cutting 10 records for the imprint. Five of her Colpix records were concert recordings, a setting that suits her idiosyncrasies while protecting her from overprod...
cutting 10 records for the imprint. Five of her Colpix records were concert recordings, a setting that suits her idiosyncrasies while protecting her from overprod...
cutting 10 records for the imprint. Five of her Colpix records were concert recordings, a setting that suits her idiosyncrasies while protecting her from overproduction, and one she's returned to frequently. At the Village Gate captures a particularly intimate 1961 performance and stands as the cream of her live collections. Backed by a trio that includes her favorite sideman, guitarist Al Shackman, Simone ranges from the yearning "He Was Too Good to Me" to a sprightly eight-minute-plus version of "Bye Bye Blackbird" that displays her underrated keyboard skills. This is the kind of album that ages like a fine merlot. --Steven Stolder
cutting 10 records for the imprint. Five of her Colpix records were concert recordings, a setting that suits her idiosyncrasies while protecting her from overproduction, and one she's returned to frequently.At the Village Gatecaptures a particularly intimate 1961 performance and stands as the cream of her live collections. Backed by a trio that includes her favorite sideman, guitarist Al Shackman, Simone ranges from the yearning "He Was Too Good to Me" to a sprightly eight-minute-plus version of "Bye Bye Blackbird" that displays her underrated keyboard skills. This is the kind of album that ages like a fine merlot.--Steven Stolder
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