Advantages: Outstanding performance of the entire work Disadvantages: Live recording - complete with audience coughs!
I was first introduced to Nono's works during a BBC Radio 3 Broadcast from the Huddersfield Contemporary Music Festival several years ago, and I feel in love with his late works immediately.
Prometeo is an opera that occurs entirely without visual dramatic action. In this particular recording, the Ensemble Modern teams up with the Freiburg Soloists Choir, with Ingo Metzmacher taking the role of conductor.
The first thing to note is that the packaging itself precludes the consumer from being able to tell exactly what is contained in the set. The double-cd box and libretto are contained in a cardboard slip-case that only declares "Luigi Nono - Prometeo - Metzmacher", and the requisite stock numbers/bar-codes etc. from Sony/BMG.
Once past this minor hurdle, the package proves to be a fairly standard multi-lingual libretto ...
Tezmordo 06.05.2005
· Read full review
Ciao members have rated this review on average: very helpful Review of Nono: Prometeo
Advantages: A unusual and fascinating book Disadvantages: None for me
, suffering discrimination by the social snobberies of the time, or is she a devious manipulator of Charles's feelings?
You can see what's coming.
Or can you?
In a very unique style, Fowles gives three endings to the novel.
Something that is very rare in a Victorian book is a frank references to sexual activity. Allusions are often made to too the sexual act, but rarely dwelt on even though it may be central to the entire theme of a book.
Fowles, however, goes into scandalous (by Victorian standards) details about sex throughout his book - including a two-page deviation discussing lesbianism and the perceptions (or lack) of it in the Victorian Age. I would go as far as to say that in his pains to bring sex to the forefront, Fowles demonstrates his 1960s pressure
Although Fowles sets the story in 1867, you can't forget that ...
Advantages: Free road tax, reliable, appearance, ease of maintenance Disadvantages: lack of security needs aftermarket locks
Bought as several boxes of disparate parts, I at first wondered if I'd lost my marbles. It was a 1960, bathtub model, but of course they'd gone. The loved/loathed slickshift was present.
A strip of the engine showed pretty good nick, but many non standard parts, like an alloy head and Bonnie cams. Pistons were 9.75, up from standard. As I couldn't warrant the cost of nos bathtubs and didn't want fibreglass, I left the alloy head on, even though they are more prone to cracking. The valves weren't oversize, so that left a bit more meat.
After nearly a year, she was ready for testing. Filled up with unleaded (valve seats modded), Second kick! After 30 years, she was running.
Out for mot, straight through the test. Picked up a tax disc, I asked if they wanted a cheque for £0.00, but they didn't.
Performance? A decent unrestricted ...
Product Information for "Nono: Intolleranza 1960" »
Product details
Title
Nono: Intolleranza 1960
Composer
Luigi Nono (1924 - 1990)
Main Performer
Carsten Otto (Speaker); Christian Hoening (Speaker); David Rampy (Tenor); Hermann Wenning (Speaker); Jerrold van der Schaaf (Tenor)
Orchestra / Ensemble(s)
Stuttgart Opera Chorus; Stuttgart Opera Orchestra
Date of Release
06/1995
Label / Distributor
Teldec / TEN
Pieces in Set
1
Running Time
1 hour 55 minutes
Genre(s)
Stage works
Producer
Andreas Breitscheid
SPAR Code
DDD
EAN
745099730420
Catalogue Number
4509
Work 1
Work Title
Intolleranza 1960
Composer
Luigi Nono (1924 - 1990)
Genre
Stage works
Date Written
1961
Conductor
Bernhard Kontarsky
Orchestra / Ensemble
Stuttgart Opera Orchestra
Orchestra / Ensemble
Stuttgart Opera Chorus
Main Performer
Carsten Otto (Speaker), Christian Hoening (Speaker), David Rampy (Tenor), Hermann Wenning (Speaker), Jerrold van der Schaaf (Tenor), Joseph Dieken (Speaker), Kathryn Harries (Soprano), Ursula Koszut (Soprano), Wolfgang Probst (Baritone)
Opera Part(s)
Carsten Otto (Policeman III), Christian Hoening (Policeman II), David Rampy (An Emigrant), Hermann Wenning (Policeman IV), Jerrold van der Schaaf (An Algerian), Joseph Dieken (Policeman I), Kathryn Harries (A Woman), Ursula Koszut (His Companion), Wolfgang Probst (A Tortured Prisoner)