I’ll say right away that the prospect of a best of album from the greatest metal performer of all time, John "Ozzy" Osbourne, practically had me foaming at the mouth. Ozzy is the face of metal music, period, and this album should have stood as a testament to his immortal legacy among ... Read review
The real reason to own this two-disc set is not to get Ozzy's greatest hits, but to get ... more
the "basement" recordings of Black Sabbath doing "Black Sabbath," "War Pigs," "Fairies Wear Boots" and "Behind the Wall of Sleep," as well as a hilarious interview ...
Postage & Packaging: Free! Availability: Usually dispatched within 24 hours...
The real reason to own this two-disc set is not to get Ozzy's greatest hits, but to get ... more
the "basement" recordings of Black Sabbath doing "Black Sabbath," "War Pigs," "Fairies Wear Boots" and "Behind the Wall of Sleep," as well as a hilarious interview ...
Postage & Packaging: £1.21 Availability: Usually dispatched within 1-2 business days...
Advantages: Some brilliant moments Disadvantages: And some terrible ones
I’ll say right away that the prospect of a best of album from the greatest metal performer of all time, John "Ozzy" Osbourne, practically had me foaming at the mouth. Ozzy is the face of metal music, period, and this album should have stood as a testament to his immortal legacy among the metal gods.
Unfortunately, it doesn’t quite live up to this promise, being, on the whole, a rather mixed bag. However, to begin ... ...early, previously unreleased basement tapes versions of classic Black Sabbath tracks - Black Sabbath itself and Warpigs. This is really the tour de force of the album - taking up 15 minutes of it, and showing off that nobody, bar nobody did heavy metal better than Black Sabbath. They may have waned in the latter days but these really are prime cuts. The guitar sound can be described as nothing on this earth, but the word Troglodyte comes to mind ... more
I’ll say right away that the prospect of a best of album from the greatest metal performer of all time, John "Ozzy" Osbourne, practically had me foaming at the mouth. Ozzy is the face of metal music, period, and this album should have stood as a testament to his immortal legacy among the metal gods.
Unfortunately, it doesn’t quite live up to this promise, being, on the whole, a rather mixed bag. However, to begin with, it all looks rather promising, as we get very early, previously unreleased basement tapes versions of classic Black Sabbath tracks - Black Sabbath itself and Warpigs. This is really the tour de force of the album - taking up 15 minutes of it, and showing off that nobody, bar nobody did heavy metal better than Black Sabbath. They may have waned in the latter days but these really are prime cuts. The guitar sound can be described as nothing on this earth, but the word Troglodyte comes to mind - powerful, savage, primitive and dark. The production is a lot less polished than on the studio albums, making the whole things sound more like what the songs were originally supposed to sound like - they were, after all, written to be played live. Warpigs appears in its original version without the hurried change of lyrics which appear on the Paranoid album. I gather it was originally supposed to be called Walpurgis and the lyrics cover themes of Satanism, witchcraft and sacrifice which fit the dark tone of the music excellently. Ozzy’s voice too was at it’s best n these days, his sinister banshee wail ruling over these songs and dominating the sound.
However, Goodbye to Romance, while a pleasant enough ballad, should never have been included here. It only serves to show off the worst excesses of Ozzy as a Bon Jovi impersonating power balladeer. Also fitting into this category is Mama I’m Coming Home, which, though a good deal better than the last example, should also have been left off.
Luckily, some real solo era classics appear - Bark at the Moon, Mister Crowley and a live version of Paranoid with the late Rhandy Rhoads on guitar - an awesome tour de force of swirling guitars which concentrates more in the elaborate solos than on Ozzy, but which nonetheless cannot fail to impress.
However, once again we have the awful keyboard driven tripe that is I Just Want You on this album, which should have been destroyed before release, never mind being put on a best of. The lyrics are trite and mediocre at best, there is absolutely no feeling at all in Ozzy’s monotonous droning voice and the repetitive keyboard ‘riff’ just caps off this abomination. Why oh why they ever thought of including this piece of tripe is beyond me.
The last song is a previously unreleased song with a slightly ‘gothy’ style to it, which works OK thanks to Ozzy’s vocals, but otherwise is nothing special.
To conclude, Ozzy is a great guy, no doubts about it. But he has put out a lot of rubbish along with the classics, and too much of it has been included here for me to give this a very good mark.
It is boosted to average only by the inclusion of the early Sabbath tracks which are simply some of the best versions of the best songs I have ever heard.
Advantages: a bit of everything Disadvantages: never say die left off the album
If your a fan of the prince of darkness himself then this is an album any metal fan out there should not be without.An album of sheer quality all the way through and one that propels this amazing man in my view to the top of the metal tree.i have been a fan of various heavy metal since i was a lad and i own hundreds of albums of this genre among many more of other genres.i still often find myself putting this album on and playing it loud because ... ...songs of pure magic by ozzy as a solo artist and with black sabbath make a a great mix of dark satantic to a surprising mellow ozzy.
the old favourites are all there with the likes of black sabbath,crazy train,mr crowley,bark at the moon,war pigs and the brilliant live version of paranoid with randy rhoads on lead guitar.you also get the other side of ozzy with songs like goodbye to romance and i just want you showing the versitility of the man.this ...
tmlfc1 16.09.2007
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Product Information for "Ozzman Cometh, The - Ozzy Osbourne" »
Product details
Title
Ozzman Cometh, The
Performer
Ozzy Osbourne
Genre
Heavy Metal
Release Date
13/12/2004
Recomended Retail Price
8.99 GBP
Original Release Year
1997
Label / Distributor
Epic / Sony Music/Arvato Services
Pieces in Set
1
Studio / Live
Mixed
Stereo
Stereo
Format
Performer
EAN
5099748726025
Catalogue Number
4872602
Additional notes
Album Notes
THE OZZMAN COMETH is a single CD collection of hits, previously unavailable recordings and one new track. Previously included a limited edition second disc containing 2 of the 4 previously unavailable recordings as well as an interview with Ozzy Osbourne. Personnel: Ozzy Osbourne (vocals); Tony Iommi, Randy Rhoads, Zakk Wylde, Jake E. Lee (guitar); John Sinclair, Kevin Jones, Rick Wakeman, Michael Beinhorn (keyboards); Geezer Butler, Bob Daisley, Rudy Sarzo, Bill Susan, Mike Inez (bass); Bill Ward, Lee Kerslake, Tommy Aldridge, Randy Castillo (drums). Producers include: Ozzy Osbourne, Randy Rhoads, Max Norman, Ron Nevison, Michael Beinhorn. Engineers include: Michael Wagener, Paul Northfield. Recorded between 1970 & 1995. As if we needed another reason to believe that Ozzy Osbourne is God, along comes THE OZZMAN COMETH, a double CD retrospective of one of the most enduring and influential figures in heavy metal. Consisting mostly of his post-Black Sabbath solo work as well as a live version of "Paranoid," this collection's biggest asset is the so-called "basement tapes," never-before-heard rehearsal tapes of four classic Sabbath songs. Dating back to 1970, "Black Sabbath" and "War Pigs" are the songs that transformed a petty thief from Birmingham, England into the godfather of heavy metal. But if Sabbath cemented his place in the rock 'n' roll canon, his solo work raised him to legendary status. Working with former Quiet Riot guitarist Randy Rhoads, Osbourne set the tone for the 80's metal revival with songs like "Crazy Train" and "Mr. Crowley." Capping off the collection is a seventeen minute interview with Ozzy from 1988, where he speaks frankly about the ups and downs in his career (parents be forewarned: this is not for the faint of heart). Ozzy has made it through all the pitfalls of a life in rock and roll and has come out on the other side redeemed and renewed.
Album Reviews
Melody Maker (11/22/97, p.46) - "...heavy metal at its blackest, irony-free best....Like the man himself, THE OZZMAN COMETH is flawed in places but is always entertaining and never fails to suprise." Entertainment Weekly (12/12/97, p.90) - "...COMETH nails Ozzy at his morose max. Damned if you don't find yourself reaching for the head of a bat." - Rating: B+