Disc 1 Chimes Blues Snake Rag Tears Texas Moaner Blues Everybody Loves Me Baby Naughty Man ... more
Changeable Daddy Of Mine Anybody Here Want To Try My Cabbage? Good Time Flat Blues Cake Walking Babies Pickin' On Your Baby st. Louis Blues Sobbin' Hearted Blues...
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I love reggae music, especially Bob Marley, but if I am honest I also like a bit of Jazz, not any old Jazz though, when I say Jazz I mean LouisArmstrong.
LouisArmstrong a Jazz musician that will not be forgotten and an act that will never be followed, some Jazz musicians will try and follow in his footsteps but non will succeed, Louis was unique.
Who else could have that rough, gravel like voice that could become so famous, that famous smile and the twinkle in his eyes?
LouisArmstrong (satchmo) the name he was well known as.
Louis was born into a poor family from New Orleans on August 4th 1901.
Sent away to a reform school for two years that?s when and where he first learned to play the coronet.
After leaving reform school Louis was hired locally as a general dogsbody, but the music was in his bones and he frequently ...
gill1960 11.01.2005
· Read full review
Ciao members have rated this review on average: very helpful Review of Louis Armstrong
Advantages: It's Joseph Heller Disadvantages: His last book, but not his best.
mocks the reader as well because we expect more of such an innovative man. The idea is trite and obvious but because he tells us so, does that make it any better? It?s still readable because Heller writing badly is better than most authors at their peak. My only fear is that he was such an intelligent writer, that maybe I?m missing something.
Joseph Heller wrote three glorious novels, and some others that were merely good. He wont be remembered for this one. ...
of writing (not all in one sitting obviously) predictably a lot has changed. Its one thing to be familiar with language and good with words, but you only get good at writing reviews by writing reviews. It's a combination of knowing what suits the site and the product and actually getting good at writing within the various restrictions of this format. The skills that apply to novel writing are different from those that are relevant to short reviews which are different again to, say, essay writing. I like to think that my reviews have got better, ratings suggest as much, and that I have developed my own style, which might not suit everyone's reading requirements but you can't have everything, you can only write what comes naturally.
2 What did you write your first review about and what made you choose it?
My first review was a book called ...
Product Information for "Portrait Of The Artist As A Young Man 1923-1934 - Louis Armstrong" »
Product details
Title
Portrait Of The Artist As A Young Man 1923-1934
Performer
Louis Armstrong
Genre
Jazz Instrument
Sub Genre
Trumpet
Release Date
12/11/2001
Recomended Retail Price
27.99 GBP
Original Release Year
1994
Label / Distributor
Sony Jazz / Sony Music/Arvato Services
Pieces in Set
4
Studio / Live
Studio
Stereo
Mono
Format
Performer
EAN
5099750450628
Catalogue Number
5045062
Additional notes
Album Notes
Full title: Portrait Of The Artist As A Young Man: 1923-1934. PORTRAIT OF THE ARTIST AS A YOUNG MAN contains 81 songs and includes an 80-page book with comprehensive liner notes, rare and unseen photos from Armstrong's personal collection, original 78 label art and other period memorabilia. Personnel includes: Louis Armstrong, King Oliver, Fletcher Henderson Orchestra, Maggie Jones, Bessie Smith, Clarence Williams, Sidney Bechet, Johnny Dodds, Earl "Fatha" Hines. Includes liner notes by Dan Morgenstern and Loren Schoenberg. PORTRAIT OF THE ARTIST AS A YOUNG MAN: 1923-1934 won the 1995 Grammy Award for Best Album Notes. It was nominated for Best Historical Album. This magnificent Grammy Award-winning box set offers plenty of value to longtime fans and neophytes alike. While many highlights from PORTRAIT OF THE ARTIST AS A YOUNG MAN may be found on individual Columbia Louis Armstrong discs (as well as the Bessie Smith and Fletcher Henderson boxes), this chronological portrait of the young genius also includes many of the trumpeter's rarest early works as a sideman. Taken as a whole--with Dan Morgenstern's masterful annotations--they create a fuller musical picture of the man who taught the world to swing...and sing. These four volumes chronicle young Armstrong's development from his earliest sideman work (with King Oliver, Clarence Williams, Fletcher Henderson and a host of blues and pop singers), through his incredibly influential Hot Five and Hot Seven sides, on to international stardom as a singer and orchestra leader. Also featured are such provocative, seldom-heard collaborations as his bluesy turns with the father of country music, Jimmie Rodgers ("The Singing Brakeman") on "Blue Yodel No. 9." In this brief space it's impossible to chronicle the countless innovations that derive directly from Louis, and which form our collective rosetta stone of modern music--both pop and jazz. Armstrong transformed everything he touched into a new vocabulary, and as Dan Morgenstern points out, Satchmo's sources weren't limited to blues, spirituals, ragtime, marches and dance music, but the classics as well--particularly opera. In the rush to praise his cornet/trumpet playing, his vocal innovations are often overlooked. On "No One Else But You" he treats the basic beat as a glorious given, and phrases around it in a personalized mix of rap, scat and blues syncopations, displaying a symphonic sense of structure and an operatic feel for the dramatic gesture. And on the classic Fats Waller tunes "Ain't Misbehavin'" (with its sly Gershwin paraphrase) and "(What Did I Do To Be So) Black And Blue," he achieves a poignant balance of resignation and celebration, topped off by soaring flights of freedom. No serious devotee of American music can afford to miss such a motherlode of gems, but some of Louis' lesser known tracks are full of surprises as well. On "Texas Moaner Blues" (from 1924) Louis and Sidney Bechet dig in for a rivetting duel, while his 1925 "St. Louis Blues" with Bessie Smith will make the hairs on the back of your neck stand up. "Gutbucket Blues" and "I'm A Ding Dong Daddy (From Dumas)" contain the modern jazz germ seed of Dizzy Gillespie's "Salt Peanuts," and the joyous "Knockin' A Jug" (with trombonist Jack Teagarden and guitarist Eddie Lang) was among the first authentic interracial sessions. Yet it is in his work with lesser lights--such as Maggie Jones ("Anybody Here Want To Try My Cabbage"), Bertha "Chippie" Hill ("Low Land Blues") and Seger Ellis ("To Be In Love," the first interracial band to back a white popular singer)--that Armstrong's true genius shines through, elevating mundane fare into transcendent experiences through sheer force of will. LOUIS ARMSTRONG: PORTRAIT OF THE ARTIST AS A YOUNG MAN: 1923-1934 is an essential purchase.
Album Reviews
Village Voice (2/28/95) - Ranked #1 on the Reissues list of the Village Voice's 1994 Pazz & Jop Critics Poll. Down Beat (1/95, p.47) - 4.5 Stars - Very Good Plus - "...PORTRAIT is an excellent introduction for the uninitiated..." Jazziz (2/95, p.94) - "...this set serves as a perfect introduction to the genius of Louis Armstrong..." Vibe (4/95, p.98) - "...the modern origins of our precious swing culture--not just the rhythmic side of swing but the suave dimensions of flava as well....Because he brought both supreme craftsmanship and extroverted showmanship to his performances, [he] made people identify the music with both high-minded intentions and a rompin' stompin' good time..." Rolling Stone (12/29/94-1/12/95, p.180) - "...[PORTRAIT] has so many moments of beauty and originality that singling out performances would only slight dozens of other masterpieces....Armstrong...in his glory..." Musician (1-2/95, p.76) - "...There probably ought to be a neon sign over this boxed set in the record store: "Start Here." Not just to learn about jazz, but to appreciate the broad evolutionary arch of twentieth-century popular music..."
Titles on disc 1
1.
Chimes Blues
2.
Snake Rag
3.
Tears
4.
Texas Moaner Blues
5.
Everybody Loves My Baby
6.
Naughty Man
7.
Changeable Daddy Of Mine
8.
Anybody Here Want To Try My Cabbage
9.
Good Time Flat Blues
10.
Cake Walking Babies (from Home)
11.
Pickin' On Your Baby
12.
St. Louis Blues
13.
Sobbin' Hearted Blues
14.
Papa De Da Da
15.
Sugar Foot Stomp
16.
Alone At Last
17.
TNT
18.
You Can't Shush Katie
19.
Low Band Blues
20.
Gut Bucket Blues
Titles on disc 2
1.
Listen To Ma
2.
Heebie Jeebies
3.
Cornet Chop Suey
4.
Stomp Off Let's Go
5.
Bridwell Blues
6.
King Of The Zulus
7.
Skid-Dat-De-Dat
8.
Big Butter And Egg Man
9.
Pleadin' For The Blues
10.
Wild Man Blues
11.
Chicago Breakdown
12.
Potato Head Blues
13.
Weary Blues
14.
Gully Low Blues
15.
Put 'Em Down Blues
16.
Struttin' With Some Barbecue
17.
Hotter Than That
18.
Savoy Blues
19.
Too Busy
20.
Skip The Gutter
Titles on disc 3
1.
Monday Date
2.
West End Blues
3.
Two Deuces
4.
Symphonic Raps
5.
Basin Street Blues
6.
No One Else But You
7.
Beau Koo Jack
8.
Weather Bird
9.
Muggles
10.
I Must Have That Man
11.
Tight Like This
12.
Knockin' A Jug
13.
I Can't Give You Anything But Love
14.
Mahogany Hall Stomp
15.
To Be In Love
16.
Ain't Misbehavin'
17.
Black And Blue (What Did I Do To Be So)
18.
That Rhythm Man
19.
When You're Smiling
20.
St. Louis Blues (alternate take)
Titles on disc 4
1.
Song Of The Islands
2.
My Sweet
3.
I Can't Believe That You're In Love With Me
4.
Blue Yodel No. 9
5.
I'm A Ding Dong Daddy (from Dumas)
6.
I'm Confessin' (That I Love You)
7.
Memories Of You
8.
Sweethearts On Parade
9.
When It's Sleepy Time Down South
10.
Blue Again
11.
When Your Lover Has Gone
12.
Lazy River
13.
Chinatown My Chinatown
14.
Stardust
15.
Stardust (alternate take)
16.
Between The Devil And The Deep Blue Sea
17.
I've Got The World On A String
18.
Basin Street Blues
19.
On The Sunny Side Of The Street (part 1)
20.
On The Sunny Side Of The Street (part 2)
21.
Song Of The Vipers
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03/05/2005
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