Big Willie Style was Will Smiths 1st solo album and was released back in 1997, it has some really famous tracks on it such as Men In Black, Gettin Giggy With It and many great tracks as well.
You can buy Big Willie Style in most good music stores for around the £5 mark or less depending where you shop around for it, it will also be cheaper on the internet if you have an amazon account.
The track listing for this album is:
1. Intro
2. Y'All Know
3. Gettin' Jiggy Wit It
4. Candy
5. Chasing Forever
6. Keith B-Real I
7. Don't Say Nothin'
8. Miami
9. Yes Yes Y'All
10. I Loved You
11. Keith B-Real II
12. It's All Good
13. Just the Two of Us
14. Keith B-Real III
15. Big Willie Style
16. Men in Black
There are some famous guest stars on this album including Lisa Left Eye, Cameo and Camp Lo ...
Advantages: All the hits Disadvantages: Some weak tracks
This is an Urban Classics album presenting Will Smith. They bring the first and final albums of an artist an bring them together for a double album in order to see where the have come from and what they have come to in their career. This one hasn't got much of a difference like the other Urban Classics releases as these solo albums by Will SMith were following on from eachother. There was ao year gap, this am allow there to be a few changes in the style of the artist.
Disc 1: "Big Willie Style"
This was the first solo album from Will Smith after he decided to go in persuit of a career without Jazzy Jeff as an immediate association to him. This doesn't mean that he beefed with Jeff, it was a mutaul decision between the pair. He even produces some of the material for the album, showing that they are still willing t work together ...
Advantages: A great choice of songs, given wonderful renditions Disadvantages: A couple of slightly weak tracks
that people who appreciate the songs 'A Boy From Nowhere' from Matador (also recorded by Tom Jones) and 'Why, God, Why?' from Miss Saigon will enjoy those tracks a great deal more than I do. And of course, that's only two out of seventeen tracks, or eight minutes out of an hour, which leaves a very agreeable ratio of good to bad, more than you tend to get on more mainstream albums, certainly.
For the most part, the songs on this album will only be familiar to die-hard musical theatre devotees, but there are a few relatively well-known tracks. Barrowman offers a subdued, beautiful rendition of Stephen Sondheim's 'Anyone Can Whistle' and a moving, seductive and emotionally honest version of Cole Porter's classic 'Easy To Love', plus a refreshingly un-histrionic version of 'Can You Feel the Love Tonight', easily the most widely recognised ...
