Advantages: Learn the true value of friendships, By Shakespeare, Interesting Disadvantages: Might not be complete, Unknown facts, Some might find it boring
One of my favourite writers of all time is the legendary William Shakespeare. Shakespeare is probably one of the most noted writers in the history of English Literature. Certainly he is the most significant playwright of the English Renaissance. He has contributed many great literary works and one of these is called, "Timon Of Athens". "Timon Of Athens" is set in ancient Greece. The first act occurs in Timon's residential home. In the reception room of Timon's house a poet, a painter, a jeweller, and a merchant enter. Everyone of them have brought Timon an object that they hope Timon will purchase. Timon enters the room, with many people gathering around him looking for his advice or approval. One of these people is a person who has been sent from Timon's friend Ventidius to give Timon a message. When Timon learns that Ventidius has been ...
Advantages: First half isn't bad Disadvantages: Second half very dull
This is a BAD play. It has its interesting moments, but it is nevertheless excessively BAD. In fact, it is probably one of the BADDEST plays that Shakey ever wrote. However, puttinmg its BADNESS aside for a moment, let us quickly summarise that plot:
QUICK SUMMARY OF PLOT
Timon is one of the citizens of Athens. He is a generous chappy, who likes throwing parties and enjoys being told what a sound bloke he is. He often lends cash to many of his friends who have got into a bit of financial trouble, but then is unwilling to ask for the money back. In due course, Timon's money runs out and he turns to his friends for help, but each one of them refuses him. In his rage, Timon turns his back on humanity and goes to live in a cave in the woods. There, he is visited by various Athenians who want money, or Timon's help against an army ...
Advantages: fun, charming and diverting city with plenty of interesting things to see and do; great variety of bars and restaurants Disadvantages: has some shonky areas, may bring you to spend more than you'd like
The city of Athens, Georgia, USA, is one of those eclectic university towns scattered all the way across the country. If you're an American and a seasoned college student, you know all about what that means - an infinite variety of bars, pubs, theatres and crack houses. And, of course, a vast number of students to take advantage of whichever of these vices may take their fancy. In this particular case, it's the enormous campus of the University of Georgia which has set up shop in this interesting town.
Athens is about 70 miles from Atlanta, anywhere from an hour to an hour and a half drive depending on various things - the traffic, whether there is a thunderstorm present, or if someone has managed to cark it somewhere along the road and has thus blocked it in some manner. Once you're out of the suburban and ugly sprawl of Atlanta you ...
adamsputnik 05.06.2004
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Product Information for "Purcell: Timon of Athens; Dioclesian" »
Product details
Title
Purcell: Timon of Athens; Dioclesian
Composer
Henry Purcell (1659 - 1695)
Main Performer
Gillian Fisher (Soprano); Lynne Dawson (Soprano); Michael George (Bass); Paul Elliott (Tenor); Rogers Covey-Crump (Tenor)
Orchestra / Ensemble(s)
Monteverdi Choir; English Baroque Soloists Orchestra
Date of Release
11/1988
Label / Distributor
MusiFrance / TEN
Pieces in Set
2
Running Time
2 hours 53 minutes
Genre(s)
Stage works
SPAR Code
DDD
Catalogue Number
2292
Work 1
Work Title
Timon of Athens, Z632
Excerpt(s)
1. Overture 2. Hark! how the songsters 3. Love in their little veins 4. But ah! how much are our delights 5. Hence with your trifling deity 6. Come all to me 7. Who can resist such mighty charms? 8. Return, revolting rebels 9. The cares of lovers 10. Love quickly is pall'd 11. Come let us agree 12. Curtain tune
Composer
Henry Purcell (1659 - 1695)
Genre
Stage works
Date Written
1694
Conductor
Sir John Eliot Gardiner
Orchestra / Ensemble
English Baroque Soloists Orchestra
Orchestra / Ensemble
Monteverdi Choir
Main Performer
Gillian Fisher (Soprano), Lynne Dawson (Soprano), Michael George (Bass), Paul Elliott (Tenor), Rogers Covey-Crump (Tenor), Stephen Varcoe (Baritone)
Opera Part(s)
Gillian Fisher, Lynne Dawson, Michael George, Paul Elliott, Rogers Covey-Crump, Stephen Varcoe
Work 2
Work Title
(The History of) Dioclesian, or The Prophetess, Z627
Excerpt(s)
1. First Musick 2. Second Musick 3. Overture 4. ACT 1 - First Act Tune (Hornpipe) 5. ACT 2 - Great Diocles the Boar has kill'd (song: bass); Sing lôs! (chorus) 6. Charon the peaceful Shade invites (song: soprano) 7. Symphony (trumpets and violins) 8. Let all mankind the pleasure share (duet: soprano, bass) 9. Let the soldiers rejoice, 'Martial song' (tenor); Rejoice with a general voice (2 tenors, bass); Retornello I (trumpets 10. A Symphony of Flutes; Since the toils and the hazards (song: alto); Let the priests (SATB); All sing (chorus) 11. Dance of Furies 12. Second Act Tune 13. ACT 3 - Two in one upon a Ground; Chaconne for Flutes 14. The Chair Dance 15. Prelude for Oboes; What I shall do? (song: tenor) 16. Third Act Tune 17. ACT 4 - Butterfly Dance 18. Tune for Trumpets 19. Sound Fame, thy brazen trumpet sound (song: tenor) 20. Let all rehearse (chorus) 21. Fourth Act Tune 22. APPENDICES - Country Dance in the Fifth Act 23. Since from my dear Astrea's sight (song: soprano) 24. When first I saw (song: tenor) 25. MASQUE: 26. Call the nymphs (Cupid, chorus) 27. Come, come away (duet) 28. Behold, O mighty'st of Gods (chorus) 29. Paspe (The first entry of heros on the stage) 30. Oh, the sweet delights of love! (duet) 31. Let mortals fight (Fawn, chorus) 32. Make room...(2 Bacchanals, Bacchus: the second entry); Dance of Bacchanals 33. Still I'm wishing (Follower of Cupid) 34. Canaries 35. Tell me why (Shepherd, Shepherdess: The third entry) 36. Dance 37. All our days...(A Pleasure, Chorus: the fourth entry); Let us dance; Dance 38. Triumph, victorious Love (Trio, chorus: the last entry).
Composer
Henry Purcell (1659 - 1695)
Genre
Stage works
Date Written
1691
Conductor
Sir John Eliot Gardiner
Orchestra / Ensemble
English Baroque Soloists Orchestra
Orchestra / Ensemble
Monteverdi Choir
Main Performer
Gillian Fisher (Soprano), Lynne Dawson (Soprano), Michael George (Bass), Paul Elliott (Tenor), Rogers Covey-Crump (Tenor), Stephen Varcoe (Baritone)
Opera Part(s)
Gillian Fisher, Lynne Dawson, Michael George, Paul Elliott, Rogers Covey-Crump, Stephen Varcoe
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