No Tenors Allowed

No Tenors Allowed

1CD(s) - Label:Teldec - Distributor:TEN - Run Time:1 hour 13 minutes - DDD - Released:03/1999 - 706301314920 more

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In the operatic field there is no doubt that tenors are more popular than other male singers, partly because the composers usually used the tenor voice as a vehicle for his most beautiful tunes and the tenor is usually the hero in opera (with a few exceptions) This album by two of Americas ... Read review





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Release Date: 1999-02-22, Audio CD, Teldec		 £ 13.69

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No tenors here.
A review by tomo7 on No Tenors Allowed
March 1st, 2001


Author's product rating:   

Originality  
Lyrics  
Quality and consistency of tracks  
Value for Money  

Advantages: Wonderful music and 2 top artists
Disadvantages: One or two items are a bit long

Recommend to potential buyers: yes 

Full review

In the operatic field there is no doubt that tenors are more popular than other male singers, partly because the composers usually used the tenor voice as a vehicle for his most beautiful tunes and the tenor is usually the hero in opera (with a few exceptions) This album by two of Americas greatest post war singers has been long awaited by opera enthusiasts. Samuel Ramey is one of the greatest bass singers in recent years. He can sing most of the bel-canto repertoire with ease and has a wonderful, effortless way of singing. Thomas Hampson too is a very important baritone and Lieder singer of some repute. This CD is interesting in that they chose certain duets that are not well known (Cimarosa "Il Matrimonio Segreto" and Donizetti's "Marino Faliero" ) The "Attila " duet is a bit disappointing as Hampson sounds very bland on it ; not like the rebellious Roman he should be. Ramey is usually predictable with his villain roles but here he is not the usual "devil" that he is famous for. The "Don Carlo" duet between Posa and Phillip is particularly outstanding and brings to mind the live performances I have seen both singers give in these roles. If you want something a bit different in the Operatic field then this CD should be given a chance. The bass and baritone voices are so beautiful and here we have two artists who are the peak of their careers.The booklet inside is adequate with pictures and librettos. 

Reviews which might be of interest for No Tenors Allowed    
WOW! Can they get any better???
Review of Hopes And Fears - Keane by  roxyrose87

Advantages: WOW! What a top album!
Disadvantages: The songs are all quite similar!

...This album was bought for me by my boyfriend, I did like their songs before I was given their album, but I probably wouldn't have gone out to buy it for myself, predominantly because I had only heard one or two of their tracks! However... since I have had this album, there is one copy in my CD player to wake me up in the mornings, there is one copy in my car for easy listening when I'm driving, and one in the kitchen so I can sing along as I'm cooking - it doesnt improve you cooking skills though, believe me! The lead vocalist of the three guys, Chaplin, in this album, is allowed to put his silky tenor voice to the forefront of their music as their is no guitar in this album what-so-ever! The predominance of his singing is no weakness, Chaplin's sheer power deserves to be heard, and this record will make sure it is. Chaplin... Read review

Ciao members have rated this review on average somewhat helpful

somewhat helpful
15.06.2005


Hopes And Fears - Keane

Product details

Title: No Tenors Allowed

Composer: Vincenzo Bellini (1801 - 1835); Domenico Cimarosa (1749 - 1801); (Domenico) Gaetano (Maria) Donizetti (1797 - 1848); Giuseppe (Fortunino Francesco) Verdi (1813 - 1901)

Main Performer: Samuel Ramey (Bass); Thomas Hampson (Baritone)

Orchestra / Ensemble(s): Munich Radio Orchestra

Date of Release: 03/1999

Recomended Retail Price: 10.99 GBP

Label / Distributor: Teldec / TEN

Pieces in Set: 1

Running Time: 1 hour 13 minutes

Genre(s): Stage works

Producer: Martin Fouque

SPAR Code: DDD

EAN: 706301314920

Catalogue Number: 630

Work 1

Work Title: (I) Puritani

Excerpt(s): 1. Il rival salvar
2. Suoni la tromba

Composer: Vincenzo Bellini (1801 - 1835)

Genre: Stage works

Date Written: 1835

Date Recorded: 1997

Conductor: Miguel Angel Gómez-Martínez

Orchestra / Ensemble: Munich Radio Orchestra

Main Performer: Samuel Ramey (Bass), Thomas Hampson (Baritone)

Opera Part(s): Samuel Ramey, Thomas Hampson

Location of Work Recording: Studio 1, Bayerischer Rundfunk

Work 2

Work Title: (Il) Matrimonio segreto

Excerpt(s): 1. Se fiato in corpo avete

Composer: Domenico Cimarosa (1749 - 1801)

Genre: Stage works

Date Written: 1792

Date Recorded: 1997

Conductor: Miguel Angel Gómez-Martínez

Orchestra / Ensemble: Munich Radio Orchestra

Main Performer: Samuel Ramey (Bass), Thomas Hampson (Baritone)

Opera Part(s): Samuel Ramey, Thomas Hampson

Location of Work Recording: Studio 1, Bayerischer Rundfunk

Work 3

Work Title: Don Pasquale

Excerpt(s): 1. Cheti, cheti immantinente
2. Aspetta, aspetta cara sposina

Composer: (Domenico) Gaetano (Maria) Donizetti (1797 - 1848)

Genre: Stage works

Date Written: 1843

Date Recorded: 1997

Conductor: Miguel Angel Gómez-Martínez

Orchestra / Ensemble: Munich Radio Orchestra

Main Performer: Samuel Ramey (Bass), Thomas Hampson (Baritone)

Opera Part(s): Samuel Ramey, Thomas Hampson

Location of Work Recording: Studio 1, Bayerischer Rundfunk

Work 4

Work Title: Marino Faliero

Excerpt(s): 1. 'Israele, che vuoi'?
2. Se pur giungi a trucidarlo

Composer: (Domenico) Gaetano (Maria) Donizetti (1797 - 1848)

Genre: Stage works

Date Written: 1835

Date Recorded: 1997

Conductor: Miguel Angel Gómez-Martínez

Orchestra / Ensemble: Munich Radio Orchestra

Main Performer: Samuel Ramey (Bass), Thomas Hampson (Baritone)

Opera Part(s): Samuel Ramey, Thomas Hampson

Location of Work Recording: Studio 1, Bayerischer Rundfunk

Work 5

Work Title: Attila

Excerpt(s): 1. Uldino, a me dinanzi l'inviato

Composer: Giuseppe (Fortunino Francesco) Verdi (1813 - 1901)

Genre: Stage works

Date Written: 1846

Date Recorded: 1997

Conductor: Miguel Angel Gómez-Martínez

Orchestra / Ensemble: Munich Radio Orchestra

Main Performer: Samuel Ramey (Bass), Thomas Hampson (Baritone)

Opera Part(s): Samuel Ramey, Thomas Hampson

Location of Work Recording: Studio 1, Bayerischer Rundfunk

Work 6

Work Title: Don Carlos

Excerpt(s): 1. Restez! Auprčs de ma personne
2. O Roi! J'arrive de Flandre

Composer: Giuseppe (Fortunino Francesco) Verdi (1813 - 1901)

Genre: Stage works

Date Written: 1867

Date Recorded: 1997

Conductor: Miguel Angel Gómez-Martínez

Orchestra / Ensemble: Munich Radio Orchestra

Main Performer: Samuel Ramey (Bass), Thomas Hampson (Baritone)

Opera Part(s): Samuel Ramey, Thomas Hampson

Location of Work Recording: Studio 1, Bayerischer Rundfunk

Work 7

Work Title: Simon Boccanegra

Excerpt(s): 1. Suona ogni labbro il mio nome

Composer: Giuseppe (Fortunino Francesco) Verdi (1813 - 1901)

Genre: Stage works

Date Written: 1857 Revised 1881

Date Recorded: 1997

Conductor: Miguel Angel Gómez-Martínez

Orchestra / Ensemble: Munich Radio Orchestra

Main Performer: Samuel Ramey (Bass), Thomas Hampson (Baritone)

Opera Part(s): Samuel Ramey, Thomas Hampson

Location of Work Recording: Studio 1, Bayerischer Rundfunk

Work 8

Work Title: (Un) giorno di regno, '(A) king for a day'

Excerpt(s): 1. Tutte l'armi si puň prendere

Composer: Giuseppe (Fortunino Francesco) Verdi (1813 - 1901)

Genre: Stage works

Date Written: 1840

Date Recorded: 1997

Conductor: Miguel Angel Gómez-Martínez

Orchestra / Ensemble: Munich Radio Orchestra

Main Performer: Samuel Ramey (Bass), Thomas Hampson (Baritone)

Opera Part(s): Samuel Ramey, Thomas Hampson

Location of Work Recording: Studio 1, Bayerischer Rundfunk

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