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Advantages: A Few Of Good Tracks Disadvantages: Nowhere Near The Same Degree Of Quality As Their Earlier Work
, we come to another pretty good piece that despite not reaching the heights of Georgia On My Mind, does still manage to feel like a track done by The Band. The backing seems more dynamic and the use of the vocals with the lyrics creates more of an original piece.
10. Livin' In A Dream ****
This does feel quite a bit like a child's nursery rhyme with a slightly sinister twist, but despite that it does turn out to be quite a nice piece. The drum orientated verses do occasionally grate, but the chorus part is good and helps to provide some degree of balance.
11. Twilight *****
This is the first of the bonus tracks and is a single left of the album, which for me is to the album's detriment, as it is a good piece that has more of a roots feel in terms of the lyrics, which are some of the best on the album. The backing is light and helps to ...
Advantages: Great Tracks Throughout, In A Different Style To Their Others Disadvantages: A Few More Bonus Tracks Would Have Been Nice
In the album catalogue of The Band, Stage Fright is often seen as their third best album behind their two previous releases, and that is a far assessment, but in my opinion it is an album that is so different from their previous records that it is quite a difficult one to judge against their others. As an album, it has to be one of my favourite albums by The Band to listen to, but then I have always enjoyed the more rock based style that they take on here. And this is what makes this album so different to Music From Big Pink and The Band (The Brown Album), as it doesn?t contain some of their more folk/roots backing, instead moving into more guitar, piano and drums, which isn?t a bad thing, as they are equally as adept at this as they are at the backing used on their previous albums.
The title of the album and some of the lyrics within ...
Advantages: Some stonking 70's hit singles Disadvantages: B sides are a little ropey soundwise
The Glitter Band were best known for supporting Gary Glitter, AKA Paul Gadd AKA Paul Raven AKA convicted nonce, back in the glory days of Glam Rock, where brain-fried ex-pyschadelic musos donned shiny jumpsuits and high heeled boots to produce thumping neo-HM 45RPM singles usually revolved around the subject of getting off with someone at the Saturday nite "discoteque". Reverberating major chords and repetitive chanted choruses helped to make some of Britain's finest ever pop songs. When their erstwhile "leader" went solo in 1974, presumably to make lots of money and molest some more young children, the Band went out and did their own thing, bringing out a string of hits that together with their orignal B sides make up this album.
Anyone who remembers the Band will instantly think of the star guitar wielded by Gerry ...
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