Red Mecca represents the high point of Cabaret Voltaire's career. The scratchy experimentalism of their early work (well worth seeking out) had yet to mutate into a rather embarrassing attempt to 'go disco' and garner mainstream success (something that always eluded them). This stunning lp ... Read review
Advantages: Still sounds modern 25 years on Disadvantages: May be a bit harsh for some ears
Red Mecca represents the high point of Cabaret Voltaire's career. The scratchy experimentalism of their early work (well worth seeking out) had yet to mutate into a rather embarrassing attempt to 'go disco' and garner mainstream success (something that always eluded them). This stunning lp shows a greater complexity than Mix Up or The Voice Of America, its immediate predecessors, yet retains their vital avant-garde spirit.
A Touch ... ...it peters out, Red Mask gets its pummeling beat going and Red Mecca 'rocks out', after a fashion.
Really, no-one should be without this album. The Cabs may not be household names but they were a major influence on just about any significant music being made today. ... more
Red Mecca represents the high point of Cabaret Voltaire's career. The scratchy experimentalism of their early work (well worth seeking out) had yet to mutate into a rather embarrassing attempt to 'go disco' and garner mainstream success (something that always eluded them). This stunning lp shows a greater complexity than Mix Up or The Voice Of America, its immediate predecessors, yet retains their vital avant-garde spirit.
A Touch Of Evil gets us into the mood with its strange horns and bongos combo, then Split Second Feeling kicks in, all primitive bass and whooshing sounds and we are drawn into the album proper.
Vocals are heavily distorted and the lyrics are only fleetingly intelligible but this is all part of the Cabs' approach and adds greatly to the eerie quality of the music. The undoubted high point for me is A Thousand Ways: Two organ notes repeat over and over and are joined by a crashing, distorted beat. Throughout the song, phasing effects transform the guitars and keyboards into an oddly soothing wash of sound that belies the aggressive beat and vocals. After it peters out, Red Mask gets its pummeling beat going and Red Mecca 'rocks out', after a fashion.
Really, no-one should be without this album. The Cabs may not be household names but they were a major influence on just about any significant music being made today.
Product Information for "Red Mecca - Cabaret Voltaire" »
Product details
Title
Red Mecca
Performer
Cabaret Voltaire
Genre
Rock & Pop
Release Date
06/1990
Recomended Retail Price
8.99 GBP
Original Release Year
1981
Label / Distributor
The Grey Area / EMI Operations/CEVA Logistics
Engineer
Cabaret Voltaire
Producer
Cabaret Voltaire
Pieces in Set
1
Studio / Live
Studio
Stereo
Stereo
Format
Performer
EAN
5016025670031
Catalogue Number
CABS 3CD
SPAR code
AAD
Additional notes
Album Notes
Cabaret Voltaire includes: Stephen Mallinder (vocals, bass, bongos); Christopher Watson (vocals, tapes); Richard H. Kirk (guitar, strings, clarinet, horns). Recorded in May 1981. All tracks have been digitally remastered.
Album Reviews
Uncut (2/03, p.92) - 5 stars out of 5 - "...Their masterpiece....They pulled all their various aesthetic strands together and struck the perfect balance between experimentalism and entryism..."
Titles on disc 1
1.
Touch Of Evil
2.
Sly Doubt
3.
Landslide
4.
Thousand Ways
5.
Red Mask
6.
Split Second Feeling
7.
Black Mask
8.
Spread The Virus
9.
Touch Of Evil (reprise)
Ciao
Listed on Ciao since
22/08/2005
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