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SHOPPING > Music > Rock & Pop > Pet Sounds - Beach Boys (The) > Reviews

Pet Sounds - Beach Boys (The)

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The Classic

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5 Jun 7th, 2005 

54 Ciao members have rated this review on average: very helpful

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The classic album you have to have !

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None

Recommendable Yes:

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Originality

Lyrics

Quality and consistency of tracks

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About me:

There must be an angel / Playing with my heart / I walk into an empty room / And suddenly my heart ...

Member since:29.10.2004

Reviews:49

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With worldwide sales topping 100million, a place in the Rock and Roll Hall Of Fame and having an album as great as this under their belts it is safe to so that the Beach Boys are true musical legends.

Their sunny, fresh Calafornian sound has its origins way back in the 1950s when Brian Wilson taught his younger brothers to sing. Growing up in the Los Angeles in the suburb of Hawthorne; they spent a lot of time learning to harmonise; vocals are of course the most important element in the Beach Boys sound. It wasn't long before their cousin Mike Love joined the group. They spent their time singing carols or singing along to songs on the radio. The line-up was completed in 1961 when Al Jardine, Brian's friend from high school, joined the group. They settled on the name of the Pendletones and set about trying to record songs. Their first song was a hit. "Surfin" reached the top 3 in the charts but it took a record company chief to persuade them to change their name to the Beach Boys. Still unsigned to a major label they had to record demos. It wasn't long before Capitol Records seen the potential and snapped them up in 1962.

And so begins the success story of The Beach Boys. Firstly they had a strong line-up. Carl Wilson took lead guitar, with brother Dennis on drums, oldest brother Brian Wilson played bass, added his backing vocals to tracks and after fighting with the record company finally got the control over production and the creative side of the Beach Boys. Their cousin Mike Love was on lead vocals and Al Jardine played rhythm guitar. Secondly, the group had an ability to write some fantastic and catchy songs. Tracks like "I Get Around", "Fun, Fun, Fun" and "Surfer Girl" were always going to be sure fire hits.

Amongst all this success Brian was hungry for something else. What he wanted the most was to lay down all his feelings, his hopes and his dreams into an album. He was desperate to make something that would take not only the Beach Boys but music one step forward. To do this he honed his skills in production, learning to get the feel for songs with their layers and textures. But how was he going to translate this into music? He didn't really know how to, could he do it with the Beach Boys or should he go solo? Amidst this he was forced to record another album by the record company, their 11 albums in four years wasn't enough for them! This spawned the "Party!" album of 1965. However it wasn't until something else happened that Brian got the kick up the backside he needed to put his master plan into action. This wake up call was none other than.....The Beatles.

Winter 1965 seen The Beatles unleash "Rubber Soul". "Rubber Soul" was fantastic album and it showed an album that was complete with no filler. It also displayed The Beatles at their finest with the Lennon and McCartney partnership working perfectly. Brian Wilson knew that it was time to get his plan to make "the greatest record ever" into motion. Not just to push The Beach Boys on creatively but also to try and better "Rubber Soul". It would take a masterpiece to beat that and it wasn't going to be easy. Brian was only 23 and he was attempting to produce a complex album by himself. He was on his own, after all Lennon had McCartney and McCartney had Lennon. Finally in 1966 he joined forces with advertising copywriter Tony Asher and together they penned the songs for the new album. The new album which would attempt to be better than Rubber Soul and be a work of art, perfect from start to finish. And so "Pet Sounds" was born......

The hopeful, fun-loving "Wouldn't It Be Nice" starts the album off. There is a real sense of youth and innocence to it, "Wouldn't it be nice if we were older, Then we wouldn't have to wait so long". In essence it's a feel good, bouncy song about love made all the better with the sheer variety of instruments everything from accordians which form the intro to the song to saxophones and trumpets. Brian and Mike's voice harmonise wonderfully and the arrangements are really quite complex.; you can't help but smile when listening to this song. "You Still Believe In Me" is a unique and spiritual song but also dealing with breaking up in a relationship; the deep sounding piano chords make it feel rather grand and regal. To get this sound apparently one of the Beach Boys had to get inside the piano to pluck the strings while someone else had to hit the keys. What really makes this song for me is listening to the progression; Brian's vocals go up the scale, then pause and continue reaching higher notes. They never once go down again.

The percussion driven "That's Not Me" is next. Mike takes the vocals and gives a great performance; his voice has a sense of youth to it and he delivers every line like it means so much to him. "That's Not Me" is a great song lyrically; independance and trying to gain it is the main focus. Chasing the dream, the big step of moving away from your family, friends and your love and then realising it's just not all it promised to be. So, it has a bit of a feel of disappointment but the over-riding emotion is one of honesty. Musically the song has intricate key changes and I love it's percussion; it's simple but the big beats add to the daunting reality of the lyrics. "I'm a little bit scared, Cause I haven't been home in a long time, You needed my love, And I know I left at the wrong time."

The album moves on to the deeply romantic and beautiful song that is "Don't Talk (Put Your Head On My Shoulder)" Slow and meaningful, each line lingers as the words just melt into a truely beautiful string arrangement. The strings dominate the song with the slightest touches of piano and percussion being ever so delicate. Again Brian stretches himself to reach the high notes as he describes being in love. The lyrics are so simple yet perfect. "Don't talk, put your head on my shoulder, Don't talk, close your eyes and be still."

A huge powerful drum intro is followed by gentle horns and it immediately throws you into "I'm Waiting For The Day", probably my favourite song on the entire album. What I love about this song is the changes in tempo. The pace is slow and music delicate when Brian describes how he met a girl after she had her heartbroken by a guy but it appears she is not over him. He loves her, but she loves the ex, complicated I know. " I guess I'm saying your the only one, I'm waiting for the day when you can love me". The strings join in and suddenly the pace is slow, mellow and sad. At this point you think he has lost the girl. But suddenly out of the blue, the drums bounce back and the tempo increases and the vocals rouse together in a real statement of defiance. "You didn't, oh, think that I could sit around and let him take you." The escapist instrumental "Let's Go Away For a While" provides a little interlude. It's a big satisfying composition with big basses and percussion complimented by sweeping strings and powerful saxes and oboes.

"Sloop John B" is a cover version of a traditional folk song. It's bouncy, happy and proved to be a big hit for the Beach Boys. It was only included on the album because it was a hit single at the time. The harmonies performed by Mike and Brian are high and reach all levels on the scale. They give a really rousing rendition of the folk song "Hoist up the John B's sail, I feel so broke I wanna go home, Let me go home!" Once again I'm amazed at the sheer variety of instruments used on this track; as it builds more and more sounds are added the glokenspiel really stands out adding that sparkly feel to the track. Now, I'm not a religious person but I can't help but be touched by the sense of spirituality and love in this song. "God Only Knows" acknowledges Brian's spiritual side and his belief in God. This song is a real masterpiece. Why? Well the lyrics for me are so powerful. "I may not always love you, But long as there are stars above you, You never need to doubt it, I'll make you so sure about it." Carl took lead vocals and he adds a real angelic touch to it add that to more mellow harmonies near the end of the song and it's destined to be just right. Next the music is just so well composed. The clip-clop beats of the percussion, the sleigh bells, the string arrangement, the flutes and the bass are all used to make the music mellow and not too chirpy.

Originally called "Hang On to Your Ego" but with some reworking of lyrics the title changed to "I Know There's An Answer". It's questioning, searching yet uplifting at the same time. It's a big tune with saxophones layered with huge, imposing drums and bells jingling throughout. "I know there's an answer, I know now but I have to find it by myself." "Here Today" shows the realisation that love is ever changing, there are some days when you love a person but the next there are arguements; it charts the ups and downs but throughout it all you still love that person. The vibe is at times spiralling inwards in self-pity "It makes your heart feel sad, it makes your days go wrong". But the song rouses up, changes in tempo and the drums pound on, to take lift the mood. "You've got to keep in mind love is here, and it's gone tomorrow, it's here and gone so fast." One thing it is really cool about this song is: if you listen very carefully at the bridge when there are no vocals you can hear the band having a conversation about cameras. A weird studio accident that I love and for me, adds a quirky edge to the recording.

Next up is another fantastic masterpiece that Brian Wilson pulls out of the bag. "I Just Wasn't Made For These Times" is like a mini-autobiography by Brian showing how he felt when he was making this album. When making Pet Sounds the concept was hard for people to get their heads around, putting your
Pictures of Pet Sounds - Beach Boys (The)
Pet Sounds - Beach Boys (The) Picture 850772 tb
Beach Boys
heart and soul into a record wasn't trademark Beach Boys. So as people didn't understand what he trying to achieve, Brian felt increasingly alone but determined to make the album. Brian has to take lead vocals on this song and the song is sung with real power and conviction. The added backing vocals add a special touch. The clip-clop percussion sound is used again with both piano and harpsicord build and build throughout the song leading up to the final line "I guess I just wasn't made for these times."

"Pet Sounds" is another instrumental piece that is smooth and sophisticated. For me it pulls together all the sounds on the album so far. Twisting and funky Brian Wilson had originally composed it with James Bond films in mind. "Caroline, No" is a pretty, heartfelt ballad that was released under Brian Wilson's name and not the Beach Boys. "Caroline, No" shows a more mature attitude and sound than the first songs on the album. With delicate, mellow percussion and smooth sounding harpsicord, Brian's vocals become the focus as he sings very emotionally about a painful break up of a relationship. "Where is the girl I used to know, How could you lose that happy glow, Oh Caroline No."

My version of Pet Sounds includes the bonus track of "Hold On To Your Ego" which is identical to "I Know There's An Answer" musically. Lyrically it's also very similar with the only main difference being in the chorus. "Hang on to your ego, Hang on, but I know you are going to lose the fight." And so all too soon the album comes to an end...

Well not quite, the version I have on CD repeats all the songs again but in stereo because they were digitally remastered. Originally Pet Sounds was recorded in mono and I think this is the best way to listen to the album as it has a really special magical quality to it. In the 1960s everyone recorded in mono, maybe not giving as good quality as stereo but in them days records were made to be heard on car radios and all car radios were mono. The cover for Pet Sounds is eye catching with a picture of the Beach Boys feeding goats and inside there are more cliched pictures of the band feeding and petting animals at a zoo. The colour scheme is simple just bold green and yellow.

"Pet Sounds" is something special, a masterpiece. Brian Wilson achieved what he set out to do, make something completely different and bare his soul on the record. He took the risk which I admire obviously this wasn't going to appeal to the teenage US fans but in Britain it was very well received. It's a revolutionary album because it set the standard for albums and showed that Brian wasn't prepared to be pigeon holed. In production terms it's flawless with Brian's ambition and vision he took music production on a step. It really is a groundbreaking album because it showed musicians that they were free to try anything. He rose to the challenge that "Rubber Soul" gave him and he surpassed it by miles. The Beatles response (Sgt. Peppers) was weak compared to this album.

What I love about the album is the amount of instruments used on each track, there is such a wealth of sounds. At times they stick out and you can tell which is which. But sometimes a magical thing happens and all the sounds just fit togther to create one big arrangement. It's a timeless album that takes me on a journey with every listen. With every listen I find a new sound or a new lyric that is really stunning. There is the naive youthful spirit of "Wouldn't It Be Nice" and then at the opposite end of the scale the maturity and beauty of "I Just Wasn't Made For These Times" and "Caroline, No". A whole range of emotions are explored and lyrically it's flawless: love, hurt, feeling alone and spirituality all being explored. The harmonies are so good, even nowadays people try to imitate them. You can't listen to this album and not be touched in some way either by the music and it's composition or just the sheer beauty of it.

This album is a timeless masterpiece that nobody should be without, it's really as simple as that.


**Pet Sounds is available from HMV priced £8.99 for the mono album or £12.99 for the complete album in both mono and stereo.


 

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Comments about this review »

Seresecros 21.03.2007 15:20

I've just got my hands on this, everyone always says how great it is and now I get to see for myself - I'm actually very very excited about this. My hands are shaking.

jolmartyn 06.05.2006 01:22

Superb, I have the mono version in the car. Sure Brian wrote some great songs - but this album is my favourite ever!

Ihatemusic 22.09.2005 18:00

Great review, a friend of mind just told me to forgot all my dislike for them and try it.

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More reviews »

Pet Sounds - Beach Boys (The) - review by MCFruitbat

Advantages: Brian Wilson's best work
Disadvantages: Originally released in Mono

Pet Sounds - Beach Boys (The) - review by MCFruitbat MCFruitbat 22.05.2008 (11.01.2007) · Read review
Ciao members have rated this review on average: very helpful
Review of Pet Sounds - Beach Boys (The)



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