Plays For Lovers - Bill Evans

Advantages: Moving, beautiful harmonies and solos.
Disadvantages: Not everyone likes jazz

...Over the years my taste in different jazz styles has changed, but Bill Evans still stands out as one of my favourite musicians; the artist who originally enticed me into the world of Jazz, and whose work has significantly affected my own style as a Jazz pianist. Recoded in 1981, ‘You Must Believe Ins Spring’ contains pieces of a less upbeat and syncopated style than that of his earlier work, and instead more flowing, beautiful pieces, played with the heart-felt lyricism for which Evans is renowned. Sticking to a jazz trio form, (piano with drums and double bass), Evan’s creates the perfect atmosphere in each piece through subtle textures and natural, unspoken collaboration with his fellow musicians. Being a huge fan of Evans I may appear somewhat biased in his favour; the album is after all one my favourite. But anyone who has some... Read review

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Advantages: Outstanding music from outstanding musicians
Disadvantages: None

...In Kind of Blue, Miles Davis created a timeless album which epitomised the period of 'cool jazz' between bebop and fusion. The personnel list is impressive - Cannonball Adderly on alto and Coltrane on tenor were also in extremely productive periods at the time, and their solos on Kind of Blue, especially the two alternate Flamenco Sketches takes, are great examples of their styles, which both contrast and complement the other's. Although "So What" is remembered as the highlight of the album by most, I think Freddie Freeloader and Blue in Green are the outstanding tracks. The decision to use his new pianist Wynton Kelly instead of Bill Evans on Freddie Freeloader was inspired - Kelly's solo is sublime. This wasn't my introduction to jazz, but it was the album which sold the genre to me. Miles, forever the innovator, later said he couldn... Read review

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Advantages: amazing interpretation of a classical piece
Disadvantages: Let me think about that.....hmmmmmm...........aaaaaaaaa...no

..., John Coltrane, Thelonious Monk, Bill Evans, Jimi Hendrix if he was not dead and many many others that I would need pages to enumerate them(actually 10 lines would be sufficient but anyway). It is in the late 50's when Miles after he introduced the cool jazz idiom as a kind of an answer to the hard-bop idiom of the time, he decides to reorchestrate the whole "Concerto d' Aranjuez" for guitar, by Rodrigo, in a more Miles way. His main assistant? Famous jazz orchestrator and composer Gill Evans, not to be mistaken with the other great jazz pianist Bill Evans, who also as mentioned above collaborated with Miles from times to times. The result is a completely personal interpretation of a classical piece of music, that for sure stands at least as equal to the original concerto. Gill's orchestration throughout is ideal(I love those bell chimes... Read review

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