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I would keep Remain in Light.
Now why is this? Why does it stand out so far from the rest, surely all their albums are the same: homogeneity of art-pop. I say not and I can also say why. Remain in Light is an unusual Talking Heads album because unlike most, which are almost entirely ... Read review
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Remain in Light, produced and co-written by Brian Eno, on which Byrne and company are joined by guitar god Adrian Belew, and funk legends Bernie Worrell (keyboard...
Remain in Light -
Way back in 1980, the original wave of Talking Heads fans were pleasantly stunned to
... more
hearRemain in Light, produced and co-written by Brian Eno, on which Byrne and company are joined by guitar god Adrian Belew, and funk legends Bernie Worrell (keyboards...
Remain in Light, produced and co-written by Brian Eno, on which Byrne and company are joined by guitar god Adrian Belew, and funk legends Bernie Worrell (keyboards) and Steven Scales (percussion), among others, for a fuller, funkier sound nobody imagined they had in them. The first three songs are long, layered, full-body dance parties, with incessantly repeated phrases (musical and lyrical), and increasingly catchy melodic hooks that won't let go for days. "Once in a Lifetime" was the big hit, but the rockingest track is the third, "The Great Curve", after which the songs get more linear and subdued. It's still great stuff, right through to the especially Eno-like droner, "The Overload", but the second half is maybe better to sleep to than dance to. Which is fine: after the exuberance of the first three songs, you'll need a little nap. --Dan Leone
Remain Inspired Review ofRemain In Light - Talking Headsby
No_name
Advantages: Fantastically inventive 80s art-pop Disadvantages: A couple of weak tracks
...one.
I would keep Remain in Light.
Now why is this? Why does it stand out so far from the rest, surely all their albums are the same: homogeneity of art-pop. I say not and I can also say why. Remain in Light is an unusual Talking Heads album because unlike most, which are almost entirely written by front man David Byrne, the words and music are (almost) entirely credited not only the core band itself but to two other special people which to me ... ...somehow this song is very Remain in Light and yet at the same time it is also very different. It feels progressive and at the same time a little retrospective. But what need have I to speak further of this, surely you know it well enough.
The latter half of the album is for me an entirely different prospect to the first half; this is to me more Eno inspired, varied and curiously beguiling. Houses in Motion is incredibly simple; Byrne often talks ...
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01.02.2004
Peak hour Review ofRemain In Light - Talking Headsby
dave27
...on Talking Heads 1980 album Remain In Light.
Using the latest digital recording equipment, the band built up rhythm patters from tape loops made from studio jam sessions. Gradually, layer after layer of intricate cross rhythms were added to these basic, one chord jams. Other musicians were brought in to fill out the sound: Adrian Belew, David Bowie’s tour guitarist; former LaBelle vocalist Nona Hendryx; a horn section, arranged by Jon Hassell. To ... ...appearance by singer Robert palmer on percussion.
The rich, orchestral funk that resulted was far removed from the frail, brittle textures of Talking Heads: 77. Byrne then added lyrics, many of them adapted from the radio evangelists he and Eno had recorded for My Life In The Bush Of Ghosts: !And you may ask yourself, am I right? Am I wrong? And you may say to yourself, MY GOD! ... WHAT HAVE I DONE?” That particular track, Once In A Lifetime brought ...
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Advantages: truly ground breaking Disadvantages: nothing comes to mind
This 1980 release from one of my favourite bands of the time was the last in a trilogy of albums released with Brian Eno producing the previous 2 being “More songs about buildings and food” and “Fear of Music”, this album took further the “African” influences first used on the previous album “Fear of Music” For this incarnation of the band they added to the normal line-up of personal Byrne, Harrison, ... ...Adrian Belew who had played for Frank Zappa and David Bowie in the past.
Another change was the use of several vocal tracks, where before the songs were monologues with only David Byrne voice, now they used several vocal tracks that featured other people’s voices apart from Mr Byrne.
In the mix was Eno’s voice along with Nona Hendrix from the trio “Labelle”. Along with extra vocal tracks the band were using a large amount ...
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Advantages: Superb remastering of a seminal album Disadvantages: None worth quibbling about
...The very dictionary definition of an "art school" band, TalkingHeads fell together at the Rhode Island School of Design in the mid 70s. Emerging at the time of punk they, like many others, were lazily thrown under that same banner. But in truth, apart from the stark minimalism of their early material, they had little in common with the Ramones (despite often opening for them), and as time went on, the full breadth of their capabilities became thrillingly evident.
Hooking up with Brian Eno after their marginally unsatisfactory debut "'77", the Heads went on one of the great runs of albums in the history of recorded sound. "Remain In Light" (1980) is the final entry in the Eno-produced trilogy and is almost certainly their most influential record (a lot of the 80s interest in World Music starts here, which might surprise Paul Simon's PR...
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Advantages: It's Bowie Disadvantages: The Awful cover artwork.
...menace" and the treated vocals and guitars played along with the drums and bass with a chorus of Bowie, Eno and Visconti.
During the middle 8 section the "asanti habari habari habari, asanti nabana nabana nabana" chorus is given more punch and greater delivery with a treated vamping piano played at the back.
Interviews at the time by Bowie said, "That this song is about German fighter pilots I met in a Mombassa bar who felt so culturally alienated that they couldn't return home"
After his work on this album Eno went on to record the African influenced albums "My Life in The Bush of Ghosts" with David Byrne and "Remain in light" with "The TalkingHeads" (from little acorns).
Move On (3.21) if you listen closely to this track you will hear the song "All the young Dudes" all be it backwards.
This is the framework for Bowie to sing about...
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Advantages: Some of the most creatively emotional music ever to grace the world Disadvantages: Tails off a little towards the end
...the first moment I thought: I like this album. Now with almost all Crimson albums I have (and I have all the studio albums if not the myriad live recordings available) it takes a listen to two or get into the album, to feel at ease with the music. I shall explain. Crimson is a band that does not have a uniform sound beyond the fact that they will not guarantee you an easy listen. Crimson uses the musical vernacular and twist (some might argue warp) it into something that is entirely their own (just witness their ProjeKcts – now there is something challenging and occasionally brilliant). So, Beat, arriving fresh and new in 1982 after their return with Discipline, could be seen to have them working within that art-pop stylings ala TalkingHeads (Adrian Belew also played on TH’s greatest album, Remain in Light – as did Eno [I had to add that...
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Album Notes: Talking Heads: David Byrne (vocals, guitar, bass, keyboards, percussion); Jerry Harrison (guitar, keyboards, bass, percussion); Tina Weymouth (keyboards, bass, percussion); Chris Frantz (keyboards, drums, percussion).
Album Reviews: Vibe (12/99, p.162) - Included in Vibe's 100 Essential Albums of the 20th Century
Titles on disc 1
1.: Great Curve
2.: Crosseyed And Painless
3.: Born Under Punches (Heat Goes On)
4.: Houses In Motion
5.: Once In A Lifetime
6.: Listening Wind
7.: Seen And Not Seen
8.: Overload
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