"I always keep a stimulant handy in case I see a snake - which I also keep handy" - W. C. ...
"I always keep a stimulant handy in case I see a snake - which I also keep handy" - W. C. Fields
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It's an oft repeated story. An attractive blonde teenager with a great voice is discovered singing on a talent show. She is handed a record deal and releases an album full of songs she hasn't had a hand in writing. We've heard this one so many times before. Yawn, yawn, and yawn.
But as she herself sings on "Super Duper Love", "wait a minute, wait a minute". This is not the story of some bubblegum pop act, discovered by Simon Cowell or Stock, Aitken and Waterman, performing the same tired style of music for the same audiences and destined to vanish before they've reached their twenties. The only comparison that can be drawn between Joss Stone and the likes of Britney Spears, Christina Aguilera and Billie Piper is that they all have blonde hair.
You may, at first glance, think that Joss Stone is going to be like one of those acts. Perhaps the easiest comparison to be drawn would be with Billie Piper, as both are from the South West of England; Piper from Wiltshire, Stone from Devon, although she was born in my native county of Kent. But this is a mistake you won't make for long. Only as long as it takes for you to listen to her debut CD, "The Soul Sessions".
The album opens with "The Chokin' Kind", a cover of a Joe Simon song. It opens much like any pop ballad and it's not until the instruments come in that you realise this is a blues/soul track. It's a nicely laid back song, perfect to have on in the
background, although there's not a lot to differentiate Joss Stone from anyone else from someone like Kelly Clarkson on this track.
The next track is the one that I first heard and which still remains my favourite, Stone's version of Willie Garner's "Super Duper Love (Are You Diggin' On Me) (part 1)". It's a delightfully funky little tune with a soulful edge to the vocal and a groove that gets your feet tapping.
One thing you wouldn't expect on a soul based album is a reworking of a White Stripes song. But that's exactly what "Fell in Love With a Boy" is. Stone takes the song down tempo and gives it a more jazz based sound, making it a song that drifts past you, rather than rushing by like the original did. In fact, Stone's version lasts nearly twice as long as the original and the White Stripes themselves have supposedly taken to performing the song as a cover of this version.
The piano intro to "Victim of a Foolish Heart" always reminds me of Labi Siffre's "Lean On Me", although this was originally a Bettye Swann song. It's another down tempo ballad with slight soul leanings, with again only the music really separating this from any other pop ballad. There are parts where it sounds a lot like and old Whitney Houston track, particularly towards the end.
I'm not sure that any sixteen year old should be singing Laura Lee's "Dirty Man", but Stone gives it a go. It's another blues ballad and sounds a lot like a Kelly Clarkson song, but Stone has the voice for it and this one would be perfect background music for a lazy afternoon.
The Drifters' "Some Kind of Wonderful" has been covered so many times that it's almost a traditional song. Stone's version doesn't really add anything new to the song and it's pretty much just a mid-tempo pop song with a slightly more soulful sound than the usual. This would have fit very nicely into "The Commitments", but doesn't leave Stone sounding any different to some of the more R 'n' B type material that Mariah Carey has been doing of late.
Carla Thomas' "I've Fallen in Love With You" is perhaps a less well known song, but it gets much the same treatment as what has gone before. It's got a soulful edge, but really only on the music. Vocally, there are hints of Kelly Clarkson and Whitney Houston in the mix again
"I Had a Dream" is not, as I feared, a cover of an Abba song, but one by J B Sebastian. Whether this is a good thing or not is debateable, I suppose. It's another ballad number, again with a soul based backing, but pretty indistinguishable from a standard pop ballad otherwise.
If Stone's cover of Aretha Franklin's "All the King's Horses" proves one thing, it's that she's no Aretha Franklin, despite all the hype that's been thrown at her. She has a decent voice, for sure, but sounds a lot more like Kelly Clarkson here again, on what is a mid-tempo soul-pop track.
The final track is a version of the Isley Brothers' "For the Love of You (parts 1 & 2)". Sadly, it ends the album on a bit of a down note, as this is probably the weakest track here. It's another largely pop ballad which at seven and a half minutes, goes on for way too long, especially as Stone sounds a lot like Mariah Carey for the most part. Rather than drifting peacefully past you, this one outstays its welcome.
Stone definitely has a decent voice, comparable with some of the more modern soulful singers, like Whitney and the first American Idol winner, Kelly Clarkson. There's nothing here that sets her apart from either of them and the album does seem to lack a little sparkle, which may be largely because she was given a bunch of songs rather than being able to choose what she'd like to sing.
However, this doesn't mean that there isn't much to be praised on the album. It's interesting to hear soul songs with a pop edge, as opposed to the modern day R 'n' B that seems to be everywhere these days. It does given the music a slightly different leaning to most of the standard pop music that is around at the moment and it certainly sets Joss Stone slightly apart from the other blonde pop princesses, although not so far that pop music fans won't be able to enjoy it.
I'd even go as far as to say this is a must have for fans of Kelly Clarkson or the early Whitney Houston and Mariah Carey style of pop music. But the hype that has surrounded Joss Stone is unfounded - she's not as good as the soul divas such as Aretha, as some have claimed, but she is good and she's still young yet, so maybe in the future she'll get closer.
I would have liked to have heard a few more up-tempo songs included as the album is virtually a collection of ballads. I'd also have liked Stone to have got a shot at singing her own songs to see if she puts more of herself into them, as there didn't seem to be a great deal of heart going into many of the tracks here.
However, what this album does give you is a perfect listening experience for a lazy afternoon, which would provide an ideal background to a summer day spent lying in the sun. It's not an album that demands your attention and at £6.99 from CD Wow, or from £1.79 at the Amazon Marketplace or 99p from eBay, taking a chance on Joss Stone doesn't demand much from your wallet, either. It's not the best album you'll ever hear, but it's good enough and cheap enough to deserve a chance.
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Very nice review with lots of detail. I was surprised her album is so cheap and, as you say, must be worth a try a those prices. Thanks for the tip.
Anne.
callancool 19.12.2005 20:14
Oohi I love the old soul....... The Casino Club (Wigan), Golden Torch (Tunstall), Twisted Wheel (Manchester), Catacombs (Wolv'r'ampton), Va-Va's (Bolton). Never been to one in my life, but love the music. You certainly know your soul music from your disco stuff. What's your favourite soul trax? Oh and it's superbly written.
Librelola 11.12.2005 10:31
I don't think any comparison between this lady and Aguilera and Spears and I don't know who should be even made; this young lady has real talent, she sings from the heart, not from the bottom!
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