo -
Release Date: 1987-10-14, Audio CD, Deutsche Grammophon
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Monteverdi: Orfeo

Main specs

Title: Monteverdi: Orfeo

Composer: Claudio (Giovanni Antonio) Monteverdi (1567 - 1643)

Main Performer: Anne Sofie von Otter (Mezzo soprano); Anthony Rolfe Johnson (Tenor); Diana Montague (Mezzo soprano); Howard Milner (Tenor); John Tomlinson (Bass)

Orchestra / Ensemble(s): English Baroque Soloists Orchestra; Monteverdi Choir; His Majestys Sagbutts and Cornetts Choir

Date of Release: 01/10/1987

Recomended Retail Price: 23.99 GBP

Label / Distributor: Archiv Produktion / Universal Manufacturing and Logistics

Pieces in Set: 2

Running Time: 2 hours 46 minutes

Genre(s): Stage works

SPAR Code: DDD

EAN: 28941925022

Catalogue Number: 419

Work 1

Work Title: (L')Orfeo

Excerpt(s): 1. Toccata
2. Prologue - Dal mio Permesso amato
3. Ahi, caso acerbo; Tu sei mortal
4. Rosa del ciel
5. Lasciate i monti
6. Possente spirito
7. Ritornello (harp)
8. Mira, deh mira Orfeo
9. In un fiorto prato
10. Act 1 - Vieni, Imeneo
11. Act 3 - Sinfonia d'ouverture
12. Act 1 - In questo lieto e fortunato giorno
13. Act 2 - Sinfonia; Ecco pur ch'a voi ritorno

Composer: Claudio (Giovanni Antonio) Monteverdi (1567 - 1643)

Genre: Stage works

Date Written: 1607

Conductor: Sir John Eliot Gardiner

Orchestra / Ensemble: English Baroque Soloists Orchestra

Orchestra / Ensemble: Monteverdi Choir

Orchestra / Ensemble: His Majestys Sagbutts and Cornetts Choir

Main Performer: Anne Sofie von Otter (Mezzo soprano), Anthony Rolfe Johnson (Tenor), Diana Montague (Mezzo soprano), Howard Milner (Tenor), John Tomlinson (Bass), Julianne Baird (Soprano), Lynne Dawson (Soprano), Mark Tucker (Tenor), Mary Nichols (Mezzo soprano), Michael Chance (Alto), Nancy Argenta (Soprano), Nicholas Robertson (Tenor), Nigel Robson (Tenor), Simon Birchall (Bass), Willard White (Bass)

Opera Part(s): Anne Sofie von Otter (Messenger (Silvia)), Anthony Rolfe Johnson (Orfeo), Diana Montague (Proserpina), Howard Milner (Spirit I), John Tomlinson (Caronte; Spirit III), Julianne Baird (Euridice), Lynne Dawson (La Musica), Mark Tucker (Shepherd I; Eco), Mary Nichols (Speranza), Michael Chance (Shepherd III), Nancy Argenta (Nymph), Nicholas Robertson (Spirit II), Nigel Robson (Apollo; Shepherd II), Simon Birchall (Shepherd IV), Willard White (Plutone)

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Listed on Ciao since : 05/06/2005


Reviews which might be of interest for Monteverdi: Orfeo    
Modern drama
Review of Gluck: Orfeo ed Euridice by  Lusifilo

Advantages: full
Disadvantages: nobody

...Work of 1762, it represents sure the tastes and the topics of the age. The booklet is rigorously in written Italian and from Ranieri De' Calzabigi, it follows the outline of subdivision in three actions and more scenes, and put in music from Christoph Willibald Gluck (1714 -1787). This work constitutes the watershed between a baroccheggiante way of dealing the grand opera and new tonalities that will carry to the great operistica season of the 800. The booklet is elaborated on the cue of Greek myths, a lot in voga to the age, and in particular from that one of Orfeo and its incredible history of love with Euridice. In synthesis: Orfeo was son of Apollo and Calliope; the God Apollo gave it a Lira with which lofty Orfeo bicame an "citareda". Euridice, instead, was daughter of Nereo and Doride, and its beauty, beyond that to make... Read review

Ciao members have rated this review on average somewhat helpful

somewhat helpful
12.11.2006
peaceful yet uplifting
Review of Un concert spirituel by  tehuti

Advantages: sublime music
Disadvantages: the hour it lasts is far too short!

...This budget album captures some of the most sublime pieces of Monteverdi's religious music. It consists of excerpts from works written over a period of 40 years, from the famous Vespers of 1610 to the Mass, Psalms and Litany to the Virgin published posthumously in 1650. The settings are for two sopranos and alto, soprano and alto, soprano solo and alto solo, accompanied by various combinations of organ, cello, violins, harpsichord and theorbo. The alto part is taken by the outstanding male alto Rene Jacobs, who also directs the ensemble. Judith Nielson is the principal soprano, and is joined in one piece by soprano Birgit Grenat. The sound of the music is something quite extraordinary. Melodies are interwoven, one against the other, sometimes colliding into unexpected dissonances which then resolve into perfect harmonies... Read review

Ciao members have rated this review on average helpful

helpful
20.02.2001
(17.02.2001)
A Memorable Portrait of Vesselina Kasarova
Review of Vesselina Kasarova: Famous Mezzo Arias by  EpinionSmorg

Advantages: Kasarova's personal touch. Virtuosic without showing off
Disadvantages: She doesn't keep singing forever

...any legato line to achieve it. Like her idol, WA Mozart, this gal can operate within the boundary while generating a singing experience that transcends it. The tracks included are: 1. HANDEL: Rinaldo: Or la tromba in suon festante 2. GLUCK: Orfeo ed Euridice: Che faro senza Euridice 3. MOZART: Le nozze di Figaro: Voi che sapete che cosa e amor 4. MOZART: Don Giovanni: Batti, batti, o bel Masetto 5. ROSSINI: La Cenerentola: Nacqui all'affanno/ Non piu mesta 6. ROSSINI: Il barbiere di Siviglia: Una voce poco fa 7. ROSSINI: L'Italiana in Algeri: Amici in ogni evento/ Pensa alla patra 8. DONIZETTI: Anna Bolena: Spossa a Percy/ Per questa fiamma indomita 9. DONIZETTI: La Favorita: Fia dunque vero/ O mio Fernando 10. BELLINI: I Capuleti e i Montecchi: Se Romeo t'uccise un figlio Her repertoire had grown even wider since this CD... Read review

Ciao members have rated this review on average helpful

helpful
14.04.2007

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