Ghostface Killah has shown potential since the first Wu-tang album (in fact they all did). He was actually one of my favorite rappers around for a time in my life but after I heard this album my mind was changed. Now don’t get me wrong this album is still a good one it’s just when ... Read review
A spell in Rikers obviously hasn't done Ghostface Killah any harm. The Wu member remains ... more
as grounded as ever in the realities of life on his second set Supreme Clientele. Musically, the album is a juiced-up model of the classic soul prototype provided ...
Postage & Packaging: Free! Availability: Usually dispatched within 24 hours...
A spell in Rikers obviously hasn't done Ghostface Killah any harm. The Wu member remains ... more
as grounded as ever in the realities of life on his second setSupreme Clientele. Musically, the album is a juiced-up model of the classic soul prototype provided b...
Postage & Packaging: £1.21 Availability: Usually dispatched within 1-2 business days...
Advantages: Some great beats, apperances by some great names Disadvantages: Some songs just suck
...an appearance by RZA, the supreme lyricist and without a doubt one of the best lyrical rapper out there. His flow is slow but if you heard him before than you should know what is expected. Now I’m glad that there is no chorus because in rap these days all you need is a catchy chorus (take Cash Money for example), so this song breaks through that and still sounds great. Score: 4
Track 2: One
Now one good thing about this ... ...beats but they outdo themselves here. There is a rather head bobbing hardcore beat and they mixed in a female vocalist who every 2 seconds or so sings the word "one". It goes very well with the song. The first verse is a true Ghostface style. The chorus isn't so good but it still does a good job separating the song. The second verse is still good at times but it gets dull with some simple lyrics. I rather like the end when Ghostface is ... more
Ghostface Killah has shown potential since the first Wu-tang album (in fact they all did). He was actually one of my favorite rappers around for a time in my life but after I heard this album my mind was changed. Now don’t get me wrong this album is still a good one it’s just when I’m dealing with Wu-Tang I get very strict in the ratings. In fact most of the second attempts done by a Wu-tang artists haven’t been so good, though they have sold more copies (you figure it out). Now the first thing that caught my eye was the horrible production done on the booklet that came with the CD. The songs were out of place; they even mentioned some songs that weren’t on the album. There are only 15 songs but if you look at the total tracks on the CD there are about 21 tracks, there were some interludes that came unannounced. Now I won’t get into the interludes, I will just be doing the actual songs.
Track 1: Nutmeg I feel that this song captures what the old Wu-Tang has accomplished. The lyrics are very complicated and delivered quite percisely. Ghostface provides us with deep and thoughtful lyrics. There is no chorus in this song unless you count when the song slows down and Ghostface is ranting. This song also includes an appearance by RZA, the supreme lyricist and without a doubt one of the best lyrical rapper out there. His flow is slow but if you heard him before than you should know what is expected. Now I’m glad that there is no chorus because in rap these days all you need is a catchy chorus (take Cash Money for example), so this song breaks through that and still sounds great. Score: 4
Track 2: One Now one good thing about this album is the beats. Wu-Tang is known for their impressive beats but they outdo themselves here. There is a rather head bobbing hardcore beat and they mixed in a female vocalist who every 2 seconds or so sings the word "one". It goes very well with the song. The first verse is a true Ghostface style. The chorus isn't so good but it still does a good job separating the song. The second verse is still good at times but it gets dull with some simple lyrics. I rather like the end when Ghostface is talking and all his sentences end with the woman singing "one". It’s simple but it does the effect. Score: 4
Track 3: Saturday Nite The beat is the only strong part of this song. The beat is simple but it’s fast paced and it does the job. However I really don’t feel the lyrics are at all what Ghostface could do. It’s a very short song that leads right into the next track. Score: 2
Track 4: Ghost Deini This song starts off with an interlude that Wu-Tang uses in most of their albums. The beat isn’t really isn’t anything special. About in the middle of the song there is an R&B (or rather an attempt at it) where Ghostface is paying tribute to loved ones. Then Ghostface begins a rather average second verse. After that the featured rapper Superb starts his verse. Now he starts off great and he delivers all his lines well. Now this is the first time I have ever heard Superb and I found him a rather good rapper when he featured in this song. His voice is very similar to Ghostface, which is a sort of nasal sounding vocal. Score: 3
Track 5: Apollo Kids This was the first single off this album. When I heard it I really didn’t like it. The verses were very simple and the only real good thing was the beat. The beat is again well done. It captures the very essence of Apollo with trumpets and a very lively sound. This song also features Raekwon, who was another good rapper but his second album was kind of bad(though his first album was amazing). He doesn’t really live up the song but I guess it’s good to hear a familiar voice, even if he doesn’t have anything interesting to say. Score: 3
Track 6: The Grain This song starts off with a very lively R&B intro. The beat is very faced past and really isn’t bad. Ghostface is rapping about him and several famous women (Princess Diana, Pamela Lee, and The Queen of England to name a few) engaging in sexual activity. Then the RZA comes in and delivers a fantastic verse, God-damn he’s good. Then they go into a comical R&B singing style. The RZA and Ghostface do a good job singing. This is a great song but it only lasts about 3 minutes. Score: 4
Track 7: Buck 50 This is the first great song on the album. The beat is really catchy, it includes I believe an organ mixed in to the beat. Method Man starts off this song with a very well done verse with some complex similes and words. Ghostface follows but his presence isn’t felt until the second time he starts. Cappadonna follows him, Cap does a good job on but he raps rather slowly for this face-paced beat. Following him is Redman who starts off strong and does a great job finishing. Ghostface’s lyrics improve the second time he appears. Method Man finishes off the song but he isn’t as strong as the first time he appears. Still the combination of all those greats makes this a great track. Score: 5
Track 8: Mighty healthy The beat is the strong part of this song. It has a piano or something like that mixed into the beat. However the lyrics really aren’t that well thought out. It is a real simple song and there isn't much worth mentioning. Score: 2
Track 9: Stay true I really didn’t like this song much. The beat has an interesting sound to it. Towards the end the song slows down and the featured artist 60 Second Assassin finishes off the song with a well-sung ending. However the rest of the track kind of blows. Score: 2
Track 10: We made it One of the best beats on the album. The lyrics are also very good. The beat has violins mixed into it. The beat is very up-tempo and does very good to capture the victorious song of the track. The song starts off with Superb he does a very good job with his lyrics. There is also another rapper on the track, I believe its Inspectah Deck but don’t take my word for it, that follows Superb. Deck delivers a great verse. After that Ghostface goes up and delivers a rather average a great new rapper follows verse but him. I first heard of Hell Raizah from the second GZA album and he caught my ear. He does a great job on this track. The song ends with them singing “we made it” a great finish to a great song. Score: 4
Track 11: Stroke of Death This song starts off with a very annoying skipping mixed into the beat. A rapper that starts off this song doesn’t really go a good job. Of course I can’t really tell what they are saying with the annoying skipping thing. The RZA makes another appearance but with the horrible production on this beat I don't really care.... Score: 2
Track 12: Malcolm The beat on this song is very simple, as are the lyrics. Ghostface seems to be telling a story but it doesn’t really keep my interest. The chorus is done well and has a message to say, as does the whole song. I like this song for the message that it sends. Still the verses aren’t done well. Score: 3
Track 13: Child’s play This is a good song because it has a good and positive feel to it. Ghostface is rapping about the love of his young life. The beat is also very child-like and it does capture that child love feel. This track is produced by the RZA. It’s a good song and worth a listen I guess. Score: 3
Track 14: Cherchez LaGhost This is the second single realized. The song is starts off with a woman singing for a while. As the song progresses I see that there are two 30 second verses and the rest of the song is the young lady singing. It’s an interesting song but I paid for a rap album! U-God also makes an appearance on this track. Score: 3
Track 15: Wu Banga This is another great song. The beat is mixed in with vocals like in “one” and the bass and drums are also good. The song starts off with my favorite rapper ever: GZA. He has a great flow and his lyrics really pack intelligence. He also has the only second-generation Wu album that was good. He does a great job on the first verse. Ghostface then follows with a story about a bad church. Raekwon, who does a better job on this track than on Apollo Kids but still lacks impact, follows him. Cappodonna who does a good job but still raps kind of song follows him but he finishes off strong. Masta Killa who delivers a very fine verse then follows him but it’s rather short and Ghostface Killah who finishes off the track with an okay verse interrupts him. A great track with great rappers and a captivating beat. Score: 5
This album was a rather average album for a Wu-Tang production. Most of the songs Ghostface Killah does solo aren’t very good. I like the one’s that have numerous artists on them. It seems that all the new Wu-Tang stuff hasn’t been done very good. “Killer Bees”, Raekwon’s second album, and this one are rather disappointing. I’m only hoping that the new Wu-Tang album is done better. We can only hope.
Advantages: Smooth beats, and lyrics from the best lyrical writer in the Wu Tang! Disadvantages: Old fans of Ghostface won't enjoy the R 'n' B tracks
...world. This was followed by Supreme Clientele, and again Ghostface did not fail to deliver in this LP in which he showed his ability to mix traditional hip hop rhymes and new skool charisma to create songs that both fans of Wu Tang and new skool would thoroughly enjoy. It was indeed a challenge to make a third album that would not disappoint its two predecessors and no doubt, Ghostface put a lot of effort into this album. The album is basically the ... ...of beats as were on Supreme Clientele. This is why I strongly recommend this album to anyone that has thought of buying Ghostface Killah’s albums who doesn’t previously own any. The bridges on the album are varying. There are a wide range of them ranging from R ‘n’ B ones as we can see in Love session whereas Walking Through The Darkness sees Ghostface mixing old skool style choruses with new skool rapping patterns. This variation really adds flavour ...
SoDef 18.01.2002
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Ciao members have rated this review on average: very helpful Review of Supreme Clientele, The [PA] - Ghostface Killah
Advantages: you can play games with this on in the background, and kill more people Disadvantages: im sure it has some
the glue holding the wu tang clan together, ghostface killahs second album is a must buy. clean, catchy and at times breakneck - ghost once again displays his abstract lyricism over several masterful backbeats with other members like the rza only having a few lines - the album is definately his, and he wants you to know. "nutmeg", "saturday night", and the excellent "mightly healthy" are the key tracks, ghosts favourite subjects are covered from ...
Shaun_Diamonds 15.12.2000
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Ciao members have rated this review on average: very helpful Review of Supreme Clientele, The [PA] - Ghostface Killah
Ghostface’s second album features many guest appearances by other Wu-Tang members and RZA produced many of the album’s tracks. Ghostface, the “Wally Champ” is back with a 21 track album (not 14 tracks as listed on the back cover!). He brings his own distinctive delivery to a varied musical backing which ranges from banging Wu production to Cher! Ghostface flips his own unique slang on a number of topics from street tales to his dress code to remembering ... ...variety of musical styles used in the production and how Ghostface adapts his flow and wordplay to ride each track. I found two of the tracks initially unlistenable “who would you f***” and “cher chez la ghost” but it’s nice to see a rapper who’s not afraid to experiment rather than produce an album which sounds like dozens of others. There are definitely some banging tracks on there that will grab you straight away but some others may take longer ...
victor 09.07.2000
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Ciao members have rated this review on average: helpful Review of Supreme Clientele, The [PA] - Ghostface Killah
The new single released from the album is nothing brilliant. I saw/heard it for the first time the other day on Kiss TV, and wasn't all that impressed. The girl he's got featuring with him hasn't got a strong voice, and although the rap is good, the good impact it would have made is lessened somewhat by the girl's voice. Good for a couple of listens, not worth it to buy on single though. Doesn't hold the interest the entire way through, and makes ...
ladydina 15.07.2000
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Ciao members have rated this review on average: helpful Review of Supreme Clientele, The [PA] - Ghostface Killah
Product Information for "Supreme Clientele, The [PA] - Ghostface Killah" »
Product details
Title
Supreme Clientele, The [PA]
Performer
Ghostface Killah
Genre
R&B
Sub Genre
Rap
Release Date
20/08/2001
Recomended Retail Price
8.99 GBP
Original Release Year
2000
Label / Distributor
Epic / Sony Music/Arvato Services
Pieces in Set
1
Studio / Live
Studio
Stereo
Stereo
Format
Performer
EAN
5099749195523
Catalogue Number
4919552
Additional notes
Album Notes
Personnel includes: Ghostface Killah, Bobby "RZA" Digital, Mastah Killah, GZA, Cappadonna, Superb, Method Man, Redman, Raekwon, 60 Second Assassin, Inspectah Deck (vocals); Dennis Coffey, Carl Robinson (guitar); The Detroit Orchestra (strings); Rudy Robinson (keyboards); David Brandon (drums); The Dramatics (background vocals). Producers include: Mathematics, "Choo" The Specializt, Carlos Broady, RZA, Carlos Bess. Engineers include: Jose Reynoso, Tony Prendatt, Gabe Chiesa. Recorded at 36 Chambers Studio, The Hit Factory, Quad Recordings & Track Records, New York, New York; Criteria Studios, Miami, Florida. Since the release of the Wu-Tang debut, ENTER THE 36 CHAMBERS, Wu-lovers have been treated to a series of solo efforts from individual Clan member. Though all have been strong efforts, only a select handful have proven worthy of standing anywhere near that classic group debut. SUPREME CLIENTELE, the sophomore album from the Wally-wearing Ghostface Killah, is one of those rare Wu solo efforts to fall into the latter class. With the RZA as the overseer, this album is a triumphant reminder of the influence that the Staten Island-based crew has had on the rap game. Ghost drops jewels of criminology and street ethics over basement-flavored production. And with its various Wu-appearances, SUPREME CLIENTELE is also a glimpse of what the Wu promises to bring in the 21st century.
Album Reviews
Vibe (6/02, p.109) - Ranked #10 in Vibe's "Top 10 rap albums" - "...Ghost cobbles juicy, tabloid-worthy tales from free-associated verses, spiked with occasional sobs - B-boy becomes B-man..." Rolling Stone (1/4/01, p.108) - Included in Rolling Stone's "Top 50 Albums of 2000". The Wire (1/01, p.34) - Included in Wire's "50 Records Of The Year". The Source (3/00, pp.239-40) - 4.5 mics out of 5 - "...an A+ record in Wu fashion....arguably as entertaining as his debut, IRONMAN....With appearances by just about every important Wu figure...[the album] is a Wu album in the Wu-est sense....a big glob of mud, smackin' hip-hop dead in the face..." Vibe (4/00, p.176) - "...exemplifies Ghost's lyrical dexterity. While his thunderous light-speed delivery hasn't changed much, his jagged wordplay is at its zenith....this banger's luscious linguistics and potent production support its claim of supremecy....pure delight..." Spin (1/01, p.73) - Ranked #11 in Spin's "Top 20 Albums of the Year [2000]" - "...Results: fun as bursts of adrenaline, a restored Wu-Tang Clan, and a reawakened RZA." NME (12/30/00, p.79) - Ranked #36 in NME's "Top 50 Albums Of The Year". Rolling Stone (3/16/00, p.74) - 3.5 stars out of 5 - "...will strengthen the most evangelical of Wu-fans' faith....The album goes a long way toward reuniting the otherwise disparate Clan itself....Still, Ghostface keeps a firm grip on the mike..." Q (5/00, p.107) - 4 stars out of 5 - "...Magnificent throughout....Rare is the contemporary hip hop album that has so few dull moments." Melody Maker (2/15/00, p.47) - 4 stars out of 5 - "...while the hallmarks of the Wu sound are all in place on super-claustro tunes like 'Apollo Man'...the album has a more laid-back and funky feel....SUPREME CLIENTELE drops bombs like a crazy-ass Lancaster." NME (2/19/00, p.32) - 7 out of 10 - "...his ability to paint a dense, cinematic picture with his raps: tales as involved and complicated as a Tarantino storyboard...marks [him] as one of the elite Wu....considerably better than the solo follow-ups of other Wu members..." Alternative Press (5/00, p.85) - 5 out of 5 - "...Amazing....From the opening minutes of this all-uptempo, all-sorta-dissonant wild ride, it shows and proves....a minutely detailed, if largely abstract, document of a unique black artist's emotional life..." The Wire (4/00, p.68) - "...[He] sproings out of the slammer, declares 'Rap is like ziti' and the day is savory. Smack 'em yak 'em!....Ghost verbally dyes and bleeds...with at least 9 producers, Ghost is everywhere..." CMJ (2/21/00, p.5) - "...marks a renewed sense of unification and strength within the Wu World Order....a solid reminder as to why Ghostface's voice is the first one you hear on the Clan's inimitable debut."
Titles on disc 1
1.
Intro
2.
Nutmeg - Ghostface Killah & RZA
3.
One
4.
Saturday Nite
5.
Ghost Deini - Ghostface Killah & Superb
6.
Apollo Kids - Ghostface Killah & Raekwon
7.
Grain - Ghostface Killah & RZA
8.
Buck 50
9.
Mighty Healthy
10.
Woodrow The Base Head
11.
Stay True - Ghostface Killah & 60 Second Assassin
12.
We Made It - Ghostface Killah & Superb
13.
Stroke Of Death
14.
Iron's Theme
15.
Malcolm
16.
Who Would You Fuck
17.
Child's Play
18.
Cherchez La Ghost
19.
Wu Banga 101
20.
Clyde Smith
21.
Iron's Theme (Conclusion)
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Listed on Ciao since
09/07/2000
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