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"I always keep a stimulant handy in case I see a snake - which I also keep handy" - W. C. Fields
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Whilst his life and death may have been clouded in controversy, there is no denying that Michael Jackson was one of the great musical artistes of the 20th Century. Recent times and troubles may have lessened his output lately, but his legacy is a great body of work that has entertained millions and inspired many of today’s acts. Indeed, with his habit of spending millions of dollars on music videos, Michael Jackson led the way when it came to using MTV as an advertising tool.
It may be a little too soon after his death for the release of the film “This Is It”, but it’s worth remembering that had he lived we’d have the real life version at this point. The cinematic release opens it up to more people than had tickets for the shows at the O2 and whilst we may only get to see the rehearsals rather than the full on show, it’s a last opportunity to see Michael Jackson doing what he has always done best – put on one heck of a show.
Naturally, with a film there is an accompanying soundtrack. Unfortunately, the 2 CD version of “This Is It” is not a soundtrack, but is subtitled “The Music That Inspired the Movie”. This makes a huge difference and actually makes the whole album a hugely disappointing experience. The songs themselves are as great as you would expect from Michael Jackson, but the presentation is a triumph of marketing and doesn’t really add to Jackson’s legacy in any meaningful way, nor does it provide a true companion to the film version.
Perhaps appropriately, the album opens with “Wanna Be Startin’ Somethin’”. This is a great high tempo pop tune with a funky bass beat that it wonderfully typical of much of Jackson’s output. It bounces along wonderfully and it’s the kind of song that gets your feet tapping. That said, at just over six minutes long and containing a number of repetitions of the chorus, it does get a little repetitive after a while, as there isn’t a lot of variation in either the music or the lyrics.
Next up is “Jam”, which has never been one of my favourite Michael Jackson numbers. It’s got a more modern sound than the 70s funk influence that many of his songs do. This has more of a hard beat to it and there’s a clear rap influence here, making this more of a dance track than a funk or disco number. It could be this influence that made me enjoy it less than much of Jackson’s music, as I was always a fan of disco, but not much of a rap fan. Again, here, the length and the lack of variation, apart from the rap break in the middle, does make it a little repetitive over a 5 and a half minute track.
“They Don’t Care About Us” is the first sign that this isn’t a soundtrack album in the traditional sense, as it’s got the same opening as the album version, which came as something of a disappointment. It’s another song with a harder beat to it, but it’s another decent pop song and the driving beat to it helps things along. Towards the end, it suddenly seems to turn into another song with a heavy guitar part, which wakes things up a little.
Looking down the track list, “Human
Nature” was the one song I couldn’t immediately place, although on listening to it, it’s certainly a track worthy of this collection. This is the first time that the tempo slows down a little and it’s a lovely little pop ballad, which Jackson’s gentle, soulful voice works beautifully with. There’s a vocal part on the chorus I recall hearing remixed as part of a track not so long ago, so as well as being a lovely ballad, it shows Jackson’s influence on other artists.
Next up is “Smooth Criminal”, a song I’ve always loved. It’s another up tempo tune with a wonderfully driving and funky back beat and it’s the perfect contrast to “Human Nature”, showing both sides of Jackson’s music. Indeed, this one proves how versatile Jackson’s voice was, as it’s got a harsher vocal during the verses and a softer and much higher pitched vocal during the chorus. Everything that is best about Michael Jackson is in this song, both musically and vocally and it’s the perfect introduction to his work.
But it’s back to the funky sound I also love for “The Way You Make Me Feel”. It’s got a slightly slower tempo than some of the earlier tracks, although not quite slow enough to be a ballad. It’s a pop track with a lovely funky backbeat and once again showcases Jackson’s vocals at their best.
“Shake Your Body Down (To the Ground)” is a reminder that Michael Jackson was famous as the lead singer of The Jackson Five long before he was a megastar in his own right. It’s another wonderful song that gets your feet moving, with a high tempo and a 1970s funk and disco sound. I always enjoyed the Jackson Five as much as I loved Michael Jackson’s solo work, so I’m particularly pleased to find it’s not been neglected on this album.
Following this brief disco moment is a beautiful pop ballad. “I Just Can’t Stop Loving You” is the way a pop ballad should sound. Jackson’s soulful vocal only makes it sound even more romantic and the expansion of sound from the verse into the chorus is beautifully done. There’s a nice contrast between Jackson’s quieter vocal and Siedah Garrett’s slightly more powerful voice later on that makes this the definitive pop ballad.
“Thriller” is perhaps one of the songs Michael Jackson will always be remembered for and the video was certainly a breakthrough moment and one that you can’t forget once you’ve seen it. The song is indicative of the sound he made his own back in the 1980s, with a driving funky beat underlying a great pop vocal with the soulful touch that Jackson’s voice always provided. Best of all, largely due to the funky backbeat, it’s virtually impossible to listen to without wanting to get up and dance and there’s a spooky voiceover towards the end that just adds an extra sinister touch. Although the song is also almost six minutes long, it never outstays its welcome.
After “Thriller” comes another of Jackson’s definitive hits in “Beat It”. It’s got a great guitar riff that sets the song about and which Jackson combines with a slightly louder and rougher vocal than his usual soulful sound. It’s a great pop song with a slight funk rock influence and once again, you can’t help but want to dance.
Once again, the album version intro to “Black or White” is a reminder that this is only a companion album to the film and not a soundtrack album. That doesn’t change the fact that this is another one of his great songs and was also one of his great videos. Mush like “Beat It”, there’s a very rocky guitar riff that drives the song along, but without losing the slightly funky influence. There’s a rap break that breaks the song up a little and disrupts the flow a little, but it’s soon back to the bouncy guitar riff and the song drives along very nicely.
“Earth Song” is another track that I never really liked, but it was a huge hit and ran with a hugely expensive video, so you can see why it would be included here. It also combines well with the poem “Planet Earth” on the second disc. But despite the yearning vocal, this is a pop ballad that doesn’t really go anywhere and takes too long about it. I’ve always felt that this is one of the few Michael Jackson tracks that could be described as a little dull, as it’s a long track with little variation of pace and doesn’t quite work as either a ballad. It’s beautifully constructed, as you would expect from a Michael Jackson song, but it doesn’t move me in any way.
What a great contrast is provided with “Billie Jean” up next. The opening funky riff provides a statement of intent and this combined with the soulful influence in the vocals makes this the ideal pop song. Once again, this song is Jackson at his height in the 1980s and it’s a wonderful tracks and one that again seems to exert some kind of mind control over your feet.
“Man in the Mirror” is another song I’ve always loved and it’s again the perfect pop ballad. Musically, it’s perhaps not one of his best, being a little bland, but the vocals and lyrics really come to the fore and make this a great track. There’s a slight roughness to the vocal in the verses, but the chorus smoothes this out and the contrast is again evident and the almost gospel style backing vocals late on only add to the beauty of the track.
The first disc of two ends with the two versions of “This Is It”, one orchestral version and one album version. I’ve never really seen the point of putting two versions of the same song next to each other on an album and can’t help but think that maybe it would have been better to have started and finished the disc with the same song. That said, I suppose that with so many mp3 players capable of shuffling songs meaning that albums aren’t always listened to in order any more, it matters less than it once did.
Both songs are well crafted pop ballads, which work beautifully with Jackson’s still impressive voice and a slightly funky backbeat. The orchestra does add a little to the song, so I can see why it was included, although for the majority of the song there is very little difference between the two versions. It’s not quite as definitive a pop ballad as “The Way You Make Me Feel”, but it’s certainly a very good attempt and if this is to be the last new song from Michael Jackson, it’s certainly a worthy way for him to finish, as it stands proudly alongside his life’s work in terms of quality and sound.
If the first disc is Michael Jackson’s best from the studio, the second disc is a brief moment of curiosities. Given that the film version of “This Is It” is taken from rehearsal footage, for the first time on the album a few of the songs here provide an almost “rehearsal” feel, although from the recording studio rather than the stage.
The disc starts with a version of “She’s Out of My Life”, a song which doesn’t appear on too many of Jackson’s compilation albums. This is a shame, as it’s a beautiful pop ballad with just his voice and an acoustic guitar. Again, the stripped down music and Jackson’s voice combine beautifully. Apart from the intro and a slight sound at the end, however, you’d never realise this was just a demo version, as the production values are very high.
The same is true of “Wanna Be Startin’ Somethin’ (demo)” which is a slightly stripped down version of the album version but is largely virtually indistinguishable from the version on the first disc, so high are the production values. It’s still a great funk-pop song, but it would have been nice to have had some variation between discs. The song is good enough to have merited inclusion on the album, but this version isn’t different enough from the original to have earned a place on this disc.
The version of “Beat It” on show here certainly is different enough to merit inclusion. It’s an a cappella version of the song, which certainly sounds like they’re trying to get the vocal harmonies sorted ready for recording or performing. It’s only a couple of minutes long, but it’s very interesting and there’s a great contrast between how unsure Jackson sounds when he’s telling everyone else what they’re about to be and the strength in his voice once he starts singing. It’s certainly something worth having and for the first time this second disc seems worthwhile.
The other track that helps give this disc a point is the poem “Planet Earth”. It’s a spoken word track, just being a poem, but it’s got a haunting quality, helped by the echo on the track that sends a slight shiver down my mind. It’s a little simplistic and some of the rhymes seem a little immature, but the heart behind the delivery of those words make it seem greater than it is and hearing this with a cinema’s sound system behind it would be quite an experience, I feel. The attitude behind the poem would make this the perfect companion to “Earth Song”, as the feeling behind both matches up well.
Musically, there is nothing wrong with this album, as it showcases Michael Jackson’s immense talent and the whole range of the musical styles he employed throughout his recording career from his early days with the Jackson Five through to his more recent hits. As listening experiences go, this is a great album, as can be said of so much of Michael Jackson’s work. Unfortunately, the issue I have is with the marketing and packaging of the album, as it is far from definitive and, as I have already alluded to, it’s far from being a soundtrack album to the film version of “This Is It”. If this has been a set of recordings taken from the rehearsals for the show, as the film is, that would have made the album far more worthwhile.
It’s certainly very well presented, with a little hardback book containing the discs and a number of pictures which I presume would be stills taken from the film version, which acts a little like a concert programme as well as an inlay card. However, my issue with this is that none of the pictures have captions, so it’s impossible to place them as part of the show without having seen the film.
The other issue is that the musical selection itself is far from definitive. It misses some of his bigger hits such as “Bad” and, apart from the inclusion of “This Is It” and the curiosities on the second disc, it really offers nothing new that it not more readily available elsewhere. The other problem is with this second disc, which doesn’t contain enough of interest to make it worth including, as with only 4 tracks and a 14 minute running time, with half the content sounding too much like studio work, it adds next to nothing in terms of content. There must have been more material that could have been added and, as a companion album to a film, even a trailer on a DVD disc as many albums seem to come with as a bonus disc these days instead of just a few pointless songs on another CD would have been better.
The other issue is with the pricing, as another Michael Jackson “best of” style album priced at £11.98 from Amazon, or £9.49 at the Amazon Marketplace is far too much, even allowing for the one new song. It’s interesting that such a new album should already be available for 99 pence on eBay, which suggests many who have purchased it are already thinking twice. This is one only for the most dedicated of Michael Jackson fans and those who don’t have any of his music already. However, even then, every song on this album, with the exception of “This Is It”, is already on the “Essential Michael Jackson” album, which is priced at the same £11.98 on Amazon and contains 38 tracks, showing what can be done with a double CD album with a little more thought.
The music contained herein is certainly essential listening, but the album itself is far from an essential purchase. People looking to get into Michael Jackson should really spend their money more wisely on the “Essential Michael Jackson”. Those who already have that album and are considering a purchase of this album purely for the new songs or for completist reasons would be far better simply downloading those few tracks that don’t appear elsewhere. This is a decent enough album, but it showcases more how brilliant the record company’s marketing people are than it does how wonderful Michael Jackson is. By all means, listen to the album, but don’t waste your money
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Advantages: A wonderful album featuring many of Michael Jackson's greatest hits and a few new surprises. Disadvantages: Despite being a two disc CD the second disc only has three tracks ...
Advantages: A wonderful album featuring many of Michael Jackson's greatest hits and a few new surprises. Disadvantages: Despite being a two disc CD the second disc only has three tracks ...