Advantages: It's got the original; it's a bit of group history Disadvantages: Whose biggest hits?
The opening song "Bittersweet Symphony" from the album "Urban Hymns" by The Verve was one of the most haunting sounds of 1997. It dominated the charts and airwaves that year and has continued to be used as background music in television programmes and advertisements, including those for Nike and Vauxhall. It is one of those tunes that you will surely have heard even if you cannot place its origin. The song became a bittersweet experience for its author Richard Ashcroft. The refrain he used was taken from, at that time, a little known arrangement of a Rolling Stones song (NOT the original) which had appeared on an album long since deleted from the catalogue.
When it was first released in June 1966, "The Songbook" was the fourth in a series of albums recorded by the Andrew Oldham Orchestra. It was subtitled "Instrumental versions ...
Advantages: Classic songs given a new slant Disadvantages: One or two weak tracks
. Rightly so, in this instance, since the song is undisputedly his theme tune, and here he gives it the simplest, but nonetheless effective of treatments. The piano accompaniment is minimal, and in places, Bennett could almost be singing a capella, proving that he doesn't need a big backing orchestra to do justice to the song with which he will always be linked.
The biggest surprise of all for me was George Michael's performance in How Do You Keep The Music Playing, surely not the easiest of songs to sing. Michael's voice takes on a depth which isn't, perhaps, heard in much of his contemporary work, and he proves more than capable of holding onto a note, complementing Bennett's style perfectly during Michel LeGrand's haunting melody.
Until now, I've barely mentioned the performance of TonyBennett himself, saving, as it were, the best ...
Advantages: Top Service, Professional Disadvantages: None
Toni & Guy
I have visited a few of Toni & Guy salons, so I now feel that I can write this review.
In 1963 Toni & Guy first salon opened in Clapham London. From there on in, there was no stopping them, nearly every big town has one. If I am correct they also have or are expanding abroad.
If you have visited 1 or more Toni & Guy salon?s you will notice that they are all the same, from the chairs to the sinks, the walls to the floor. Each salon is identical, being the inside.
They have a uniform of Black and White. Black bottoms with a White top, they do have their own logo t-shirts in which some staff do wear.
The salons I have visited ?
Chichester in West Sussex, owned by a man called Jeff.
Basildon in Essex, owned by a man called Billy. This opened in August 1999. Billy is sponsoring Miss Essex at the moment ...
Jordon 01.09.2004
· Read full review
Ciao members have rated this review on average: very helpful Review of Toni and Guy
Product Information for "Sings The Rogers And Hart Songbook - Tony Bennett" »
Product details
Title
Sings The Rogers And Hart Songbook
Performer
Tony Bennett
Genre
Jazz Vocal
Release Date
13/11/2006
Original Release Year
1992
Label / Distributor
UCJ / Universal Music
Engineer
Frank Laico
Producer
Patrick Milligan (Compilation)
Pieces in Set
2
Studio / Live
Studio
Stereo
Stereo
Format
Performer
EAN
13431224327
Catalogue Number
3122432
SPAR code
AAD
Additional notes
Album Notes
2 LPs on 1 CD: TONY BENNET SINGS 10 RODGERS & HART SONGS (1976)/TONY BENNET SINGS MORE GREAT RODGERS & HART (1977). Personnel: Tony Bennett (vocals); Ruby Braff (cornet); George Barnes, Wayne Wright (guitar); John Giuffrida (bass). Recorded from September 28-30, 1973. Includes liner notes by Will Friedwald and Ruby Braff. Digitally remastered by Dan Hersch & Bill Inglot (DigiPrep). Personnel: Tony Bennett (vocals); George Barnes, Wayne Wright (guitar); Ruby Braff (cornet); John Giuffrida (bass instrument). Recording information: CBS Recording Studios, New York, New York (1973). Ensemble: Ruby Braff-George Barnes Quartet. Soon after he left Columbia Records, Tony Bennett recorded a 20-song Rodgers & Hart set in 1973, superbly accompanied by supper-club favorites the Ruby Braff-George Barnes Quartet, and eventually released on two albums through the private Improv label in 1976 and 1977, respectively. This was a both an act of defiance and a statement of purpose on Bennett's part, for there was perhaps no more dispiriting time for singers of the great standards. Still, Bennett chose his ammunition well, for Rodgers & Hart's breezy yet indelible romanticism had always suited this singer and also couldn't have been more out of sync with the times. Our time is a different matter however, and Rhino has seen fit to reissue the original 20-song session in fine remastered sound on one CD. The musical mood here is both tender and jaunty, as especially befits the lyrics of Lorenz Hart, for which Bennett has a particular affinity, so much so that he sings little-known extra verses of "The Most Beautiful Girl in the World" to nearly epic effect. "Jaunty" also describes the masterly trumpet interjections of the impish Braff, while the quiet swinging pulse of Barnes' guitar lends the whole project an appropriately informal air.
Titles on disc 1
1.
This Can't Be Love
2.
Blue Moon
3.
Lady Is A Tramp
4.
Lover
5.
Manhattan
6.
Spring Is Here
7.
Have You Met Miss Jones
8.
Isn't It Romantic
9.
Wait Till You See Her
10.
I Could Write A Book
11.
Thou Swell
12.
Most Beautiful Girl In The World
13.
There's A Small Hotel
14.
I've Got Five Dollars
15.
You Took Advantage Of Me
Titles on disc 2
1.
I Wish I Were In Love Again
2.
This Funny World
3.
My Heart Stood Still
4.
My Romance
5.
Mountain Greenery
6.
This Can't Be Love (alternate take 1)
7.
I Could Write A Book (alternate take 2)
8.
Thou Swell (alternate take 1)
9.
Most Beautiful Girl In The World (alternate take 4)
10.
I Wish I Were In Love Again (alternate take 1)
11.
This Funny World (alternate take 3)
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13/02/2007
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