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The Ultimate Collection
There are many Louis Armstrong anthologies, and this one is certainly outstanding, with 24
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tracks running over 77 minutes, spanning all but the very earliest years of Satchmo's career. The majority of the album covers Armstong's various bands over the ...
tracks running over 77 minutes, spanning all but the very earliest years of Satchmo's career. The majority of the album covers Armstong's various bands over the ...
tracks running over 77 minutes, spanning all but the very earliest years of Satchmo's career. The majority of the album covers Armstong's various bands over the years, the Orchestra, Dixieland Seven and All Stars, but also featuring tracks such as "Only You" (1955) with the Benny Carter Orchestra, and "Dream A Little Dream Of Me" (1950) with Ella Fitzgerald and the Sy Oliver Orchestra. As the cover says "The sound quality is excellent for its period on all tracks, but inevitably various throughout the album. All tracks have been newly digitally remastered for this compilation from original source material." Thus "St. Louis Blues" from 1933 really swings, and "Pennies From Heaven" (1947) shines with authentic character despite a somewhat rough live recording. Well featured are trumpet-led tunes such as "Tiger Rag" (1947), as well as the later famous hits like "Mack The Knife" (1956) and "Moon River" (1964) dominated by that unmistakably rich voice. Most Armstrong anthologies include "What A Wonderful World", but this album also contains a fascinating alternative take from 1970. It's a difficult choice, but if you only have room for one Armstrong collection, this excellent release just might be it. --Gary S. Dalkin
Advantages: Amazing contrast of voices, Disadvantages: Some sonic quality is lost due to the age of the recording
...This CD is a brilliant stepping-stone into the Jazz world. The instantly recognisable voice of LouisArmstrong is familiarly heart warming, Louis stood next to the sensational Ella, make a fine pair. The strong vocals are supported by the excellent band, with great instrumental links keeping the listener on the edge of their seat.
The intensity and coarseness of Mr. Armstrong's voice compels the audience to wish for the next scat solo or the next parade of incredible human talent that is Louis. Of course the same can be said of the sassy Ms. Fitzgerald who can sustain these high levels of aptitude.
I recommend this CD to any budding music fan who wishes to broaden their Musical horizons! HAPPY LISTENING!
BY, JAKE HEMMING...
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Ciao members have rated this review on average somewhat helpful
Advantages: Fantastic range of great tunes and songs Disadvantages: None
...My late Father would have approved of this CD. For this, he would have said, was real Jazz. "Not like this modern rubbish!"
My father's idea of real Jazz was music by the greats of the 1920 and 1930s. Jack Teagarden, for example. Mezz Mezzrow, was another of his heroes. And perhaps some of the early LouisArmstrong.
Well, two out of three ain't bad. There's no Mezz Mezzrow on this CD, but there is plenty of Jack Teagarden and some early LouisArmstrong, too. There's also Lester Young and Artie Shaw, too.
I have to agree with my dad. This rocks. Well, perhaps not rocks, but I think you know what I mean!
Jack Teagarden's jazz is the ultimate in smoooooth jazz. Until he really wanted to become lively, then it was as if you were listening to an entirely different orchestra. The first two Jack Teagarden and his Orchestra tracks (So Many...
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Ciao members have rated this review on average helpful
helpful 21.11.2005
great Review ofBest Smooth Jazz Ever..., The - Various Artistsby
lewiscrofts
Advantages: variety Disadvantages: none
...This is a huge collection. It consists of three cds and in total 45 tracks. It covers most of the popular jazz greats but is probably a little too main stream for any connoisseur of jazz in the true sense. The first cd is by far the best. It contains all the great tunes from the early years (Nat King Cole – “Let there be love..”, LouisArmstrong “Hello Dolly”, and Billie Holiday “That ole devil called love”). The second cd does not live up to the first. It moves on to 80’s jazz and loses its way somewhat, appealing to a listener different to that of the first cd. Personally I found it a little too esoteric. The final cd gains back the listeners attention with numbers like “Cantaloupe island” and “Moanin’” but the magic of the first cd is never recaptured....
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Ciao members have rated this review on average somewhat helpful
somewhat helpful 21.07.2000
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