Advantages: Eno is ever creative Disadvantages: but not as potent as usual.
TakingTigerMountain (ByStrategy) is my last review of Eno?s 70s (near) Pop work, a form he would pretty much abandon after Before and After Science, in favour of more experimental work and explorations as pop-producer (Talking Heads, U2 etc.). His second solo album, Eno had the problematic necessity of somehow following up the brilliance of Here Come the Warm Jets, in a meaningful way.
And did he do it. To be honest no, but then TakingTigerMountain (ByStrategy) isn?t quite the same sort of album. It has a little more continuity, being something of a collaboration with Roxy Music (the band Eno had recently left) guitarist Phil Manzanera and as I utter ad infinitum, Manzanera cannot reach the musical heights of a Fripp or a Fred Frith. But this is not to say that TakingTigerMountain (ByStrategy) is in any way a bad album ...
Advantages: Eno's first musical high Disadvantages: One bad track
with Robert Fripp) and his Discreet Music.
Only Here Come the Warm Jets is something different. It is an unusual beginning in many ways when considered against some of her later works. Only his second solo album is comparable (TakingTigerMountain [ByStrategy]) as they are both song based albums. Another Green World and Before and After Science may well have conventional songs (well, as conventional as Eno ever gets) but they also show his leaning towards pure ambient, though in Another Green World, his first excursion, tracks like Sombre Reptile preface his Ambient music and yet use a lot of conventional instruments. There is clear guitar and percussive sounds. His later work often uses ?found? sounds and those tapped simply from nature.
HCTWJ though is the album Eno made after he split from Roxy Music after For Your Pleasure. Many ...
Advantages: calming, gentle, ideal for chilling out Disadvantages: none
One of the first albums to fully utilise the extended length of the cd, this 1985 offering from BrianEno will delight fans of his ambient work and probably irritate those who find this side of Eno's work rather twee.
61 minutes in length this is one piece of gradually evolving music that occupies a space in the room, but doesn't dominate, drifting gently but insistently in the background. However, in keeping with most of Eno's ambient music, this not merely aural wallpaper and there is enough happening in the gently changing patterns of piano trills and synth custers to repay active listening too.
I find it very beautiful, calming, relaxing and ideal for quiet reading or thinking. At times I've used Thursday Afternoon as music to fall asleep to.
It 's a lovely album and can usually be found a fairly bargain prices. Well worth ...
Full title: Taking Tiger Mountain (By Strategy). Personnel: Brian Eno (vocals, guitar, keyboards, programming); Polly Eltes (vocals); Phil Manzanera (guitar); Portsmouth Sinfonia (strings); Andy McKay (brass); Brian Turrington (bass); Phil Collins, Freddie Smith (drums); Robert Wyatt (percussion, background vocals); Randy & The Pyramids, The Simplistics (background vocals). Recorded at Island Studios, London, England in September 1974. Personnel: Brian Eno (vocals, guitar, keyboards, programming); Polly Eltes (vocals); Phil Manzanera (guitar); Portsmouth Sinfonia (strings); Andy MacKay (brass); Brian Turrington (bass guitar); Phil Collins, Freddie Smith (drums); Robert Wyatt (percussion, background vocals); Randy & The Pyramids, The Simplistics (background vocals). Recording information: Island Studios, London, England (09/1974). TAKING TIGER MOUNTAIN (BY STRATEGY), Brian Eno's sophomore solo outing, is a grab bag of freaky, science-fiction-dipped confections. Filled with a battery of innovative, unsettling effects, the album is darker and more complex than HERE COME THE WARM JETS. The artist shows an increasing willingness to experiment with texture, as on "The Great Pretender," whose whirling, oozing keyboard line and synthesized vocals approximate delirium tremens or a hatching hive of maggots, or on "Put A Straw Under Baby," which features the Portsmouth Sinfonia, whose members have no knowledge of their instruments. Yet Eno's grasp of melody and songcraft is everywhere: on the bouncing, absurdist/philosophical "Burning Airlines (Give You So Much More)," and on straight-out rockers, like the deliciously intense "Third Uncle" (which is propelled by the churning guitar of Roxy Music's Phil Manzenera, and is, arguably, the album's highlight). Concurrent with David Bowie's ALADDIN SANE-era alien aesthetic, Eno's tunes are even more otherwordly and warped than his glam cohort, making use of the full palette of bizarro synthesizer effects and creepy-cheeky postures. The songs, however, are as inventive and appealing as their treatments, and make for Eno's most solid--and experimental--pop album. TAKING TIGER MOUNTAIN holds up magnificently, even years on in the artist's brilliant career.
Album Reviews
Mojo (p.123) - 3 stars out of 5 - "Silly songs, quirky playing, bizarre chord changes are all there..."
Uncut (p.102) - 5 stars out of 5 - "Eno has done more than anyone to bring us round to the pleasures of texture over text..."
Titles on disc 1
1.
Burning Airlines Give You So Much More
2.
Back In Judy's Jungle
3.
Fat Lady Of Limbourg
4.
Mother Whale Eyeless
5.
Great Pretender
6.
Third Uncle
7.
Put A Straw Under Baby
8.
True Wheel
9.
China My China
10.
Taking Tiger Mountain
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