Advantages: Some fantastic tracks Disadvantages: Some less than fantastic tracks
This is an interesting CD. There are some interesting songs on the two CDs, there are some interesting acts, too. Sadly, not all of the interesting songs are performed by the interesting acts. For example, there is a performance by Oasis of Slade's Cum on, Feel the Noise. The difference between Oasis' version and that of Slade is like a paint-it-by numbers version of the Mona Lisa. You can still see a woman, she is still smiling? but that's about the only similarity between the paint-it-by-numbers version of Mona Lisa and that of the original work by Leonardo da Vinci.
And sadly, such is the case with the Oasis play-it-by-numbers version of one of the seminal anthemic rock classics of the 1970s, Cum on, Feel the Noize. The Oasis version is a sort of cobbled together mess with elements of Beatles-style guitar licks (yes, boys, we KNOW ...
Advantages: Full Of Amazing Acts Disadvantages: NONE
has had mixed reviews, this anthem is a real classic. Jay-Z is back to his best as far as this track is concerned catchy chorus, great lyrics and brilliantly mastered
4. Seanie T With Roots Manuva & Karl Hinds
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An unknown English act that joins a artist (Roots Manuva) that has made a name for himself not only in th UK but also In The US which is no mean feat. Roots provides the chorus for this along with Karl Hinds another UK act. Seanie T shows his potential as a great rapper on this with his slick rapping and sublime beats.
3. DMX - We Right Here
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This one from Dark Man X is a real street anthem with its rough beats and even more rough lyrics. This song is DMX best since the classic Ruff Ryders Anthem and thats a hard song to beat. DMX really shows people what ...
Advantages: Good selection of skream tracks Disadvantages: the frequencies tend to stay in the same conceptual space too often
This mix is quite a hefty run through of all the big tracks of 2007 in the world of Dub-step (which is a relatively new but ever-increasingly popular music genre). The sound is from London and the UK (which is where most of the producers on the mix come from. The tracks are based upon what DJ Skream likes personally and what he plays at DJ sets (or was in the 2007-2008 period).
Kulture kicks off the mix with a reggae infuse synth bassline rizing track which gets the energy levels pumping straight from the outset (interesting way to start a mix!) Next is a track from Skream himself which was popular one on pirate radio and in D clubs 'wobble that gut' with minimal progressive beats and bass-lines. Next is another skream track of a remix of a garage track by dj zinc. Its got bass technical-wobbles and a sick vocal (cool). Then its Skream ...
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