As I’m a big fan of all their records so far, the 4th album from the foursome from Nashville, Tennessee was met with the usual nervous excitement. This was probably put together quicker than any of their other albums, to capitalise on headline slots in UK festival after festival the previous summer. That thought alone led to anxious thoughts, but I need not have worried too much. An indication of what was in store came from the album design which is an amalgamation of the four Followills faces within an eagles head! Only by the Night is the album that brings them together as a musical unit, whereas on past albums I feel that their individual talents have shone. Let me take you through my thoughts track by track:
Closer – Opening up with a strong intent to set a mood conveyed throughout this album, closer is a song which threatens greatness but doesn’t quite reach those heights. The song is full off loops and beats which signify a more electronic departure for the Kings. Also evident is that Caleb’s vocal has more clarity. This is something I had to adjust to as he seems to have slowed things down, perhaps for commercial reasons? They really do seem to have made a push to crack the elusive American market and considering it’s their own patch any acclaim stateside would be well overdue.
Crawl – Much more like it. Dark and broody anthem that harks back to the Followills’ bluegrass roots. The
song was actually released as a free download before the album and it certainly stays with you. There are some great hooks here that will stay in your head for a while after you’ve heard it.
Sex On Fire – I would be shocked if anybody has not come across this song by now. One of the catchiest lyrics of 2008 and became THE summer anthem. You shouldn’t judge the album purely on the basis of this song though as it is all about the chorus, whereas there is more musicality shown on most of the other songs.
Use Somebody – The second single from the album and a much gentler one at that. Not one of my favourite songs either. Has a feeling of filler material within the album but catchy enough to sing along to in a stadium with a lighter in the air.
Manhattan – Signals a change of pace in the mid section of the album. The music evokes images of experiencing a new place and the lyrics seem to be about dancing and meeting someone for the first time and showing them how to truly enjoy themselves without letting anyone down.
Revelry – This is more of a slow dancer. Caleb’s voice kind sounds as heartfelt as on any song, and will be the third single release. Maybe it seems so heartfelt because the words could relate to a desire to give up the party lifestyle but having found it hard to leave behind. It tells of lost loves along the way through hard drinking and smoking. This is a haunting, evocative song that could strike a chord with many.
17 – 17 sits alongside Manhattan and Revelry as probably the songs that sound the most romantic musically of any of their work so far. Having said that, there is still an edge to the lyrics that suggest not is all as it appears on the surface. The song starts by telling us she’s only seventeen so we have to ask what he’s doing in this situation, but without it getting too disturbing, he’s quick to explain with a great line that ‘it’s the rolling of your Spanish tongue that made me want to stay’!
Notion – This was the instant standout track on my first listen. It picks up the tempo in a barnstorming fashion. The lyrics are quite repetitive, ‘don’t knock it, don’t knock it etc’, but this is KOL rocking out the only way they know how and I love it!
I Want You – Once again, they produce a song that sounds light and radio friendly but has dark, seedy lyrical undertones. Kings are good at leaving nothing to the imagination but getting away with it at the same time! I would have preferred to have Notion and I Want You swap places on the album because the mood jumps a bit too much, and this one seems to belong in amongst the more melancholic section.
Be Somebody – A fun song that everybody can relate to! It’s about stepping onto a dance floor, and having everybody in the place enraptured by your moves, if only for one night!
Cold Desert – Coming in at 5.35 minutes, Cold Desert is the longest song on the album and a fitting way to close it off maintaining the themes of isolation. Caleb sings that Jesus doesn’t love him and nobody ever carried his load. As he was the son of a preacher man I find it hard to believe! I like to think that it’s about the group themselves and life on the road with their father when they were young. It makes you think that no matter how successful you may become, everybody goes through hard times at some point in life but will pick it up at the end, which I think is a positive note to end on!
To be fair, this CD didn’t strike a chord with me as instantly as their earlier work but as I have now had the chance to listen to numerous repeat plays, I can certainly say that it is a grower and there’s not really any filler. I could see all of these songs being hits if they were released as singles. As with any KOL album, it’s best served loud. Since its release they have won numerous awards and their popularity has soared overseas. All my friends who never liked them before like this album. As much as that pains me I can see why their earlier work would not appeal as broadly, as it can be hard work at times to decipher what the lyrics are through the strong southern accent. I think that Caleb finally proves here that he is singer of the highest order. I would say that in my opinion their second album Aha Shake Heartbreak is still their masterpiece, but unlike many diehard fans I can still appreciate their move to a more mainstream sound. It is a shorter more condensed album and none of the songs outstay their welcome. I consider it to be a further indication of some very talented musicians finely tuning their craft. On this evidence I would say Only by the Night still stands as one of the best records of 2008 which just about says it all. Their albums are each different in their own way and show a progression many artists of today can’t achieve. They’re not doing anything groundbreaking here, but the band are savvy enough to know that a step to more commercial territory will free them up to experiment a bit more on the next. Personally I can’t wait for the 5th album to see which way they go.
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*This review has also been posted on dooyoo
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