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Strauss, R: Burleske; Beethoven: Symphony No 7

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Strauss, R: Burleske; Beethoven: Symphony No 7

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Strauss: Burleske for piano and orchestra - Beethoven: Symphony No.7 (Vienna Philharmonic  ...

Strauss: Burleske for piano and orchestra - Beethoven: Symphony No.7 (Vienna Philharmonic ...

Release Date: 2008-09-29, Audio CD, Orfeo

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Similar reviews »

Reviews which might be of interest for "Strauss, R: Burleske; Beethoven: Symphony No 7"

May I have this dance?

Advantages: One of Beethoven's finest symphonies.
Disadvantages: None from me, but some will say "classical music is boring".

THE END OF AN ERA 1812 can be seen as the markerpoint where Beethoven's middle-period came to an end and his late-period was ushered in. Beethoven's middle-period saw the composer at his most creative high with one masterpiece following the other in rapid succession. The beginning of this period can roughly be timed as starting in 1803 with the appearance of the Third Symphony "Eroica" and the "Kreutzer" sonata. These two works signalled Beethoven distinctly leaving the 18th century Classicism of Haydn and Mozart behind him and taking on a completely new and individual voice. This individuality became more and more apparent in the works that followed: the "Waldstein" and "Appassionata" piano sonatas, the "Razumovski" quartets, the Violin Concerto, the three last cello sonatas, the "Archduke" piano trio, Fidelio, the Fifth and Sixth ...

berlioz 13.08.2005 · Read full review
Ciao members have rated this review on average: very helpful
Review of Beethoven: Symphony No 7

Beethoven's symphonies: the rediscovered frontier

Advantages: A new way to hear Beethoven
Disadvantages: Surpassed by some later period cycles

played and the Finale brings a great sense of thankfulness from the country folk. This version makes for a nice breath of fresh air not apparent in many other Pastorals. There really is nothing more one needs to say. Symphony No.7 in A major, Op.92 The Seventh Symphony (my personal favorite among Beethoven's symphonies) receives a rather curious performance when it comes to this set. Whereas most of the other symphonies are quite fresh in inspiration, the Seventh seems to suffer from a lack of energy so important to this Beethoven's most rhythmic symphony. This is particularly noticeable in the Finale, where the tempo is surprisingly relaxed and particularly in the coda the excitement is practically killed off by this lack of energy. It could be that Norrington was still a little unsure of pulling it all out for this difficult work ...

berlioz 16.04.2005 · Read full review
Ciao members have rated this review on average: very helpful
Review of Beethoven Symphonies 1-9 (London Classical Players) - Sir Roger Norrington

Choral Symphony

Advantages: Choral Symphony
Disadvantages: Nothing

On the first time, The Nineth Symphony of Beethoven is kwoning like "Choral Symphony" because in the foursth and the last movement it is singing by a Tenor, Baritone, Soprano and Messo Soprano Voices with a Choral Voices that they are singing in another way the "joy song". This symphony (the last one) of Beethoven was released the May 7th of 1821 when he was a deaf person, so he never could listen his composition years at 3 or 4 years after Beethoven died. So it was his last composition, been for me the best compousers. In the first movement of this Symphony "Allegro ma non troppo" begining with the introduction of wind instrument like oboe and the violas and violin continues the music and then continues with this music specially the wind instrument with a hard musical notes that it is characteristic of this 15 minutes music. In ...

daniel_guibu 11.08.2006 · Read full review
Ciao members have rated this review on average: helpful
Review of Beethoven: Symphony No 9; Coriolan Overture

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