Pretty Hate Machine, - One of the first real industrial albums as we know it today and possibly the best industrial album ever made. This album was released in 1989, one year after Ministry's 'Land of Rape and Honey' album so it can't really lay a claim to being the first modern industrial ... Read review
music to the commercial audience, Pretty Hate Machine left its dingy mark on pop culture. The abrasive "sonarchy" of the album was first churned by despondent club-...
music to the commercial audience,Pretty Hate Machineleft its dingy mark on pop culture. The abrasive "sonarchy" of the album was first churned by despondent club-go...
music to the commercial audience,Pretty Hate Machineleft its dingy mark on pop culture. The abrasive "sonarchy" of the album was first churned by despondent club-go...
A review by crustypaul on Pretty Hate Machine - Nine Inch Nails March 26th, 2001
Author's product rating:
Originality
Groundbreaking
Lyrics
Sublime
Quality and consistency of tracks
Flawless
How does it compare to the artist's other releases
Outstanding
Value for Money
Advantages:
It's unique, Basically it's just stunningly good
Disadvantages:
?
Recommend to potential buyers:
yes
Full review
Pretty Hate Machine, - One of the first real industrial albums as we know it today and possibly the best industrial album ever made. This album was released in 1989, one year after Ministry's 'Land of Rape and Honey' album so it can't really lay a claim to being the first modern industrial album. Industrial music existed well before 1989 in a more experimental and brutal form with the likes of Psychic TV, Cabaret Voltaire and Throbbing Gristle but it was only when bands such as KMFDM, Front Line Assembly, Front 242 and Nine Inch Nails got to grips with using electronics to make aggressive music that modern industrial music was born. Alongside KMFDM's 'Money' album, Pretty Hate Machine is one of the few really electronic/digital sounding industrial albums that really pushed the boundries of what you can do with this kind of music.
The album kicks off in style with the classic NIN track 'Head like a hole'. This track is solely responsible for putting NIN where they are today as it was the big single from this album and introduced a new concept to the world of industrial music, being able to write good songs. Unusually for an album by any industrial band the sounds on this song and every other track take second place to the songwriting skill's of NIN mainman Trent Reznor. This track sounds like a mix of electro percussion pounding along and very little else until the fuzz frenzy guitars come in for the massive sing along chorus and you realise how Trent Reznor got where he is today. This song is a classic.
It always surprises me just how stripped down and basic this album is and yet it never sounds empty. Somehow NIN have managed to inject a massive amount of emotional charge into an album that has been programmed and engineered with almost surgical precision. It is often impossible to believe that this was produced by just one man sitting in front of a computer. This is best shown on the track 'Something i can never have'. This track is a masterpiece of destructive self pity and yet manages to contain more pent up fury than anything else i have ever heard. Out of all the music i own this is one of the very few songs that has the ability to make me cry. The mix of spooky pianos, washes of sound and Trent Reznors cripplingly honest vocal has the power to totally silence a room full of otherwise happy people so be warned.
Every song on this album is a standout track compared to any other industrial band and anything else NIN have ever done but i would say that out of the remaining tracks the best are 'Down in it' and 'that's what i get'. While both these tracks could be said to sound primitive by todays standards as some parts have a susiciously 80's sound to them, this just doesn't matter as the quality of these songs trancends what they sound like (if that makes any sense). The final track, 'Ringfinger' also deserves a special mention not only because it contains a sample from a Jane's Addiction song (my favorite band) but because of the amazing fuzz guitar sample fest and rolling electronic grooves at the end of the track. Like the rest of the album, it's just sheer genius.
Part of the reason that this album is so good is that nearly everyone can listen to the lyrics and say 'I've been there'. Most of the lyrics deal with people hurting you and expecting too much from you, but being frustrated by being unable to do anything about it. A lot of band's come close to affecting me the way the vocals on PHM do but the lyrics on this album are so painfully/brutally honest it hurt's. This is an album that anyone could relate to if they sat down and listened to what it is saying as everyone has been in this situation at one time or another. Combine this with the fact that the music is totally unique and Trent Reznor's ability to create catchy song's without you even noticing it, and you've got an album that has already become a classic. It's a shame that people avoid this album because of the 'industrial music' tag. This album only gos to prove once again that if you write blinding tunes it really doesn't matter what genre of music you create. Pretty Hate Machine should be prescribed on the NHS. Buy it.
Advantages: Sincerely emotional music, Dark and heavy. Disadvantages: Not everyone will like it.
...track sounds great and are pretty heavy too (although perhaps not as heavy as some songs from later albums).
Something I Can Never Have is possibly the most important track on the album. It is a powerful song with very sincere dark lyrics. It is not heavy at all and is almost dominated by Trent’s voice. The reason I say it is important is because it shows that Nine Inch Nails would not just be about heavy music. The music is genuinely emotional ... ...soft when that is a more powerful way of conveying the emotion.
The album is full of good tracks but a couple of other that I think stand out are ‘Terrible Lie’ and ‘That’s What I Get’. Both demonstrate that the music genuinely means everything to Trent Reznor. For this reason there are no weak tracks.
Because the emotions that are the basis of songs are painful ones the album is very dark, if you are listening to ...
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Ciao members have rated this review on average very helpful
Advantages: Innovative and illustrative of its time Disadvantages: Often lacks depth and perspective
Nine Inch Nails are possibly the most popular industrial group there is, though the term group is a little inaccurate. In truth NIN is the brain child of Trent Reznor and he has remained the only consistent band member. There are many reasons for the popularity including more melodic and traditional structures than their industrial contemporaries and striking lyrics.
This album was released in 1989 and was the result of a demo Reznor had been working ... ...recording studio. Working with top producers such as Flood, Keith LeBlanc, Adrian Sherwood and John Fryer, Reznor takes credit for all of the vocals, a great deal of the arrangement, programming, producing, engineering, digital editing and mixing and the majority of instrumentation including keyboards, drum machines and guitars. In fact the only other musician given credit on the album was Richard Patrick who plays guitar on 'Sanctified'.
The album ...
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Ciao members have rated this review on average very helpful
Advantages: Acessible introduction to NIN and industrial in general Disadvantages: Sounds badly dated in places
Trent Reznor is not a happy man. From naming his band after the length of the nails, which crucified Christ, and spouting platitudes such “Hey God, I think you owe me a great big apology” this much is obvious. The man, however, is undoubtedly talented, and along with the likes of Ministry, virtually invented the whole sub genre we now term industrial. So it stands to reason, that this album ‘Pretty Hate Machine’ must have ... ...of the earliest blends of electronica with guitar certainly, but the driving, pounding wall of sound that characterised NIN’s later work is completely absent here. It is from the ‘Broken’ Ep that the likes of Marilyn Manson, Orgy and so on were spawned. As a reference point, ‘Pretty Hate Machine’ owes an awful lot more to Depeche Mode then it does to Metallica. This means lots of spooky sounding synth noises with some ...
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Ciao members have rated this review on average very helpful
Originality
Lyrics
Quality and consistency...
How does it compare to ...
Value for Money
very helpful
06.06.2001
A terrible lie Review ofPretty Hate Machine - Nine Inch Nailsby
SidneyJames
Advantages: Broke Industrial into the mainstream Disadvantages: Not as original as some would have you believe
Pretty Hate Machine was seen by many critics as a major breakthrough in rock music, with its blend of electronics and rock aesthetics. It also made Trent Reznor a household name and dragged Industrial music form its underground ghetto into the bright lights of the mainstream. Pretty Hate Machine may be seen by many as a radical step into new musical territories, however for those who know their musical history, Pretty Hate Machine was in the main ... ...Musically Pretty Hate Machine is not a bad album. It’s combination of synthetic beats and bass with more obvious rock dynamics is extremely well executed by Mr Reznor. The problem for me is that I can too easily hear the influence of other bands in the majority of the tracks on the album. A criticism, which can be, levelled at many bands first releases and Nine Inch Nails like so many others fail to escape this trap.
The album begins with ...
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Ciao members have rated this review on average very helpful
Advantages: Almost full to the brim of catchy music Disadvantages: 'Down In It'
1) Head Like A Hole 2) Terrible Lie 3) Down In It 4) Sanctified 5) Something I Can Never Have 6) Kinda I Want To 7) Sin 8) That's What I Get 9) The Only Time 10) Ringfinger Trent Reznor, love him or loathe him, is the brain child and creative genius behind one of the most publicised and talented one man band which has ever seen the light of day. This debut, released in 1989, is the most simple album made by Reznor, but it adds together excellent ... ...one of the most important industrial records of all time. To describe the sound of this album is not an easy task, with the almost gothic atmosphere it creates, the cutting edge industrial beats and mesmerising lyrics compiled by Reznor add to great effect.
The industrial sound of Nine Inch Nails’ early work is centred around catchy (almost dancey) beats, but these are not your average run of the mill sounds. There are different feels scattered ...
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Ciao members have rated this review on average helpful
Advantages: Original, heavy, sincere music. Disadvantages: Not to everybody’s taste.
...Broken is the 1992 EP follow up to NineInchNails debut ‘PrettyHateMachine’. Although it is not a full-length album it is a brilliant CD and the music is amazing. The production sounds excellent (much better than PrettyHateMachine) and this makes the music sound even better.
NineInchNails sing about emotions, painful emotions. Broken is therefore a dark CD and it sounds very angry and tormented in places. This is music from the heart. The sound is ‘Industrial Metal’. Guitars and drums mix perfectly with distortion and electronic samples.
The track listing is as follows:
1. pinion
2. wish
3. last
4. help me I am in hell
5. happiness in slavery
6. gave up
98. physical
99. suck
NB – tracks 98 and 99 on the CD are bonus tracks that come after tracks 7-97 being 3 second blank tracks...
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Ciao members have rated this review on average helpful
Advantages: 6 BECK VIDEOS (1 BY SPIKE JONZE) Disadvantages: DVD AUDIO ONLY PLAYS THROUGH A DVD PLAYER, SO NO ALBUM PLAYING ON STEREO
...I'm a huge Beck fan and despite not over enjoying certain tracks here and there, Sea Change is still an all time favourite.
Sea Change (produced by Nigel Godrich), originally released on 4 different CDs, with just the covers differing and none of them giving you the lyrics in a less annoying and difficult to read style, is still one of my favourite albums.
This DVD-A, despite including the videos, isn't a whole world different. But for suckers like me, who not only bought the 4 CDs and a promo version of the album, just had to have these pleasingly amateur-esque videos.
If ever anybody poured their heart out on an album like Beck does here, please let me know. Trent Reznor didn't do bad on PrettyHateMachine by NineInchNails. (Entirely different bag though!).
STANDOUT TRACKS*.
Opening with The Golden Age* preparing you somewhat...
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Ciao members have rated this review on average helpful
Advantages: Well, the live show's quite good Disadvantages: But music DVDs are only really for devoted fans, right?
...- somewhere between dark and gothic and 80s camp - on stage, it?s all there for twelve songs. Granted, several later hits are obviously absent (?Enjoy The Silence?, ?Personal Jesus?) but plenty of older favourites are present. ?Master And Servants? could almost have come from NineInchNails? PrettyHateMachine, but for all the oh-so-dark-and-moodiness of this and ?Blasphemous Rumours?, you can tell the band are enjoying themselves from the way they smile through ?Strangelove?.
Anyone who saw Dave Gahan at Glastonbury last summer will no doubt be shocked how much younger he looks - but then this was fifteen years and a lot of drug problems ago. Clearly enjoying being both a pin up and centre of attention, he dances around the stage revelling in the attention. For any fan of early ?Mode it?s a great set - rounded off with the superb climax...
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Album Notes: Nine Inch Nails: Trent Reznor (vocals, various instruments). Additional personnel includes: Richard Patrick (guitar); Chris Vrenna (drums). There are lyrics on Nine Inch Nails' 1989 debut album which you wouldn't want your children to recite and Trent Reznor, good looks notwithstanding, is hardly the sort you'd invite round to meet your parents. On this Reznor's despair, self-loathing and anxiety are animated by a fearful barrage of bone-crunching industrial noise. Parts of "Something I Can Never Have," for example, could teach Motorhead a thing or two about the power riff. It's not all jet-propelled hate and fury, however, with varied producers (Flood, Adrian Sherwood, Keith LeBlanc) all bringing something new to the table. And if Reznor's nihilism clouds proceedings, his vitriol nevertheless produces some spectacular moments - "Head Like A Hole," "Sin" and "Ring Finger" being prime examples.
Album Reviews: Alternative Press (7/95, p.77) - Ranked #7 in AP's list of the 'Top 99 Of '85-'95' - "...fulfilled what had merely been the prophetic rumblings of industrial music....before PRETTY HATE MACHINE, [industrial had]...no real messiahs....Reznor assumed that position...with subhuman slips of the tongue and those patented screaming, 'gated' guitars..." Q (3/91) - 4 Stars - Excellent "NIN scans the spectrum of modern dance...Reznor's panoramic vision is both admirably adventurous and yet accessible."
Titles on disc 1
1.: Head Like A Hole
2.: Terrible Lie
3.: Down In It
4.: Sanctified
5.: Something I Can Never Have
6.: Kinda I Want To
7.: Sin
8.: That's What I Get
9.: Only Time
10.: Ringfinger
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Listed on Ciao since : 09/08/2000
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