Death Row's first release of 1998 saw a very different world than the one it was used to. Companies like Bad Boy and No Limit had taken the real rap game that Death Row founded and transformed it into a purely commercial entity in a very short few months. During this sad change, fans became accustomed to formula songs that are guaranteed success, and they quickly changed loyalty to these companies. How quickly they forget that Death Row paved the path for these very labels' success!
With this alteration of fan mindset, a good Daz album sold weakly. I knew that Puffy's formula-hits would change the industry for the worse.
But with appearances from 2Pac and other fellow Deathrow Records artists, this album did not get the respect (or the sales) it deserved.
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