Rush with their own brand of soft rock surprised many fans with this album. Perhaps more famous for their classic progressive rock in a similar style to Pink Floyd and many others they started to rewrite their style in the early 80s (Grace under pressure). The culmination of this was a more ... Read review
Advantages: A good combination of new and old. Disadvantages: May not appeal to hardened fans
...the album it is about power and money. This is perhaps the strongest album for Beail as his drums are very prominent on this album; the lyrics are typical of Rush, thought provoking and deep.
<Middletown Dreams>
This is a very relaxed song that describes how people can leave their drudgery behind and follow their dreams. It is perhaps the most ballad like song on the album and features strong lyrics and ... ...with Rush's standard format of power combined with thought provoking lyrics. The addition of the synths leads to a different style for Rush that may not appeal to the original fan base but may add some new members to the fan base.
In an age where many bands were rediscovering themsleves, Rush managed to combine old with new to produce a well polished and produced album that features some of their most successful commercial hits. more
Rush with their own brand of soft rock surprised many fans with this album. Perhaps more famous for their classic progressive rock in a similar style to Pink Floyd and many others they started to rewrite their style in the early 80s (Grace under pressure). The culmination of this was a more 'pop' like sound combined with rock that produced a unique sound not disimilar to early Rush but different enough to appeal to a younger audience.
In the early eighties Rush began to use heavy synth; in this album this continues with a clever melodic combinaion between the synth, the standard heavy guitar we are accustomed to and the unforgettable bass work of Geddy Lee. Neil Peart has a fairly quiet album by his standards but is still very evident throughout the album.
<Big Money>
Perhaps the most recognised song of the album, and one that was a hit around the world (with a top 40 placing in the UK) is 'The Big Money'. Blending classic Rush rock with synths it discussess the corruption in the world. Geddy Lee's voice is particularly powerful in this song as he belts out his almost mocking lyrics. The theme is continued throughout the album as Rush attempt to produce a total concept album similar to their earlier albums such as 'Caress of Steel'.
<Manhatton Project>
This starts of with quite a profound beat, somewhat like a military march. The guitar begins out very simple and quite. It tells the tale of the creation of the atomic bomb and how it has changed human kind forever. This is a changing song that features several different styles as it builds up in speed and power.
<Marathon>
Slightly off theme, this song is about the strength endurance and desires required to win a race. Like many Rush songs this can be viewed metaphorically as being about the struggles and triumphs of life. The song has great bass work, Geddy Lee really adding much passion to this song; the vocals are very inspiring with their positive theme. It is a little different to many Rush songs which are often darker and depressing.
<Territories>
As the title suggest this song is about how mankind lives for territory; how mankind is intent on conquest and struggle to gain more territory. Like many of the songs on the album it is about power and money. This is perhaps the strongest album for Beail as his drums are very prominent on this album; the lyrics are typical of Rush, thought provoking and deep.
<Middletown Dreams>
This is a very relaxed song that describes how people can leave their drudgery behind and follow their dreams. It is perhaps the most ballad like song on the album and features strong lyrics and a pleasant tune.
<Conclusion>
There are several more good songs on the album that continue in the same way with Rush's standard format of power combined with thought provoking lyrics. The addition of the synths leads to a different style for Rush that may not appeal to the original fan base but may add some new members to the fan base.
In an age where many bands were rediscovering themsleves, Rush managed to combine old with new to produce a well polished and produced album that features some of their most successful commercial hits.
It is not one of their greatest albums but perhaps was a turning point for Rush as they explored their musical styles.
Advantages: Well crafted, excellent songs, hasn't dated Disadvantages: none that I can think of.
This is an album by a group who are comfortable with who they are and what they create. The eight superbly crafted tracks here show how Rush can create short progressive rock tracks, full of excellent playing and intelligent lyrics without falling in to the AOR trap that other long time bands originating in progressive music seemed to do throughout the eighties.
This album contains the tracks 'Grand Designs' and 'Marathon' both of which have been ...
sjm6 04.08.2000
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Product Information for "Power Windows [Remastered] - Rush" »
Product details
Title
Power Windows [Remastered]
Performer
Rush
Genre
Rock & Pop
Sub Genre
Progressive Rock
Release Date
09/1998
Original Release Year
1985
Label / Distributor
Mercury / Universal Music
Engineer
Jimbo "James" Barton
Producer
Peter Collins; Rush
Pieces in Set
1
Studio / Live
Studio
Stereo
Stereo
Format
Performer
EAN
731453463523
Catalogue Number
5346352
SPAR code
DDD
Additional notes
Album Notes
Rush: Geddy Lee (vocals, synthesizer, bass pedals, bass); Alex Lifeson (acoustic & electric guitars); Neil Peart (drums, acoustic & electronic percussion). Additional personnel includes: Anne Dudley, Andrew Jackman (conductor); Andy Richards (keyboards, programming); Jim Burgess (programming). After the success of its 1984 synth-driven album, GRACE UNDER PRESSURE, Rush continued in the same direction for its follow-up, POWER WINDOWS. Although the trio had made a name for itself originally with hard-edged prog-rock, Rush began embracing new wave sounds by the mid '80s. While many other hard rock bands of the '70s who made similar musical detours struggled to maintain their audiences in the '80s, Rush thrived and expanded its already huge fan base even further. While past Rush releases like 2112 contained tales of science fiction, by POWER WINDOWS, head wordsmith/drummer Neil Peart was penning lyrics about current events, especially the threat of nuclear war. "Big Money" was a popular clip on MTV, while other Rush highlights of the era included "The Manhattan Project," "Marathon," "Mystic Rhythms," and "Territories." After the release of POWER WINDOWS, Rush slowly began returning to its more hard rock-based roots, resulting in COUNTERPARTS and TEST FOR ECHO during the '90s.
Titles on disc 1
1.
Big Money
2.
Grand Design
3.
Manhattan Project
4.
Marathon
5.
Territories
6.
Middletown Dreams
7.
Emotion Detector
8.
Mystic Rhythms
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